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  • £56.00

    Doppler Effect

    The term Doppler Effect describes the aural phenomenon of something changing pitch relative to what direction it is traveling in relation to the listener. An example is when a siren coming towards you is higher in pitch then when it is going away from you. Sean O'Loughlin uses this fascinating concept to construct an original composition that uses instances of this effect. A broad melody acts as a connective element in the piece, with a multitude of teaching opportunities for dynamics and musicality.

    Estimated dispatch 12-14 working days
  • £49.00

    Adversary

    Now, this is what composer Larry Clark does best! He gives developing bands daring compositions that they just absolutely love to play. In Adversary, an epic minor piece, he explores the villainous character that appears in most great stories. The added dimension of 3/4 time give this piece an intriguing rhythmic feel. It is full-sounding, but never taxing to the abilities of the developing band. A surefire winner!

    Estimated dispatch 12-14 working days
  • £38.00

    Quintessence

    Composer Joseph Compello draws on his many years of experience teaching beginners to give us an exciting new contest-style piece for very young groups. Quintessence consists of simple rhythms and notes, but is also quite musical, with an aggressive, driving feeling. It's a great way introduce two eighth notes that are repeated. Your first year group will sound more advanced than their years.

    Estimated dispatch 12-14 working days
  • £49.00

    Fughetta - Wilhelm Friedemann Bach

    Taken from piano repertoire, arranger Andrew Balent uses his long career of experience to provide bands with an exceptional teaching piece. Fughetta acts as an introduction to the Baroque style, and also teaches young students how to play contrapuntal music, a difficult and important skill. This piece has great potential for inclusion on contest/festival required lists.

    Estimated dispatch 12-14 working days
  • £40.00

    Antagonist

    In every great story there is always an antagonist, the character of opposing force who is central to the success of the story. Larry Clark has applied this concept to music in a new beginning band piece, fascinating in sound and an excellent cross-curricular tie with English classes, musically illustrating the structure of a good story. This piece is aggressive and at times, purposely antagonizing. Designed with the youngest of players in mind, it works on simple repeated eighth note patterns as the foundation for the melodic material. As is typical in a Larry Clark piece, interesting parts are provided for all instruments, and everyone gets to play the melody.

    Estimated dispatch 12-14 working days
  • £89.00

    Symphony No. 3

    The largest of David Maslanka's wind symphonies in scale and duration, Symphony No. 3 was commissioned by the University of Connecticut Symphonic Wind Ensemble, Gary Green, conductor, and premiered by them in 1991. It is in five movements and lasts nearly 50 minutes. The moderate tempo and forceful character of the first movement contrast with the serene "nature" music of the second movement. The third movement, a fast and bristling scherzo largely in A Minor, is followed by two slower movements, both labeled "lament." The composer characterizes the music of these movements as both sorrowful and joyful. The fifth movement, in particular, has the lamenting character overcome by an ecstatic vision of natural beauty and the life force. Symphony No. 3 is arguably Maslanka's most profound and satisfying large-scale work, and it ends in an unequivocal A Major that has the feeling of a benediction. Large score and parts are available on rental.

    Estimated dispatch 12-14 working days
  • £44.00

    Wake Up for Christmas - Traditional

    Designed to showcase the percussion and trumpet sections of the band, Wake Up for Christmas has an inherently funny premise: that kids need to be awakened on Christmas! Mixing bits of Reveille with settings of two familiar Christmas time songs, Jingle Bells and Hark! the Herald Angels Sing, as well as fragments of assorted other seasonal tunes, this selection should bring a smile to the face of even the most committed Scrooge. The combining of all the elements at the climax is an inspired touch that ends this cheerful seasonal novelty with a bang!

    Estimated dispatch 12-14 working days
  • £60.00

    Waves of the Revolution

    O'Loughlin's tribute to New Hampshire's contribution to the Revolutionary War features glorious brass fanfares, blossoming woodwinds and exciting scoring for the percussion section. An aggressive theme in a minor key is the basis for this contest style piece, which is symphonic in nature. The combination of the themes towards the end of the piece brings it to an exciting conclusion.

    Estimated dispatch 12-14 working days
  • £87.99

    Dancing on the Sand - Etienne Crausaz

    Dancing on the Sand immerses us in an unmistakable oriental atmosphere. A moderate introduction underscored by percussions sets the scene. A short clarinet cadenza leads to the second part of the piece, during which an oriental dance built upon irregular rhythms develops, accelerating continuously to reach a dazzling finale. This work will undoubtedly set your concert on fire! This music forms part of the musical tale La Maldiction d'Aragne (Aragne's Curse), commissioned by the Lyre de Courtion (conductor Dominique Morel) on the occasion of its 100th anniversary.

    Estimated dispatch 7-14 working days

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  • £89.99

    Distant Hymns - Greg Sanders

    Distant Hymns is the third movement from the composer's work Dreams and Faith (The Solomon Valley Anthology). The American Composers Alliance commissioned the work for their Continental Harmony Project. In the late 1880s and early 1900s, many of the inhabitants of the Solomon River area in northern Kansas meticulously documented their lives in the vast expanse of the Kansas prairie in writings in their personal diaries. Several writers recorded an unusual phenomenon where the wind often carried sounds over the open prairie and fields with no visible sound source. An example of this display was sometimes the presence of music, often church hymns, carried with the wind from assumed distant churches that were frequently not there. The melodies could be heard constantly changing in volume and sound as the winds continuously changed directions. Distant Hymns is a musical representation of this experience, where a simple hymn tune is handed to and integrated between different groups of instruments. Ebbing frequently, the music varies in loudness and softness as the melody moves freely upon the wind.

    Estimated dispatch 7-14 working days