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£70.00You'll Be Back (from Hamilton) (Flexible Ensemble - Score and Parts) - Miranda, Lin-Manuel - Wagner, Douglas E.
This version of You'll Be Back arranged by Douglas E. Wagner is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. The familiar favorite tune from the award-winning Broadway musical Hamilton, is set in a laid-back, light rock style with clever melodic nuances and richly conceived harmony, perfectly scored for developing band. Easy to play, this one is a winner! Duration: 3.15
Estimated dispatch 7-14 working days
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£202.99Avalon Wind Band Set (Score & Parts)
The magical world of King Arthur, Merlin and Mordred is the setting for Avalon. Unexpected opening figures portray the sudden entrance into another world. A choral-like melody represents the procession of ghosts headed by the mighty magician Merlin. Suddenly, ostinato figures and bi-tonal motifs indicate the attempt of Mordred and his horde to disturb the peace and quiet in the otherwise calm Avalon. Following a powerful statement of King Arthur, we hear a glissando referring back to the opening bars, and... we are back in the normal world. The journey through the underworld has come to an end and the dream is over. 0:16:20
Estimated dispatch 7-14 working days
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£91.99Exultation (Concert Band - Score and Parts) - Sparke, Philip
Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music. The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in. The second theme reappears which leads back to the 'blues' melody, which leads back to the opening fanfare. Palindromic!Duration: 3:00
Estimated dispatch 7-14 working days
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£63.00Paddy Lay Back - Steven Rosenhaus
Sea shanties (or chanties) are songs sung by sailors to keep them synchronized (and mentally interested) while doing the hard labor of sailing. "Paddy Lay Back" is a capstan shanty, a capstan being a vertically-axled rotating machine used to raise and lower a ship's anchor. Sailors would rotate the capstan by pushing poles radiating from it, with three or four men working a pole. The song would help them keep momentum; if not, something could slip. Not only would the anchor drop uncontrolled, but the capstan would spin quickly and the poles could throw and harm the sailors.1st trumpet's highest note is G. 1st & 2nd clarinets cross the break
Estimated dispatch 12-14 working days
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£140.90Back on Track (Concert Band - Score and Parts) - Schwarz, Otto M.
Back on Track is a spectacular composition for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short 'teaser' at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.Duration: 3.00
Estimated dispatch 7-14 working days
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£64.95Tower Hill Overture (Concert Band - Score and Parts) - Wagner, Douglas E.
One of London's top tourist attractions is the magnificent Tower of London, parts of which date back nine centuries. From a nearby hill echoes the themes of the Tower, from a time when it was a bustling community of nearly a thousand people within its walls back to the days when it was home to kings, queens, pomp and ceremony. Bold, dramatic, and rich in textures. Duration: 3.45
Estimated dispatch 7-14 working days
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£79.50The Empire Strikes Back (Finale) (Concert Band - Score and Parts) - Williams, John - Bullock, Jack
We leave the cares of our troubled world and escape to a distant galaxy where we are enveloped in one of the most captivating ongoing adventures of all time. The continuing Star Wars saga crosses all barriers of generations. From The Empire Strikes Back comes this charismatic medley. Titles include: "Star Wars (Main Theme)", "The Imperial March (Darth Vader's Theme)", "Yoda's Theme", "Han Solo and the Princess", and "May The Force Be With You." Thoroughly entertaining! Duration: 6.30
Estimated dispatch 7-14 working days
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£225.00Snowdonia (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul
From the composer's home on Anglesey, the magnificent mountain range of Eryri ('abode of the eagles'), known as Snowdonia in English, can be seen clearly, and it is this fine view that spurred him to compose this tone-poem. Just as the mountains change from season to season, and the view alters as one climbs the slopes, there are several distinct and contrasting sections to the piece itself. First we hear the bustle and excitement of the area in summer, as tourists flock to the foot of Snowdon; then an impression of the confident striding of those setting off to climb. After a brisk climax, the codetta to the energetic theme becomes the basis of a new, folk-like, idea which develops into a majestic anthem suggesting the grandeur of the mountain-range. The famous little train of Snowdon is brought to mind by a repetitive, mechanical idea which leads to a section combining both the main themes of excitement and grandeur, and to a powerful climax. Then, after a moment of silence, the atmosphere changes completely. Here is the ineffable solitude - and timeless beauty - of Snowdonia; but from the cellos (saxophone) we soon hear the folk-like theme slowly re-asserting itself, resolving into a peremptory fanfare which leads back to the opening mood and a return of the opening theme. But the final word is given to the 'solitude' motive, now transformed into a resolute chorale representing the eternal permanence of these extraordinary mountains.
Estimated dispatch 7-14 working days
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£85.00Vires, Artes, Mores
This work is a three-part composition based on the Latin words meaning Strength, Skill, and Character. The piece opens with a poignant fanfare depicting the strength of the modern concert band, which is followed by a fast-paced section, meant to demonstrate the performers' skills. The third section of the work is an uplifting theme designed to depict character. After moving back to the skill theme in a new key, it builds to a dramatic climax, followed by a short coda that bursts to the finish. Ideal for concert or contest.
Estimated dispatch 12-14 working days
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£206.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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