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  • £101.50

    Ginger Marmalade - Warren Benson

    Originally written as part of the Commissioned Works for School Bands sponsored by Carl Fischer on the occasion of the one hundredth anniversary of the firm, Ginger Marmalade has become one of the best known of serious twentieth-century works for school band. A humorous program number that plays with the listener's expectations, it is technically simple, but uses unusual sound resources (clapping hands, rapping heels, novel percussion sounds) o produce a work that delights the ear and challenges the mind. Often cited as a cornerstone of the young band repertoire (it is on both the UIL - Texas and NYSSMA required music lists), we are pleased to issue this delightful pieceas part of our Carl Fischer Classic Band Edition.

    Estimated dispatch 7-14 working days
  • £233.99

    Transfiguration - James Curnow

    James Curnow explores many domains of sound with this wonderful piece. Four extensive variations, based on the melody of the hymn All Praise to You, Oh Lord, together form a beautiful piece of music for use in church services. The composer has a fresh view of the theme in the various fragments of the melody, from ethereal reflections to passionate joy. The last variation starts softly but energetically, and keeps developing using the last phrase of the melody - until the majestic highlight of this glorious hymn begins.

    Estimated dispatch 7-14 working days
  • £37.50

    Stonewood - Paul Curnow

    This piece works beautifully for concerts, festivals, or as a ceremonial work. It will become a staple of your Grade 1 music library. The thrilling opening fanfare sets the stage for an ennobling Woodwind theme. There is a lot of dynamic interest as additional instruments reinforce the sound and combine into a glorious and unified statement.Consider this one for use with large groups too, such as massed bands. The grand nature of the piece lends itself perfectly to that arena. A brilliant fanfare-style ending brings the piece to a forceful conclusion.Stunning!

    Estimated dispatch 7-14 working days

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  • £420.99

    Tre Sentimenti - Jan Van der Roost

    At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..

    Estimated dispatch 7-14 working days

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  • £309.99

    Vulcan - Michael Daugherty

    (2014) Vulcan for Concert Band is Grammy award winning composer Michael Daugherty's first work for the high school and intermediate level college band. The work is a colorful homage to Gene Roddenberry's interstellar universe as depicted in the classic American television series Star Trek (1966-69). The title refers to the fiery planet Vulcan, home world of half-human, half-Vulcan Mr. Spock. As the rational-minded science officer aboard the starship Enterprise (commanded by the hot-blooded Captain James T. Kirk), Mr. Spock grapples with the fascinating predicament of making decisions predicated on human emotion versus Vulcan logic. Daugherty has composed stirring, yet highly structured music that alludes to the Vulcan Pon Farr ritual, Vulcan telepathic mind-melds, and the volcanic planet itself. At the the Ann Arbor, Michigan world premiere (utilizing the combined forces of the Pioneer, Huron and Skyline High School bands), Vulcan was an immediate hit and will surely become one of Daugherty's most performed works. Instrumentation The number of players doubling each part is at the conductor's discretion, but should be in keeping with a balanced sound. Piccolo 2 Flutes 2 Oboes English Horn (optional but recommended) 3 Bb Clarinets (minimum 2 players per part) 2 Bb Bass Clarinets Eb Contralto Clarinet or Bb Contrabass Clarinet and Bb Bass Saxophone (optional but recommended) 2 Bassoons 2 Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone 3 Bb Trumpets (straight metal mutes, harmon mutes-stem out) 2 F Horns 2 Trombones (straight metal mutes) Euphonium 2 Tubas Contrabass or Electric Bass (optional but recommended) Timpani (4 drums recommended) Percussion (instruments are not shared): 1. Glockenspiel, Xylophone 2. Vibraphone, Small Anvil (metal beater) 3. Shakaray, Marimba, Chimes, Suspended Cymbal (yarn mallets) 4. Two Tam-Tams (small, medium), Tambourine, Mark Tree, Finger Cymbals, Vibraslap, Piccolo Snare Drum 5. Tenor Drum, Maracas, Snare Drum 6. Large Bass Drum Movement I (YouTube) Movement II (YouTube) Movement III (YouTube)

    Estimated dispatch 7-14 working days
  • £115.60

    Hymne til gleden - Ludwig van Beethoven

    Schiller's text of 1785 was partially used by Beethoven in1824 when he did finish the 4th movement of his 9th Symphony. The melody has later been used in very many contexts. As the anthem of the European Union, a lot of movies (A clockwork Orange, Die Hard, etc.), music to video games, as the anthem of Rhodesia, as rebel song in Chile and by FIFA. Therefore, it can be used in most settings This Young Band arrangement focuses on the main melody. In the original, the B part is repeated in each variation, but to get three variations (out of four), this repetition has been cut. The first variation should be played as soft as possible, but still with a nice sound. Crescendo to forte(f) and going back to pp should be as a surprise.

    Estimated dispatch 7-14 working days

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  • £57.99

    Sinfonia piccola op. 66 - Bertold Hummel

    This four-movement piece was designed as a double quartet and, as the title implies, is like a little symphony. The varied sound is the result of harmonics, glissandos, pizzicatos, fingerboard and instrument body tapping, solo and ensemble playing. The musical palette ranges from lyrical to jazz, from pathos to absurdity. 'Sinfonia piccola' was premiered by students of the Wrzburg Music Academy at the First International Double Bass Competition and Workshop in 1978 on the Isle of Man. * This work is part of the "Hummel Bass Ensemble Project".

    Estimated dispatch 7-14 working days
  • £319.95

    Labyrinth - Carter Pann

    Composed to commemorate the 50th anniversary of Karel Husa's iconic Music for Prague 1968, LABYRINTH is an expansive, expressive four-movement work of symphonic weight and scope. Polyphonic webs of searching melody coalesce into enveloping tapestries of sound as the piece unfolds. Pann describes the epic final movement as "a gargantuan crescendo like the last movement of Respighi's The Pines of Rome or Ravel's Bolero [that] should leave the audience and players sonically drenched by the end." LABYRINTH is an enthralling experience for ensembles and listeners alike, and one that will linger with them long after the last chord fades from the concert hall.

    Estimated dispatch 7-14 working days
  • £54.99

    Campfire Song - Porter Eidam

    Just about everyone who has been to summer music camp has come home with a bucketload of fun stories about the many activities. Campfire Song has its origin in such a story and even includes the sound effects of a crackling campfire. The melody started as an inside joke in the form of a catchy, impromptu song that had its first and last performance at a camps season-end campfire. This setting is meant to be a fun selection - dont be surprised if audience members are humming the tune as they leave the auditorium!

    Estimated dispatch 7-14 working days
  • £209.99

    Diamond Concerto - Philip Sparke

    Diamond Concerto was commissioned by Musikverein Mrschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMrschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and brass band (AMP 354-030).

    Estimated dispatch 7-14 working days

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