Results
-
£83.00Letter From Home - Aaron Copland
Letter from Home was commissioned as a patriotic work in 1944 by Paul Whiteman and his Radio Hall of Fame Orchestra. Composed toward the end of the Second World War, this music suggests the emotions of a soldier reading a letter from home. The music has been described as Copland's 'most sentimental' and reflects his own homesickness while visiting Mexico. This sensitive transcription by Brian Belski has produced another wonderful wind band setting from America's most iconic composer." Craig Kirchoff (Windependence Series Editor)
Estimated dispatch 7-14 working days
-
£225.50Vier Burleske Szenen Aus Der Mond - Carl Orff
Carl Orff wrote his little world-theatre "Der Mond" [The Moon], based on old fables, between 1936 and 1938. The score written for actors who sing, a narrator and large orchestra, also contains parts important for wind band. Four scenes have been selected for the present arrangements which are best performed on different sets of instruments. The arranger, Hermann Regner (born 1928), worked very closely with Carl Orff for many years. This work is sure to be a success in concerts for bands at an advanced level.
Estimated dispatch 7-14 working days
-
£184.99Concertino for Percussion and Band - Menno Bosgra
This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.
Estimated dispatch 7-14 working days
-
£94.99Conzensus - Jan Van der Roost
This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept.The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.
Estimated dispatch 7-14 working days
-
£99.99Hidden Light (Loyalty Among Friends) (Concert Band - Score and Parts) - Houben, Kevin
Hidden Light (Loyalty Among Friends), was composed on the occasion of the 75 year membership of Mr Leo Knoben at the Royal Brass Band 'Eendracht Waubach'(NL). From pride and admiration for this exceptional jubilee , but also out of gratitude for his many years of commitment as musician and member of the board, the association chose to have a memorable work written. That assignment resulted in the wonderful choral Hidden Light, for which composer Kevin Houben based himself on the following emotions and oppositions: small vs majestic, submissive vs royal and simplicity vs glory. The work starts in a very modest, dark atmosphere, after which the composition develops into a grand and lofty sound with broad melodies, exploring the full richness and colors of the 'symphonic' wind band. The interesting variety in orchestration - the small, intimate setting at the beginning and the following broad, majestic tutti passages - makes the work very varied, grateful to perform and to listen to. With Hidden Light Kevin Houben has again created an expressive and powerful composition that is highly reflective in nature. This emotional work is a tribute to an exceptional man who has been there for 'his' orchestra all his life, with a warm heart for 'his' musicians. Each musician will recognise the connection and the passion for music in this piece. Duration: 5.30
Estimated dispatch 7-14 working days
-
£68.80Adagio (Concert Band - Score and Parts) - Brahms, Johannes - Houben, Kevin
Johannes Brahms can be considered to be one of the top composers of the nineteenth century chamber music. He was a giant in this field and an eminent successor of Beethoven and Haydn. A masterpiece from his chamber music oeuvre is the trio in Eb opus 40 for piano, violin and natural French horn. In 1865, the year of his Horn trio, Brahms's mother Christiane died. It's well known that he fostered deep feelings for her. The slow part of the Horn trio with the tempo indication Adagio Mesto (sad) can be considered as a lamentation for his mother. The first performance of the piece took place in Zurich on 28th November 1865 and it was published a year later in November 1866. In this version for Wind Band Kevin Houben stays as true as possible to the original. The result is a deep and dark orchestration of the wonderful Adagio Mesto. A challenge for any orchestra and extremely suitable as concert piece. Duration: 6.00
Estimated dispatch 7-14 working days
-
£136.00Run to the Edge (Concert Band - Score and Parts) - Dove, Jonathan - Littlemore, Philip
Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged the work for concert band, providing symphonic wind ensembles with a high velocity joy ride. Duration: 5:00
Estimated dispatch 7-14 working days
-
£118.99Goodnight Moon (Concert Band - Score and Parts) - Whitacre, Eric - Markowski, Michael
"Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I later arranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena M?senbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quiet nights, reading my son to sleep." -Eric Whitacre
Estimated dispatch 7-14 working days
-
£141.99Goodnight Moon (Vocal Solo (Soprano) with Concert Band - Score and Parts) - Brown & Whitacre - Mosenbichler-Bryant, Verena
Note from the Composer: "Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I later arranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena M?senbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quiet nights, reading my son to sleep." - Eric Whitacre
Estimated dispatch 7-14 working days
-
£75.00Aria (from Suite Antique) (Flute Solo with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. This arrangement for Concert/Wind Band and Solo Flute adheres to the original presentation, but is expanded for a full band accompaniment to the solo flute. The harpsichord is optional, being cued elsewhere, but may be performed as in the original score by either harpsichord or an electronic keyboard with a similar setting. A jazz drumset is optionally included in the fourth (jazz waltz) movement, and other percussion discretely added in other movements. It is exciting to hear earlier musical forms brought into today's music appreciation, and this setting of a flute solo with band is especially refreshing for both soloist and band.
Estimated dispatch 7-14 working days
View Music