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  • £84.99

    Sound Goes Round - Gilbert Tinner

    Gilbert Tinner has written another sure fire winner with this catchy new work in a relaxed musical style.The sound of the piece, with it's simple musical lines, dissonant harmonies and driving beat, is in a pop style but could equally have come straight from a west-end musical. Sound Goes Round will make a delightful light interlude for any concert.

    Estimated dispatch 7-14 working days

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  • £59.95

    Gates Of Freedom - Robert Thurston

    Composer Robert Thurston has produced a rich sounding and colorful easy march that has the bright open "American" sound of a familiar piece without, in fact, actually quoting anything. The fresh sound, active percussion and idiosyncratic harmonies help make this selection perfect for stimulating beginning instrumentalists. Duration: 2' 30"

    Estimated dispatch 7-14 working days
  • £151.99

    Out of the Dark - Thomas Doss

    A Miner's TaleThis work is dedicated to the miners, who often had to perform their duties under the most difficult conditions, frequently risking their lives. Many lost their lives in accidents throughout history, and many families lost their fathers. A Miner's Tale describes the beginning of a shift, marked by the signal on the wooden board. The foreman and the miners begin their arduous work underground. Suddenly, danger strikes, leading to a terrible collapse.Trapped beneath the rubble, the miners are overwhelmed by fear, despair, and loneliness. Only their camaraderie and the memory of their loved ones keep them going. In the darkest moment, in the dim light of their fading mining lamp, a vision of Saint Barbara - the patron saint of miners - appears before them. Shortly thereafter, they hear the sound of approaching rescue. Overcome with joy and relief, they begin to hum the Steigerlied" in exhaustion.Bar 3 - The signal on the wooden board announces the start of a new underground shiftBar 10 - Glck auf! (Miner's traditional greeting: "Good luck!")Bar 24 - Foreman and miners - the shift begins Bar 62 - Hardships deep underground Bar 91 - Sudden danger arisesBar 100 - Fear of never returningBar 108 - Thoughts of familyBar 121 - Resigned to fateBar 132 - Vision of Saint Barbara and rescueBar 146 - "Steigerlied" - Homecoming and church bells

    Estimated dispatch 7-14 working days
  • £95.95

    Of Kings and Kingdoms - Amy Webb

    Thunder, lightening, storms, castles, what an exciting work! Amy has done it again. Your band members will love paying this and our audiece will be so impressed. A sound of the Renaissance, of kings, anticipation of war, defending the castle, a religous moment before the battle. This has everything. Only the 1st and 2nd clarinets cross the break. 1st trumpet's highest notes is G.

    Estimated dispatch 7-14 working days
  • £104.50

    Circles Of Light - John Prescott

    Here is one selection you wont want to miss! John Prescott has established himself as one of the most popular and performed composers of recent years, and this will certainly help to affirm his position. From the resonating sound of the opening bells to the exciting and powerful conclusion, youll find this to be a true display of consummate band writing. Highly recommended!

    Estimated dispatch 7-14 working days
  • £69.99

    Call of the Buffalo - Gerald Oswald

    In this work, the composer Gerald Oswald tells of the song and dance of the medicine man Buffalo. His songs and the sound of the drums are heard far off on the prairie. This ceremony serves to give thanks to Buffalo, who ensures the survival of the tribe.

    Estimated dispatch 7-14 working days

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  • £57.50

    Best of The Temptations

    No group did more to help establish the Detroit Motown sound of the '60s than the Temptations. Here is a medley of their biggest hits arranged for young players. Includes: Ain't Too Proud to Beg, Papa Was a Rollin' Stone, My Girl and Get Ready. Dur: 5:15.

    Estimated dispatch 7-14 working days
  • £57.50

    A String of Pearls - Eddie DeLange

    One of the classic swing tunes from the Big Band era, John Wasson brings the sound of the Glenn Miller Orchestra to the concert stage with this powerful and swingin' arrangement.

    Estimated dispatch 7-14 working days
  • £84.99

    Return of the Vikings - Bert Appermont

    This composition paints a picture of belligerent and brave Vikings. After a short introduction the lofty main theme is heard, accompanied by sombre drum sounds. A brief idyllic passage follows that evokes a beautiful landscape. Gradually, a heroicmelody is revealed, leading to a great tutti, in which the rousing main theme is heard once more. Return of the Vikings closes with the sound of heroic brass and festive chords.

    Estimated dispatch 7-14 working days

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  • £274.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated dispatch 7-14 working days

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