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  • £70.00

    Creed (Concert Band - Score and Parts) - Himes, William

    A creed is a statement of belief. This piece, while not literally programmatic, seeks to convey a sense of affirmation and trust, ideals considered to be the basis of humanity. The result is music which is descriptive and atmospheric, conjuring a variety of moods ranging from reflection to exultation.Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £74.99

    Discoduction (Concert Band - Score and Parts) - De Haan, Jacob

    Jacob de Haan especially composed this piece for the by now well-known C.D. Soli Brass. Not just a C.D. opener, this piece is an excellent concert starter. The title is a combination of the words Introduction and Disco. The composition is made up of a majestic opening, following in a section in disco style based on the same themes.Duration: 1:30

    Estimated dispatch 7-14 working days

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  • £89.95

    First Blow - Level 1 (Value Set) - Waites, Ernie

    The Value Set includes a score and 1 of each part.The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick

    Estimated dispatch 7-14 working days

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  • £19.95

    First Blow - Level 1 (Piano Conductor Score) - Waites, Ernie

    The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick

    Estimated dispatch 7-14 working days

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  • £73.50

    El Aguila de Oro (The Golden Eagle) (Concert Band - Score and Parts) - Bullock, Jack

    Subtitled "The Golden Eagle," this dynamic march has a Latin flavor to spice up your program. Included is a charming Mariachi section to compliment the style. A dynamic choice that really sparkles, not a 'regular' march! Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £154.99

    Achnaton Wind Band Set (Score & Parts)

    The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered in a revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at his side. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyed himself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reign Achnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was the centre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping to forget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the 'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'. 09:00

    Estimated dispatch 7-14 working days

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  • £49.50

    Adventures (Concert Band - Score and Parts)

    A clever little piece combining two great teaching techniques for young band. Not only is this a great piece for practicing scales, but it also gives your students a taste of the blues.

    Estimated dispatch 7-14 working days

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  • £59.40

    America Exultant (Concert Band - Score and Parts) - Fillmore, Henry - Glover, Andrew

    Sousa said, "A march should make a man with a wooden leg step out," and Henry Fillmore's "America Exultant" is exactly the kind of march he had in mind! Trombones are featured throughout, along with a trumpet-and-drum motif and a woodwind obbligato. The very unique trio is based on "America." Not difficult, but highly impressive!

    Estimated dispatch 7-14 working days

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  • £84.99

    Animal Kingdom Wind Band Set (Score & Parts)

    In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30

    Estimated dispatch 7-14 working days

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  • £135.00

    ARIA DELLA BATTAGLIA (Concert Band) - Gabrieli, Andrea - Scatterday, Mark

    The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled "per sonare d'instrumenti da fiato" ("to be played by wind instruments") and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called "Battle Symphony," being a latter-day example.

    Estimated dispatch 7-14 working days

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