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  • £42.50

    Geoge of the Jungle (Concert Band - Score and Parts) - Allman & Worth - Bocook, Jay

    Not only is he a cool character with a hit movie, but he's got a great theme! This clever version for band features timpani throughout (cross-cued) and gives your band a great novelty spot for most any concert.

    Estimated dispatch 7-14 working days
  • £202.99

    Missa Tornacum (Choir with Concert Band - Score and Parts) - Waignein, Andre

    Felicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of the piece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, a dialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colours characterising each of its three parts. The fourth part, Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passage marking the end of the Mass. Choir parts are available separately.Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £89.99

    Minerva (Concert Band - Score and Parts) - Van der Roost, Jan

    Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting new part, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £94.99

    Antonin's New World (Triangle Solo with Concert Band - Score and Parts) - Dvorak, Antonin - Stratford, Dizzy

    Antonin's New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak's Symphony in E Minor ('From the New World'), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin's New World as a "triangle solo" novelty piece or simply as a delightful adaptation of Dvorak's immensely popular Ninth Symphony, both the band and the audience will love it!Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £154.99

    Symphonic Variations (Concert Band - Score and Parts) - De Haan, Jacob

    This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to a musical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.Duration: 11:15

    Estimated dispatch 7-14 working days
  • £60.00

    Derbyshire Cavalry Marches (Concert Band - Score and Parts) - Haydn, Joseph - Hash & Walters

    Haydn wrote these marches during his second trip to London in 1794-95. The original autograph is titled "Two Marches Composed by J. Haydn for Sir Henry Harpur... to the Volunteer Cavalry of Derbyshire, embodied in the year 1794". Scored for the typical military band of the time, the instrumentation included a trumpet, two horns, two clarinet, two bassoons and a serpent (a curved bass instrument played with a cupped mouthpiece). Percussion parts would have been added by the regimental drum major and played by soldiers, not regular musicians. Due to a lack of printed marching books at the time, selection had to be short to facilitate easier memorisation. In this arrangement for modern concert band, the marches have been transposed from the original keys to Bb and F Major. Percussion parts have also been added by the arrangers and can be used at the director's discretion. Though these marches have been scored with the intermediate level band in mind, the integrity of the originals have been maintained, making them of interest to musicians and music students alike, at all levels.

    Estimated dispatch 7-14 working days

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  • £87.50

    Fantasy on Yankee Doodle (Concert Band - Score and Parts) - Williams, Mark

    This is a refreshing and exciting work! Yankee Doodle seems like such a simple melody, but it's amazing how well Mark Williams develops it using a set of variations. Although opened by a humorous statement of the theme by solo tuba, you'll soon find that this is not a novelty piece . . . the varied styles and moods are displayed in well-written music that is perfectly held together by the original theme. Excellent! Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £159.99

    Slavia (Slavonic Rhapsody) (Concert Band - Score and Parts) - Van der Roost, Jan

    Jan Van der Roost originally composed each and every note of 'Slavia' (as in case in 'Puszta', 'Rikudim' and 'A Highland Rhapsody'). Consequently, 'Slavia' does not contain any arrangement of existing tunes, but is an original composition 'in the style of...'. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this 'Slavonic Rhapsody' a spell-binding experience to the very last note.Duration: 8:00

    Estimated dispatch 7-14 working days

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  • £118.99

    The Universal Band Collection (Concert Band - Score and Parts) - De Haan, Jacob

    A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl: A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad: A ballad in pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A').Play the Game: An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego: A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.Final Dance: Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.Duration: 10:30

    Estimated dispatch 7-14 working days

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  • £74.99

    Hymnus Antverpiae (Flexible Ensemble - Score and Parts) - Van der Roost, Jan

    This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00

    Estimated dispatch 7-14 working days

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