Results
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£52.95Contraption (Concert Band - Score and Parts - McBrien, Brendan
Contraption is a tone poem describing an imaginary machine of great size and power. The word contraption is defined as a device or machine regarded as strange, incomprehensible, or makeshift. This concept has been applied to the construction of this musical composition. The creation of this piece was accomplished in the same way an inventor might build a physical contraption, in this case limited to three main component parts plus an interlude. A very unique and appealing piece!Duration: 3:45
Estimated dispatch 7-14 working days
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£58.50Ghosts of the Taman Negara (Concert Band - Score and Parts) - Lopez, Victor
This original composition is based on a wildlife research study which took place in Malaysia's largest national park, the Taman Negara. Researchers embarked on an expedition in the jungle tracking that wildest of wild animals, the tiger. Despite spending nearly three years in the rainforest, the researchers never saw a single tiger, hence the "ghost" aspect of the title. The composer's intent in this composition is to take you on an expedition tour and emulate the experience of the jungle. The work is characterized with mysterious melodic themes intertwined with exciting bold flashes of sound. Ghosts of Taman Negara is an embracing and emotional addition to the young band literature from the pen of Victor Lopez. Duration: 4.30
Estimated dispatch 7-14 working days
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£256.99Clarinet Concerto (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Sparke, Philip
Mozart originally wrote this concerto for a clarinet with an extended lower range, compared to the conventional instrument. As early as 1802, published versions appeared with registral changes, which made the concerto playable on instruments without the extra keys. When producing an edition for the conventional clarinet there are two choices to be made about the 'extra' notes - is it better to maintain the musical line, and hence transpose whole phrases or passages up an octave, rather than single notes, or is the chalumeau tone more important, in which case it may possibly be better to alter one or two notes to keep the correct octave. In this edition Philip Sparke has usually gone for the former so the 'sequences' make musical sense, but have taken the second option in some places. This fantastic work will prove popular with soloist, band and audience alike.Duration: 28:30
Estimated dispatch 7-14 working days
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£76.00Dragons Fly on the Winds of Time (Concert Band - Score and Parts) - Neeck, Larry
An exciting and impressive composition that portrays an epic struggle in the distant past between the forces of good and evil. A wizard, a beautiful exotic maiden, a battle, and our hero are woven in the fabric of this musical tale. Sprightly melodies, lively rhythms and tasty writing for a whole battalion of percussionists produce an opening section which is full of energy and vitality. The flowing adagio section features a nice oboe solo (cued in clarinet) and a horn section soli (cued in saxes) that really make this piece special. A superior choice for any concert or contest performance. Very highly recommended!Duration: 6.45
Estimated dispatch 7-14 working days
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£68.00Contrapunctus IX (Concert Band - Score and Parts) - Bach, Johann Sebastian - Clark, Andy
Composed in the last year of Bach's life, "Contrapunctus IX" is an exciting double fugue that has been adapted to provide an exciting and challenging work for the modern concert band-wind ensemble. Full of independence throughout, every part is important and all sections get plenty of chances to shine in this powerful arrangement which will be a true showcase for better bands. An impressive choice for any concert or contest performance!Duration: 3.30
Estimated dispatch 7-14 working days
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£41.50Wind Mountain Overture (Concert Band - Score and Parts) - Hodges, Steve
A strong, jubilant melody and a reflective middle section in 5/4 time highlight this exciting overture. An active percussion part drives the piece forward before settling into the minor section, where the lyrical melody is supported by an equally expressive countermelody. This section moves smoothly in 5/4, building to an effective climax before returning to the recapitulation and dynamic conclusion. Duration: 3.15
Estimated dispatch 7-14 working days
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£137.99Hanover Festival (Concert Band - Score and Parts) - Sparke, Philip
The Hanover Wind Symphony, New Jersey, USA was founded in 1984 by its conductor Peter Boor. He commissioned Hanover Festival to celebrate the band's 15th Birthday and the first performance took place on October 27th 1999. The piece starts with a solemn brass fanfare. Woodwinds join in and the music subsides into an expressive chorale. A climax is reached and the fanfare returns. Trumpets introduce an explosive vivo section, characterised by an energetic theme from the horns and low clarinets. A bridge passage with strong brass chords leads to a playful section that introduces a legato central theme under woodwind figures. This is taken up by the full band, the playful music returns and the original horn tune is reintroduced. Finally the opening fanfare returns, this time accompanied by music from the vivo section, until a fast and furious coda closes the work.Duration: 8:20
Estimated dispatch 7-14 working days
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£62.95Carnaval de Brasil (Concert Band - Score and Parts) - Story, Michael
This celebration of salsa music begins with an evocative introduction that is followed by an array of salsa rhythmic styles. Included are the mambo, the cha-cha, and the son-montuno, which differ widely. An equally wide assortment of tone colours and textures is explored. This composition is a work rich in multicultural textures.Duration: 3:30
Estimated dispatch 7-14 working days
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£84.50Over the Rainbow (Vocal or Saxophone Solo with Concert Band - Score and Parts) - Arlen & Harburg - Barker, Warren
"But no one will want to sing or play a melody that begins with an octave leap!" said an early critic. That melody that no one would sing or play is now probably the best known in the world. From The Wizard of Oz comes the song that has charmed millions. Warren Barker treats this scoring with care in a lush setting perfect for any concert occasion. If you have no vocalist, an optional alto or tenor saxophone solo part is included in the arrangement. It's a perfect audience-pleaser!Duration: 4:15
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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