Results
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£9.95Anitras Dance (Flute Solo) (Concert Band - Score Only) - Grieg, Edvard - Brand, Geoffrey
This sprightly dance from Grieg's Peer Gynt features the flute section. Utilizing grace notes and trills, for concert performance, all available flute players may stand at the front of the stage for a little showing off!
Estimated dispatch 7-14 working days
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£47.50Supercalifragilisticexpialidocious (from Mary Poppins) (Concert Band - Score and Parts) - Sherman & Sherman - Sweeney, Michael
Every concert needs a little fun! One of the best-known songs from the Disney classic Mary Poppins, Michael has cleverly arranged this tune by passing the melody around to every section, plus using a few short percussion feature spots.
Estimated dispatch 7-14 working days
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£49.95General Radetsky Goes Cuckoo (With apologies to Johann Strauss) (Concert Band - Score and Parts) - Michaelson, Edward
One of the most famous marches from Johann Strauss (the father), celebrating the might of the Old Hapsburg monarchy. Things go a little awry in this novelty arrangement however!
Estimated dispatch 7-14 working days
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£9.95
General Radetsky Goes Cuckoo (With apologies to Johann Strauss) (Concert Band - Score Only) - Michaelson, Edward
One of the most famous marches from Johann Strauss (the father), celebrating the might of the Old Hapsburg monarchy. Things go a little awry in this novelty arrangement however!
Estimated dispatch 7-14 working days
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£63.95A Vaughan Williams Christmas (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.
A giant among composers, Ralph Vaughan Williams has contributed to the literature for concert band music that is standard repertoire throughout the world. Here are works from other genres that were collected, arranged, adapted, and/or harmonized by Vaughan Williams: "Forest Green (O Little Town of Bethlehem)" (from the first edition of the English Hymnal, 1906), "Wassail Song" (the fifth of Five English Folk Songs, 1913), and "Sussex Carol" (the second of Eight English Carols, 1919). These are the works of a master in a stunning setting by Douglas Wagner.Duration: 4:30
Estimated dispatch 7-14 working days
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£79.99All You Need is Love (Concert Band - Score and Parts) - Cable, Howard
From the Canadian Brass album, Canadian Brass Plays Lennon and McCartney, comes this one-of-a kind medley for concert band, featuring the unique artistry of the world's foremost brass quintet and the legendary songs of the Beatles. This fabulous collage includes:All You Need is LoveEleanor RigbyWith a Little Help From My FriendsWhen I'm Sixty FourMichelleI Want to Hold Your Hand.
Estimated dispatch 7-14 working days
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£76.99Carnaval de Paris (Concert Band - Score and Parts) - Rabe, Stefan
This hit for English group Dario G was the unofficial 1998 World Cup anthem that cunningly exploited the musical traditions of the many countries involved and featured a joyful face-painted video. Add a little football fever to your concert with this great arrangement by Stefan Rabe.Duration: 4.00
Estimated dispatch 7-14 working days
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£104.99Ballabili (Concert Band - Score and Parts) - Verdi, Giuseppe - Van der Beek, Wil
Giuseppe Verdi's opera Macbeth was written in 1846/47 and premiered in Florence. It is based on Shakespeare's Macbeth and, unlike Verdi's other operas, had relatively little broad impact. This may be due to the difficulty of the singing voices, the lack of a love story or the dark mood, without humorous scenes.Musically, however, this opera is not uninteresting. Among other things, all the dramatic highlights culminate in artistically built ensembles. It also contains interesting instrumental effects, such as a wind orchestra under the stage in the witch scenes. This makes the witches and air spirits seem like from another world. In the 19th century opera, such a wind band, a so-called "banda" was not uncommon but an integral part of the scene.The Ballabili comes from Act III of Verdi's opera MacBeth. Ballabili is the plural of the Italian ballabile, meaning "danceable." It can also mean a dance performed by the corps de ballet, or by the chorus in an opera; or the music to accompany this dance.Duration: 2:15
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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