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£54.99Big Fun on the Bass Drum Wind Band Set (Score & Parts)
Beating a drum is fun. Beating a big drum is even more fun. Being a soloist and beating a bass drum is best of all. In 'Big Fun on the Bass Drum' the dream of every starter percussionist is realized. He/she is soloist and is allowed to really beat the drum hard without the conductor putting a stop to it, but beware: a new skin is rather expensive. 'Big Fun on the Bass Drum' is not only about hitting as hard as you can, though. A lot of attention is paid to playing the bass drum very softly. And what is more, the composer has found room to offer the soloist a real cadenza - at this point in the composition he/she can either play the part prescribed or give the audience an improvisation of his/her own. 02:00
Estimated dispatch 7-14 working days
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£214.95BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score and Parts) - Clarke, Nigel
This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00
Estimated dispatch 7-14 working days
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£49.95
BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score only) - Clarke, Nigel
This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00
Estimated dispatch 7-14 working days
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£76.99
Brass Time (Concert Band - Score and Parts)
Brass Time offers a great opportunity to spotlight the trumpet section of your band. With its medium degree of difficulty, this composition is suitable for trumpet players who have reached a moderate standard, but are not yet virtuoso performers. This excellent intermezzo will undoubtedly be a great joy for the band and the audience alike. 03:45
Estimated dispatch 7-14 working days
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£84.99
Bread and Games Wind Band Set (Score & Parts)
Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the people was asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward. 06:00
Estimated dispatch 7-14 working days
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£149.99Bridge Between Nations Wind Band Set (Score & Parts)
This work builds a musical bridge between the nations of the European Union. In this composition each country is represented by a fragment of its national anthem. The listener will continually be surprised by the creative way the national anthems are presented. The national anthems of the nations that have become part of the EU in 2004 have already been included in this piece. Because the fragments follow each other and complement each other in a logical way, this work does not sound like a regular medley but rather like a varied concert work with interesting elements of folklore. For most of the national anthems Jacob de Haan has chosen a minor key, which gives this work an extra emotional, sometimes melancholic overtone. 0:09:30
Estimated dispatch 7-14 working days
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£159.99
Bulgarian Dances (Concert Band - Score and Parts)
Bulgarian Dances is a free rhapsody, divided into four distinct movements based on famous Bulgarian folk songs. These songs have a very old tradition and stem from both the antique world of Byzantium and even earlier in the ancient and mysterious civilization of the Thrace region. In the beginning they were monodic songs, then diaphonic, with characteristic dissonances of major and minor seconds which make them unique. What also makes these songs so fascinating are seductive and complex irregular rhythms. The composer, while remaining faithful to the original spirit of the songs, has not hesitated to broaden the musical ideas, enriching them and making them more suitable to the rich palette of colours of contemporary concert bands. A terrific modern addition to the band repertoire. 11:11
Estimated dispatch 7-14 working days
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£104.99
Celtic Gathering Wind Band Set (Score & Parts)
Roland Kernen has developed a true fascination for the traditional music scene and for Celtic folk music in particular. The Celts fed on a rich blend of legend and myth which is skillfully portrayed in Celtic Gathering. This lyrical piece embraces two musical atmospheres. The first melodic line, written in a minor key, expresses the cheerful character of a group dance, whilst the second line, written in a major key, portrays perfectly the joyful mood of a Celt village.Why not add a touch of Celtic magic to your band repertoire.
Estimated dispatch 7-14 working days
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£154.99
Chansons Bachiques Wind Band Set (Score & Parts)
In this four-movement suite, every moment sings of a different type of French wine. All these wines have their origins in the little French village of Savigny-les-Beaune in Burgundy and are made by wine-grower Pierre Guillemot. It was the excellent quality of the wines that inspired Rob Goorhuis into writing this composition. The first three movements deal with three red wines made of the Pinot Noir grape which all bear the Premier Cru designation. The final movement was inspired by a white wine made of Pinot Blanc and Chardonnay. In the nature of their musical material, the various movements not only give a characterisation of the taste of the wines. they also hint at impressions of the respective vineyards and their surroundings. 1st Movement Les Narbantons - Giocoso 2nd Movement Les Jarrons - Gracioso 3rd Movement Les Serpentieres - Festivo 4rd Movement Dessus des Golardes - Vivaci. 13:00
Estimated dispatch 7-14 working days
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£209.95
Clarinet Concerto (Ellerby) (Prestige Concert Band - Score and Parts) - Ellerby, Martin
The opening 'Carousel' takes a leaf out of the American minimalist composers' book and is energetic and resourceful throughout, conjuring up images of a fairground ride that is not too much of an intrepid adventure! The central 'Cameo' presents and re-presents a delicate, highly legato, melisma for the soloist. A somewhat brooding central episode provides both a moment of contrast and the opportunity for the soloist to deliver some free cadenza-type material before returning to the security of the opening calm. The closing 'Charabanc' is a freely developed rondo-style finale embracing influences from jazz and other light music forms. Listeners are encouraged to use their own imagination, as it is intended to be whatever you want it to be!Performance time 15'15"This work was commissioned by and is dedicated to Linda Merrick and is featured on the recording QPRM137D LINDA MERRICK, Linda Merrick and the RNCM Wind Orchestra
Estimated dispatch 7-14 working days
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