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£68.99Call of the Buffalo - Gerald Oswald
In this work, the composer Gerald Oswald tells of the song and dance of the medicine man Buffalo. His songs and the sound of the drums are heard far off on the prairie. This ceremony serves to give thanks to Buffalo, who ensures the survival of the tribe.
Estimated delivery 7-14 working days
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£57.50Best of The Temptations
No group did more to help establish the Detroit Motown sound of the '60s than the Temptations. Here is a medley of their biggest hits arranged for young players. Includes: Ain't Too Proud to Beg, Papa Was a Rollin' Stone, My Girl and Get Ready. Dur: 5:15.
Estimated delivery 7-14 working days
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£57.50A String of Pearls - Eddie DeLange
One of the classic swing tunes from the Big Band era, John Wasson brings the sound of the Glenn Miller Orchestra to the concert stage with this powerful and swingin' arrangement.
Estimated delivery 7-14 working days
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£94.99Prayer of St. Gregory
The sound of this arrangement of the well-known American song Make me a Channel of your Peace is remote, simple and above all exquisitely beautiful. It is a highly accessible piece that will gently capture the hearts of musicians and audience alike. The ideal piece for a restful interlude in your concert programme
Estimated delivery 7-14 working days
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£57.50The Battle Cry of Freedom
From the opening sound of field drums and distant muted trumpets this well-crafted arrangement takes this familiar Civil War anthem through a variety of moods and styles. Building to a dramatic full ensemble climax, it then very effectively tapers to quiet ending.
Estimated delivery 7-14 working days
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£50.80Whispers of the Wind - David Shaffer
A very impressive composition for younger bands which is both distinctive and unique! Starts out with a slow and reflective introduction where you can actually hear the sound of the wind whispering before diving into the syncopated rhythms and powerful melodies of the allegro section. Shaffer's compositions like "Fire Dance" , "Tribal Drums" and "Stargazer" have been very popular with bands at this level, and this is very possibly his best ever! Very highly recommended!
Estimated delivery 7-14 working days
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£95.95Of Kings and Kingdoms - Amy Webb
Thunder, lightening, storms, castles, what an exciting work! Amy has done it again. Your band members will love paying this and our audiece will be so impressed. A sound of the Renaissance, of kings, anticipation of war, defending the castle, a religous moment before the battle. This has everything. Only the 1st and 2nd clarinets cross the break. 1st trumpet's highest notes is G.
Estimated delivery 7-14 working days
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£46.70Of Castles and Kings - Rob Romeyn
Rob Romeyn's imaginative work for young band is a bold, regal opener for any concert or festival program. A heroic opening fanfare introduces a memorable, flowing melodic theme reminiscent of medieval times. Varied styles and textures enhance interest and offer many teaching opportunities. Solidly and sensibly scored to maximize the sound of your developing young band. Don't miss this outstanding addition to the Rising Band repertoire!
Estimated delivery 7-14 working days
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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated delivery 7-14 working days
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£199.95
The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated delivery 7-14 working days
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