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£54.99
Across the Atlantic - Alexander
A later edition (013-0868-00) is also published.Note: This is a reprint from a vintage publication of 1899. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work. Due to the era of this work, C Piccolo/C Flute, saxophone, and double-reed parts were not originally published, but have been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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£54.99
Across the Sands - Cline
Note: This is a reprint from a vintage publication of 1925.No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work.If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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£71.50Across the Plains - Chisham
This piece it taken from an authentic Pueblo Indian "cloud dance". Programmatic in nature, it is an excellent choice for contest or concert performances and Chisham's fascinating style of composition gives the piece strong appeal that will make it popular with students and audiences alike. Very nice!
Estimated dispatch 7-14 working days
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£57.50Across the Currituck Sound - James L. Hosay
This expressive gem will inspire your musicians to higher levels of musicianship. Those who are familiar with composer James L. Hosay's previous works for this level band will be anxious to explore this rich new offering. Accessible to young bands but artistically worthy of any level group, this opulent soundscape belongs in every band's repertoire. Work with the geography teacher to discover cross-curriculum ideas. Exquisite!
Estimated dispatch 7-14 working days
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£106.95
Hands Across The Sea
Andrew Balent arranging John Philip Sousa is a winning combination in itself, and this popular march has been scaled down sensitively and carefully for the younger band. Inspired by the friendship between the United States and their allies overseas, Sousa composed this march After hearing the phrase, "A sudden thought strikes me, let us swear eternal friendship." The touching patriotism and bold happiness of this work will make your group shine.
Estimated dispatch 7-14 working days
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£83.50Across the Great Divide - Rob Romeyn
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!"
Estimated dispatch 7-14 working days
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£79.99Across The Halfpipe - Samuel R. Hazo
Enjoy a jubilant celebration of sounds and rhythms in this refreshing work that musically explores the exhilaration of snowboarding or skateboarding on the halfpipe. Composer Samuel Hazo uses an energetic percussion fabriccombined with twisting and turning patterns of melodies and riffs in this challenging and appealing offering for band. Dur: 3:50
Estimated dispatch 7-14 working days
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£228.70Pulsar - The Metamorphosis of a Star - John Brakstad
4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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