Results
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£110.99Highdays and Holidays (The Mortimer Revel) (Concert Band - Score and Parts) - Sparke, Philip
Highdays and Holidays was commissioned by the South Berks Concert Band to celebrate its 40th anniversary in 2016. The band rehearses in the village of Mortimer, which has a long and fascinating history dating back to, and beyond, the Bronze Age. Mortimer is famous for The Mortimer Revel, an annual event which was apparently a fairly rumbustious and sometimes violent affair. Highdays and Holidays seeks to capture some of this festive event in the form of an energetic overture, which explores a variety of moods including the somewhat chaotic atmosphere of the Revel. Duration: 6.00
Estimated dispatch 7-14 working days
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£289.99From Ancient Times (Concert Band - Score and Parts) - Van der Roost, Jan
From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly 'ancient times' while the tonal language is of a much more modern nature!Duration: 18:30
Estimated dispatch 7-14 working days
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£39.50Back from The Wars (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 2Duration: 02:00
Estimated dispatch 7-14 working days
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£39.50
Chapel Royal (A Simple Chorale) (Concert Band) - Carroll, Fergal
The chorale that forms the basis of this piece is entirely original but attempts modestly to evoke something of the spirit of the great composers of the Tudor age, at once rich but slightly austere, with an occasionally modal feel. There are almost no changes of metre and the marking is Largo, demanding a dignified tempo which lets the music breathe but keeps it moving. Duration: 1:20
Estimated dispatch 7-14 working days
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£39.50
With Fire and Sword (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 2 - 2.5Duration:01:30
Estimated dispatch 7-14 working days
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£53.95The Flintstones Meet The Jetsons (Concert Band - Score and Parts) - Sebesky, Gerald
The Stone Age meets the Future! Themes from two of Hanna-Barbara's best-loved cartoons come together in a salute to those wonderful characters that we've all grown to love. Here's a great and very easy scoring of music that will bring guaranteed smiles to the faces of any and all of your audience members -- that is, if you "ya-ba-da-ba-doo" it right! Duration: 1.15
Estimated dispatch 7-14 working days
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£154.99Poet and Peasant Overture (Concert Band - Score and Parts) - Suppe, Franz Von - Takahashi, Tohru
Preludes and overtures were often written to set the mood of Viennese folk plays and therefore might be used for more than one production. Such was the case for Poet and Peasant, which introduced a comedy of the that name in 1846. The piece had already been heard as the overture to the play Lots of money, short of sleep and may also have prefaced two other plays. This overture did not belong to an opera until several years after its 1845 composition date. The themes from this overture are among the most often quoted material for comic effects for stage productions and animated cartoons. Probably, they represent, in sound, an era of nostalgia from the old-time park band concerts and are familiar to audiences of all age groups. This composition deserves to be heard in its original context as a serious, but highly entertaining, selection.Duration: 10:15
Estimated dispatch 7-14 working days
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£104.99For the Next Thousand (Concert Band - Score and Parts) - Schwarz, Otto M.
Perhaps a strange characteristic, but mankind has always had a fear of changing centuries and millennia. The end of the world and all kind of natural catastrophes has been forecasted, but have never come to pass. In For The Next Thousand composer Otto Schwarz tries to be more positive. In this piece he makes a toast to the new age, in which wind music too has to find a new way of staying attractive. The piece has elements of film music and has a slow-rock middle section, with a sax solo.Duration: 5:45
Estimated dispatch 7-14 working days
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£39.50
Treason and Plot (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 1.5Duration: 02:00
Estimated dispatch 7-14 working days
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£60.99After the Cakewalk - Robert Nathaniel Dett
Despite his having moved to the United States with his family when he was 11 years old, Robert Nathaniel Dett (1882-1943) was born in Canada where glimpses of his talent had already begun to manifest themselves at an early age. Among Dett's earliest titles was his Characteristic March Two-Step, After the Cakewalk. Perhaps written when Dett was just a teenager, this current edition is wholly based upon its original 1901 band publication that was arranged by Lee Orean Smith. Smith was also responsible for preparing Dett's piano solo version for publication, as well as its form for theatre orchestra and mandolin club. Owing to the fact that Smith's highly idiomatic scoring was prepared for a band of that period, this edition adapts, edits and extends Smith's instrumentation in order to make it possible for Dett's music to become available to a new generation of musicians and listeners alike. (Grade 4)
Estimated dispatch 7-14 working days
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