Results
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£64.35They're Off!
Here's the perfect "chaser" or encore for any concert performance! This fun-filled, rollicking galop from the golden age of the circus is accelerated excitement for performers and audience alike. Suitable at a range of tempos (all fast!) your band will love seeing just how fast they can go! Certain to become a favorite!
Estimated dispatch 7-14 working days
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£39.95Taps in Tempo - Jan Nerneska - Rodney Newton
Despite his European name, Jan Berenska was a Midlander and something of a youthful prodigy, playing piano, violin and cello and giving his first broadcast at the age of 15 from Station 5IT (based in Witton, near Birmingham) in the...
Estimated dispatch 5-7 days
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£95.00
Lux (CB) - Roger Derongé
On 14 September 2021, Luc Craps died of cancer at the age of 59. He was a true pacesetter, extremely funny when he could, serious when necessary. Some time after his death, Luc's wife Erika asked close friend Roger to write a work in lasting memory of Luc.
Estimated dispatch 7-14 working days
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£86.00
Abendlied (CB) - Josef Rheinberger - Pierre-Antoine Savoyat
Abendlied (Evening song) is a sacred motet by Josef Rheinberger for a six-part mixed choir. He wrote the first version in 1855 at the age of 15. It is perhaps his most famous choral work, which looks backward to the great sacred music of the Renaissance.
Estimated dispatch 7-14 working days
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£53.95
A Child's Lullaby - Robert Sheldon
This piece is dedicated to Olivia Caldwella beautiful and charming little girl who was taken by cancer at the age of 20 months. Her grandparents commissioned this piece in her memory to recognize her sweetness, strength, and courage. (3:45)
Estimated dispatch 7-14 working days
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£118.40
Impressions Of A New Age - Jan Kalousa
Estimated dispatch 7-14 working days
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£117.10 -
£53.95A Child's Lullaby (Concert Band - Score and Parts) - Sheldon, Robert
This piece is dedicated to Olivia Caldwell, a beautiful and charming little girl who was taken by cancer at the age of 20 months. Her grandparents commissioned this piece in her memory to recognise her sweetness, strength, and courage. Duration: 4.00
Estimated dispatch 7-14 working days
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£137.70Mammoth Mountain Suite - Haakon Esplo
Mammoths were a family of elephants that, with one exception, died out at the end of the last ice age. Their closest living relative is the Asian elephant. In many places in the world one can find mammoth remains. In Norway (especially in Gudbrandsdalen), 20 discoveries of teeth and skeletal remains have been made after mammoths that lived here between 40,000 and 50,000 years ago. On cave paintings and carvings you can see many pictures of mammoths with other animals. Pictures of killed mammoths have also been found with humans. Mammoth Moutain Suite describes a bunch of hunters looking for mammoths. Imagine the majestic animals, what it felt like to see the herd in themountains and what it sounded like when the 6 ton heavy and 3.5 meter tall mammoths were on the run.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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