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  • £41.58

    With Honor and Pride

    A distinctive composition that starts with an andante legato section featuring the woodwinds and then builds as the rest of the sections are gradually added to create a dynamic and impressive sound. Features a short solo for trumpet that is very effective. An outstanding choice for any concert or contest performance by mid-level bands. VERY HIGHLY RECOMMENDED!

    Estimated dispatch 7-14 working days

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  • £79.95

    Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew

    Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45

    Estimated dispatch 7-14 working days

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  • £15.95

    Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew

    Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45

    Estimated dispatch 7-14 working days

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  • £59.99

    Maximus Fanfare (Concert Band - Score and Parts) - Deleruyelle, Thierry

    Maximus Fanfare is a dazzling, energetic work for wind band, conceived as a short, percussive overture in which brass and percussion impose their power from the outset. From the very first bars, an explosion of sound captures attention before giving way to vibrant orchestral development, leading to a triumphal conclusion.This fanfare was inspired by the majestic golden lion that sits atop the belfry in the Place des Hros in Arras, a town with a rich architectural heritage listed by UNESCO. A symbol of strength and grandeur, the lion finds a musical echo in this brilliant work full of panache.Commissioned by the Orchestre d'Harmonie d'Arras, the piece owes its name to Maxime Lavoine, its conductor since 2011, in tribute to his commitment to and passion for wind band music.With Maximus Fanfare, Thierry Deleruyelle has created an intense and luminous work, a musical tribute to the significance of Arras' heritage and the enthusiasm of the musicians who keep it alive.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £100.80

    Bleak Forest (Concert Band - Score and Parts) - Ziegelback, Andreas

    Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelback studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitat, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelback's interest in composing. In 2021, Andreas Ziegelback completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £76.99

    Proud (Grutsk) (Concert Band - Score and Parts) - De Haan, Jacob

    For Concert Band, Bagpipes and Drums.This impressive work was composed for the Dutch-Friesian city of Leeuwarden, which was considered the cultural capital of Europe, 2018; the composer spent his college years in this city. This festive work for bagpipes, drums and fanfare band is based on the melody of the anthem of the province of Friesland. Proud was written for the music event, Grutsk, which is the Friesian word for proud, hence the title. Various bands have performed on five different stages across the town centre. The finale was performed in a concert held at Wilhelminaplein (Wilhelmina Square), which opened with this work. This world premiere was conducted by the composer himself. The bagpipes are optional, but advisable. As a whole, they give the composition a very special sound.Duration: 3.40

    Estimated dispatch 7-14 working days

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  • £65.00

    Malkauns (Concert Band - Score and Parts) - Boyd, Lindsay

    While teaching in India, composer Lindsay Boyd became acquainted with the fundamentals of Northern Hindustani music. The result is this intriguingly unique work for wind band that incorporates distinctive sounds of India. The "drone" sound of the tambura is available as a free download online, or may be substituted with a marimba. The vocal chanting in the piece is a representation of the syllables used by a tabla player when learning to play this exotic drum. This is a wonderful piece for expanding the musical horizons of your players and audience. Duration: 3:30

    Estimated dispatch 7-14 working days
  • £39.95

    Hammond (Concert Band - Score and Parts) - Downie, Kenneth - Horner, Kevin

    Hammond is a setting of the song 'In the love of Jesus' with words by Ivy Mawby and music by William Hammond. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture that will sound immensely satisfying once balanced and refined.

    Estimated dispatch 7-14 working days
  • £7.95

    Hammond (Concert Band - Score Only) - Downie, Kenneth - Horner, Kevin

    Hammond is a setting of the song 'In the love of Jesus' with words by Ivy Mawby and music by William Hammond. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture that will sound immensely satisfying once balanced and refined.

    Estimated dispatch 7-14 working days
  • £53.50

    Codebreaker (Concert Band - Score and Parts) - Buckley, Robert

    The pursuit is on! In the compelling style of classic spy music, Codebreaker takes your band into the world of intrigue and espionage. Though written for young band, Codebreaker's effective orchestration gives it the sophisticated sound and intensity of a much more advanced piece. A non-stop thrill ride full of suspense and adventure!Duration: 2:40

    Estimated dispatch 7-14 working days