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£385.00Symphonic Dances Op. 45 - Movement 3 - Sergei Rachmaninov
Paul Lavender arranged the third movement (Allegro Assai) of the popular Symphonic Dances by Sergey Rachmaninoff for wind orchestra. He successfully managed to apply the original's dynamics and drama to the wind orchestra.Suitable for very advanced / professional wind orchestra.
Estimated dispatch 7-14 working days
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£299.70
Concertino for Organ - Thomas Trachsel
This work was created by an order from the wind orchestra Feldmusik Sarnen and its conductor Rolf Schumacher on the occasion of his anniversary concert in the Hofkirche in Lucerne. The organist at the premiere was the organist of the court church Wolfgang Sieber. I tried to illuminate the Hofkirche and its organ in all three movements. In the Toccata the full force of the organ becomes clear, while in the second movement one is reminded more of praying monks in the cloister. In the final, all important topics are processed again. The organ part is very difficult to master, the accompaniment in the wind orchestra should be feasible for a wind orchestra grade 4 (approx. 1st class). (Edition Symphonic Works)
Estimated dispatch 7-14 working days
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£87.99Pavane pour une Infante Dfunte - Maurice Ravel
Pavane pour une Infante Dfunte (Pavane for a Dead Princess) is one of Ravel's most popular pieces alongside Bolro. Written in 1899, the original piano version was arranged for orchestra by the composer and became a highlight of theFrench classical repertoire. Johan de Meij has created a special version for the world-famous trombone soloist Joe Alessi. This unique arrangement for solo trombone (Difficulty: 5) and wind orchestra sounds as if it was originally intended for thisinstrumentation. This work can also be performed with solo flugelhorn (Difficulty 3+), or wind orchestra only. Breathtakingly beautiful!
Estimated dispatch 7-14 working days
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£286.40Fifth Symphony - Alfred Reed
This work was commissioned by the Senzoku Gakuen College of Music in Tokyo in celebration of its 70th anniversary in 1994. However, in view of the invitation by WASBE (World Association of Symphonic Bands and Ensembles) for its Wind Orchestra to perform at the 7th annual convention of this association, to be held in Hamamatsu, Japan, in the summer of 1995, it was decided to premiere the music at that time instead of the anniversary year itself. The symphony is in three movements, with an introduction marked 'Moderately and sustained' leading to the first movement proper, a driving 'Allegro assai' whose main thematic material is first heard in the timpani and mallet percussion. The second movement, from which the symphony drives its sub-title, is an extended treatment of one of the oldest and most beloved Japanese folk songs 'Sakura' ('Cherry Blossoms'), a long-breathed elegiac melody taken as the basis for a free variation development through all the individual sections of the orchestra. The third movement is a brilliant rondo form (Allegro Molto, con fuoco) in which some elements of the preceding two movements are incorporated to bring the entire work to a breath-taking conclusion in a final burst of virtuoso performance from every instrument in the ensemble. The 'Fifth Symphony (Sakura)' was first performed on July 26th 1995, by the Senzoku Gakuen Symphonic Wind Orchestra under the direction of the composer, at the 7th WASBE Conference in Hamamatsu, Japan.
Estimated dispatch 7-14 working days
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£100.00The Pageant of London - Frank Bridge
Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band 'legend' Timothy Reynish makes a fine alternative toHolst's two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and alsoby the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music.
Estimated dispatch 7-14 working days
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£61.00Bone Pastor-Guter Hirte - Franz Krenn
Music: Franz Krenn, Text: Ferry Krauss, Arrangement: Franz WatzFranz Krenn (1816 - 1897) was an organist, a conductor and later also teacher at the Conservatory of music of the 'Gesellschaft der Musikfreunde' in Vienna. The Graduale is part of the Roman Catholic liturgy: the vocal soloist sings a psalm or part of a psalm and the audience answers by singing the chorus 'Responsorium' (a kind of answer). The pastoral text is clearly related to the Christmas story. Krenn has written this piece for one male voice, choir and string accompaniment. This version can be performed with singers and orchestra, without singing or with a mixed instrumentation. The solo male voice can also be performed by a tenor instrument. The four-part score for mixed choir has been arranged for wind ensemble (at least a quartet). The original score for strings has been arranged for large wind orchestra, but thanks to the cue notes the piece can also be performed by smaller ensembles in a most satisfactory way. The numerous instrumentation possibilities are clearly indicated in the instrumentation list and range from a wind quartet to a full band. The percussion parts are 'ad libitum'.
Estimated dispatch 7-14 working days
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£228.70Konsertouverture - Viktor Widqvist
This piece was composed in 1937 in the composer's later part of life. Here, Widqvist shows his broad competence as a composer by using both classic marching and late-romantic thematic elements with exciting harmonic twists. In addition, you can find a perfect fugue where the composer shows that he masters this advanced composition technique. One can imagine that Widqvist wanted to show off his entire repertoire of knowledge to take the lead in the unspoken competition with colleague and friend Sam Rydberg. Rydberg had several years earlier composed a concert overture with a similar form. However, this piece is simpler in its design and lacks the technical brilliance that Widqvist shows in his contrapuntal treatment and harmonious diversity.The concert overture was re-orchestrated in 1939 by the composer for symphony orchestra, and it is this version and the original score for a large military orchestra that form the basis for this edition. My aim has been to keep all of Widqvist's original intentions, but still make use of all the possibilities of the modern symphonic wind orchestra. The composer's own arrangements for symphony orchestra have been of great help in this work.- Niclas Blixt -
Estimated dispatch 7-14 working days
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£204.00L'Arlesienne Suite No. 2 - Georges Bizet
The arrangement for wind orchestra of Georges Bizet's L'Arlsienne Suite No. 2 by Franco Cesarini came about after the composer had long sought a version of the work that would satisfy him.Franco Cesarini remains completely faithful to the original version by revealing and highlighting each section and all the facets of the wind orchestra.The premiere of L'Arlsienne Suite No. 2 was held in Lugano on 27 March 2022, during the Spring Concert of the Civica Filarmonica conducted by Franco Cesarini.
Estimated dispatch 7-14 working days
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£126.50Variations on a Fourth - Philip Sparke
Variations on a Fourth was written for an innovative project initiated by the Siena Wind Orchestra from Tokyo. Four European and four Japanese composers created a new wind orchestra piece for a special concert held on 15 June 2019 in Bunkyo Civic Concert Hall, where all eight works - that were recorded for a CD release the previous day - were performed. Variations on a Fourth comprises four variations, all of which feature the musical interval of a fourth in much of their melodic and harmonic material. The result is a four-movement work of wide-ranging appeal that will be an absolute joy to play!
Estimated dispatch 7-14 working days
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£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
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