Results
-
£39.60Storybrook Mountain (Concert Band - Score and Parts)
A wonderful way to encourage and challenge your best young players is by featuring them on a solo with band accompaniment. Larry Neeck's "Solo Flight" is a delightful solo feature for virtually almost any instrument in the band(Bb, Eb, C & Bass Clef Solo Parts are included with the set). Light in nature, it will be a welcome addition to any concert. Playable and enjoyable, this piece can pay big dividends to your band program! Recorded on the CD "A Lantern In The Window" by The Washington Winds.
Estimated dispatch 7-14 working days
-
£72.00Petite Piece Concertante (Trumpet or Euphonium Solo with Concert Band - Score and Parts) - Balay, Guillaume - Glover, Andrew
Feature your outstanding or guest soloist with "Petite Piece Concertante,"" for solo cornet, trumpet, or euphonium with concert band accompaniment. A standard repertoire contest/festival solo for generations, this new arrangement requires a minimum of rehearsal and coordination with soloist. Allows soloist the opportunities to display excellence in lyrical and technical playing, but well within reasonable difficulty levels. Part of the Barnhouse "Spotlight" series of works for solo instruments with band accompaniment. Superb! Duration: 3.45
Estimated dispatch 7-14 working days
-
£85.00Arise, Shine (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
-
£95.00Finale: The Holy City (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
-
£75.00Jerusalem the Blessed (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
-
£100.00Lament for Jerusalem (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
-
£310.00Visions (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
-
£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
-
£44.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
-
£60.50Christmas Concerto (Flexible Solo with Concert Band - Score and Parts) - Smith, Robert W.
Solo for Trumpet, Clarinet, Flute or Alto Saxophone. Why hasn't someone thought of this before? Take the best-known holiday carols and score them for solo instrument and concert band. Robert W. Smith's inventive mind and skilled arranging talents allow you to mix and match four solo instruments on Joy to the World, Silent Night, and Deck the Halls.
Estimated dispatch 7-14 working days
