Results
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£202.99Missa Tornacum (Choir with Concert Band - Score and Parts) - Waignein, Andre
Felicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of the piece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, a dialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colours characterising each of its three parts. The fourth part, Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passage marking the end of the Mass. Choir parts are available separately.Duration: 17:00
Estimated dispatch 7-14 working days
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£104.99Ceremonial March (Concert Band - Score and Parts) - Van der Roost, Jan
In the course of the two centuries following the death of Henry Purcell in 1695, no British composer of any statue was apparent. Consequently, the break-through of Edward Elgar (1857-1934) as an internationally known and respected composer at the end of the last century, was of considerable importance. As a composer Elgar was largely self-taught and he looked towards the continent for his inspiration. He is without doubt on par with his contemporaries such as the somewhat younger Richard Strauss. The Belgian composer Jan Van der Roost is a genuine admirer of Elgar's music and on the occasion of the fiftieth anniversary of the composer's death in 1984 he composed the "Ceremonial March". Van der Roost was inspired by the most famous and frequently played works from Elgar's catalogue of works, the characteristic "Pomp and Circumstances" marches, and decided to add his own, sixth march to the existing collection.Duration: 5:30
Estimated dispatch 7-14 working days
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£214.95BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score and Parts) - Clarke, Nigel
This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00
Estimated dispatch 7-14 working days
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£179.99Outback (Concert Band - Score and Parts)
This work was commissioned by the "?sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans marked their decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with the world around them. Maintaining the deli?cate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era called Dreamtime - the Aborigines' creation myth - play an important role in not only their be?liefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this very day.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also known as Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although it did not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, they were unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions of years. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire. 11:55
Estimated dispatch 7-14 working days
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£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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£84.99
Scherzpolka (Concert Band - Score and Parts)
In the somewhat sarcastic Scherzpolka (Joke Polka), the composer does not intend to make fun of Alpine traditions and music but rather of the typical social attitude that does not always do justice to the valuable folk music and culture. Imagine a band that has to play in a beer tent for hours. During the performance the guests treat the musicians to one beer after another. Gradually, the players and the conductor lose control over their instruments and their interpretation of the music. Finally, the performance comes to an end: the Scherzpolka is actually the last piece. There are no limits to the creativity in both the visual and musical aspects during a performance of the Scherzpolka! 02:30
Estimated dispatch 7-14 working days
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£104.99The Eagle's Quest (Concert Band - Score and Parts) - Sparke, Philip
The Eagle's Quest was commissioned by Brevik Musikkorps (Norway) to mark the 400th anniversary of the birth of Cort Adeler, a renowned Norwegian-Dutch sailor who was born in the town of Brevik in 1622. His Dutch name Adelaer means eagle. This work celebrates his life but is not programmatic, simply reflecting Brevik's pride in one of its most famous sons. Towards the end of the piece there is a brief quotation from the town song, Brevikssangen, which is a fitting and captivating conclusion.Duration: 6.45
Estimated dispatch 7-14 working days
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£84.99Magic Feeling (Concert Band - Score and Parts) - Jeanbourquin, Marc
To mark its centenary, the Musikgesellschaft Hinterkappelen-Wohlen decided to commission a light-hearted work comprising different styles brought together in one setting. With this in mind, Marc Jeanbourquin composed a piece with a theme based on a short 5 note ascending motif. He developed this theme in various styles: funk, ballad, Celtic and, finally, rock. Everything comes together at the end of the piece with this magical ascending motif. Will the musicians conjure and retain a magical spirit full of energy and vitality through playing Magic Feeling? Most certainly! Duration: 3.00
Estimated dispatch 7-14 working days
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£124.00Rotterdam 1945 (Concert Band - Score and Parts) - De Meij, Johan
Rotterdam 1945 was written at the request of Maestro Arjan Tien, the chief conductor of the Marine Band of the Royal Netherlands Navy, to commemorate their 75th anniversary in 2020. 1945 also marked the end of World War II, the year that my home country Holland was liberated from Nazi Germany. My father was born in Rotterdam in 1910, so I have a special bond with this dynamic city. I have used the numbers 1-9-4-5 to create the main theme and translated it into a four-note motif: C - D'- F - G. - Johan de Meij. Duration: 7.30
Estimated dispatch 7-14 working days
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