Results
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£100.00Sanctus and Benedictus (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.
Estimated dispatch 7-14 working days
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£59.95Highland Fantasy (Concert Band - Score and Parts) - Fraser, Bruce
This work is mainly based onTraditional Scottish melodies. After a brief introduction we hear "The Wee Cooper o' Fife" played firstly by a solo trumpet followed by a tutti version. "Highland Laddie" appears, initially featuring saxophones and then passed around the band. The slow middle section is an original which I felt complemented the other melodies in the piece. A recapulation leads to a final section with an augmented version of "Highland Laddie" from the middle of the band with a version of "The Wee Cooper" in the upper winds. The work ends with a final majestic statement.
Estimated dispatch 7-14 working days
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£11.95
Highland Fantasy (Concert Band - Score Only) - Fraser, Bruce
This work is mainly based onTraditional Scottish melodies. After a brief introduction we hear "The Wee Cooper o' Fife" played firstly by a solo trumpet followed by a tutti version. "Highland Laddie" appears, initially featuring saxophones and then passed around the band. The slow middle section is an original which I felt complemented the other melodies in the piece. A recapulation leads to a final section with an augmented version of "Highland Laddie" from the middle of the band with a version of "The Wee Cooper" in the upper winds. The work ends with a final majestic statement.
Estimated dispatch 7-14 working days
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£115.00CELEBRATION (Concert Band) - Woolfenden, Guy
Three Movements:RondoValseTristeMarchThis work was commissioned as a celebration of the life and work of Murray Slater, the inspirational musical director of Derbyshire City & County Youth Wind Band, who sadly died in 2000. Murray was greatly loved and respected in the wind and brass band world, was a fine trumpeter and teacher, and was universally known as "Man of Music".Celebration attempts to capture facets of Murray's personality. The Rondo's theme has a witty rhythmic twist to it, the Valse Triste features a solo trumpet, and the concluding March contrasts a Prokofievian theme with a slower "big tune" that attempts to match the stature of the man.The first performance took place on 12th July 2002 in Chesterfield with the Derbyshire City & County Youth Wind Bands, conducted by the composer.Duration 15 minutes
Estimated dispatch 7-14 working days
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£53.95Seawind (Concert Band - Score and Parts) - Hodges, Steve
A relaxing day at the beach is the setting for this expressive piece. A solo trumpet presents the morning melody, the rest of the band picks up the activity level in the afternoon with a strong modulation, leading to peaceful conclusion at day's end. Duration: 2:15
Estimated dispatch 7-14 working days
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£100.00Agnus Dei (from Mass of the Children) (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
The William Blake (1757-1827) poem, The Lamb, featured in this movement, is a poignant message relating to the precious lives of our children. In the setting for band alone, the children's choir part is set for solo trumpet, and the darker beginning (Agnus Dei, miserere nobis) is further enhanced by muted brass and the pulsating heart-beat of the bass drum, felt, but rarely heard.
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip
Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30
Estimated dispatch 7-14 working days
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£41.50El Dorado (Concert Band - Score and Parts) - Williams, Mark
The sounds of the Wild West are everywhere in this exciting original piece for young bands. From the syncopated opening, to the lyrical 3/4 middle section (featuring solo trumpet), to the powerful conclusion, your band will enjoy this strong concert and contest selection. Duration: 4.00
Estimated dispatch 7-14 working days
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£64.99Apollo 13, Music from (Concert Band - Score and Parts) - Horner, James - Moss, John
James Horner's magnificent score plays a key role in the drama of this blockbuster movie. John Moss' medley for band opens with the plaintive solo trumpet theme, and includes several of the film's memorable and inspiring themes. Includes: Main Title; End Credits; Re-Entry and Splashdown.
Estimated dispatch 7-14 working days
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£284.99Symphony for Wind Ensemble (Concert Band - Score and Parts) - Stephenson, James M.
The symphony is in four movements. The first movement starts a single triangle note, followed by a guitar strum. The movement anxiously attempts to churn into action, only to be stifled repeatedly by the single triangle note. Finally, with the guitar as inspiration, the main theme gets under way, revealing an almost Spanish, or even Eastern European flavor. Ideas and themes get reworked, developed, repeated and augmented throughout the movement, before finally closing out just as it began, but in reverse: this time guitar followed by triangle. The second movement steals from an angular and shrieking motif of the first, but is presented in opposite fashion: with the warm blend of the low brass. Hints of iconic military symbolism are interspersed throughout this movement, as homage to the commissioning ensemble. The main theme is inverted and awarded to a solo trumpet midway before giving way to a brass fanfare, though not done loudly, but here muted, from afar. The low brass return at the end, fading away to nothing as the bell tolls. The third movement is merely a short interlude - a break, in almost Gershwin-like fashion - from the seriousness of the movements that precede and follow. Lastly, the fourth movement is a wild one: with mixed meters and plentiful percussion penned to propel the movement throughout. The movements' themes are all reworkings of material presented earlier. Duration: 25.00
Estimated dispatch 7-14 working days
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