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  • £15.95

    TALES FROM ANDERSEN (Progress Concert Band Extra Score) - Ellerby, Martin

    Extra Score. Having immersed himself in a translated volume of the most popular Andersen fairy tales the composer selected five contrasting stories and shapes them into a miniature suite. The movements are:- 1. Overture - The Steadfast Tin Soldier. 2. Soliloquy - The Little Match Girl. 3. Scherzo - The Emperor's New Clothes. 4. Idyll - The Snow Queen. 5. Finale and Chorale - The Red Shoes. Duration: 9:25 (Recorded on QPRM150D CHIVALRY, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £77.95

    TALES FROM ANDERSEN (Progress Concert Band) - Ellerby, Martin

    Having immersed himself in a translated volume of the most popular Andersen fairy tales the composer selected five contrasting stories and shapes them into a miniature suite. The movements are:- 1. Overture - The Steadfast Tin Soldier. 2. Soliloquy - The Little Match Girl. 3. Scherzo - The Emperor's New Clothes. 4. Idyll - The Snow Queen. 5. Finale and Chorale - The Red Shoes. Duration: 9:25 (Recorded on QPRM150D CHIVALRY, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £95.00

    The Gilded Theatre (Concert Band - Score and Parts) - Hesketh, Kenneth

    The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre. The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau.The music narrative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.

    Estimated dispatch 7-14 working days

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  • £74.95

    THREE PAINTINGS BY LAUTREC (Recommended!) (Programme Concert Band) - Johnson, Laurie

    (Recorded on QPRM150D CHIVALRY, (Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £140.00

    Elegy & Scherzo - Johan de Meij

    Elegy & Scherzo was written at the request of cellist Yuki Ito, to commemorate the 150th birthyear in 2023 of Russian composer Sergei Rachmaninoff (1873 - 1943). Composer Johan de Meij used some hints and quotes from Rachmaninoff's 2nd Symphony (opus 27) and the Symphonic Dances (opus 45), to embrace the sound world of the Russian master. Elegy & Scherzo was premiered on October 27, 2023, in the Cankarjev Dom in Ljubljana, Slovenia by the Band of the Slovenian Armed Forces, with Yuki Ito as the cello soloist. Soon after the premiere, the work was adapted for solo euphonium and wind orchestra. It received its premiere during the ITEC, the International Tuba- and Euphonium Conference 2025 in Valencia, Spain, with Shoichiro Hokazono as the soloist, and the composer conducting.

    Estimated dispatch 7-14 working days

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  • £244.00

    Anemoia - Gauthier Dupertuis

    Gauthier Dupertuis wrote Anemoia as part of his master's thesis at the Lausanne University of Music. It is dedicated to the most significant figure in his musical life: his teacher Jean-Claude Kolly.Anemoia is the name given to the feeling of nostalgia that one feels for a time that has never known. This emotion often translates into the uneasy sensation of having lost something important or of not living at the right place or time. Fascinated by this concept, Gauthier Dupertuis tried to translate it into music oscillating between exaltation, anguish and nostalgia.The piece is formed by two movements: (Un)desired sorrow and Behind the glass of time. The first movement initially evokes the feeling of unease one feels when suddenly struck by anemoia. It then evolves into majestic atmospheres, marking our admiration for times gone by. The second movement treats anemoia in a more melancholic way.The premiere took place on 6th December 2024, during Jean-Claude Kolly's last concert as a conductor of the Concordia de Fribourg, marking thirty years spent conducting this wind orchestra.

    Estimated dispatch 7-14 working days
  • £84.99

    Variations on a Theme by Elgar - Árpád Balázs

    In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.

    Estimated dispatch 7-14 working days
  • £127.30

    Mitt hjerte er ditt - Geir Holmsen

    "Mitt hjerte er ditt" ("My Heart is Yours") is primarily known with this Norwegian lyrics and melody from Maj Britt Andersen's recording of the song, first released in 1992. Andersen's husband, Geir Holmsen, composed the new music for this recording, a version that has since been performed by numerous other artists, including Anna of the North on "Hver gang vi mtes" in 2022.The lyrics are Alf Prysen's Norwegian translation of Nils Ferlin's Swedish text, originally written to a Swedish folk tune.This is an arrangement written for a vocal soloist and wind orchestra, but it can also be played with instrumental soloists or purely instrumentally. The song has only two verses, so the middle section of this arrangement is an orchestral verse where the melody begins in the lower instruments.

    Estimated dispatch 7-14 working days

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  • £119.20

    Sinfonisches Prludium - Anton Bruckner

    The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner.Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.

    Estimated dispatch 7-14 working days

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  • £118.99

    Overture to Lysistrata - Mark Adamo

    In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orchestra, what with its two saxophones (alto and baritone) and lavish use of mallet percussion. But here, Peter Stanley Martin's deft and artful arrangement perhaps expresses the character of the music even more eloquent;y than the orchestral version does. - Mark Adamo

    Estimated dispatch 7-14 working days