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  • £256.99

    Clarinet Concerto - Wolfgang Amadeus Mozart

    Mozart originally wrote this concerto for a clarinet with an extended lower range, compared to the conventional instrument. As early as 1802, published versions appeared with registral changes, which made the concerto playable on instruments without the extra keys. When producing an edition for the conventional clarinet there are two choices to be made about the 'extra' notes - is it better to maintain the musical line, and hence transpose whole phrases or passages up an octave, rather than single notes, or is the chalumeau tone more important, in which case it may possibly be better to alter one or two notes to keep the correct octave. In this edition Philip Sparke has usually gonefor the former so the 'sequences' make musical sense, but have taken the second option in some places. This fantastic work will prove popular with soloist, band and audience alike.

    Estimated dispatch 7-14 working days

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  • £104.99

    Canterbury Chorale - Jan Van der Roost

    This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.

    Estimated dispatch 7-14 working days

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  • £118.99

    The Seal Lullaby - Eric Whitacre

    This loving and dreamlike work captures the undulating rhythm of a mother rocking her child to sleep.The piece was inspired by classic Rudyard Kipling: "Oh! Hush thee, my baby, the night is behind us, And black are the waters that sparkled so green. The moon, o'er the combers, looks downward to find us, At rest in the hollows that rustle between." Magical! (Grade 4)

    Estimated dispatch 7-14 working days
  • £104.99

    The Third Man Theme - Anton Karas

    Anton Karas grew up in a modest household in Vienna and became a self taught zither vituoso. He wrote the legendary Harry Lime Theme for the 1949 British film noir The Third Man. The melody became so popular, many people began calling The Third Man "The Zither Movie"! Toshio Mashima carefully turns this typically Viennese melody into a creative piece for concert band.

    Estimated dispatch 7-14 working days

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  • £76.99

    Vivo Per Lei - V. Zelli

    A passionate desire for Andrea Bocelli's voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.

    Estimated dispatch 7-14 working days
  • £84.99

    Magnolia - Bert Appermont

    Just as the magnificent blooms of the magnolia appear in springtime, so this simple choral melody opens slowly and gracefully, eventually blossoming to a glorious climax. The delightful opening theme is taken up again, and eventually everything comesto rest, like a bud that closes at the day's end.

    Estimated dispatch 7-14 working days

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  • £94.99

    Conzensus - Jan Van der Roost

    This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept.The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.

    Estimated dispatch 7-14 working days

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  • £84.99

    Fanfare - HAYABUSA - Satoshi Yagisawa

    Developed by the Japan Aerospace Exploration Agency (JAXA), the Hayabusa asteroid probe returned to earth on June 13, 2010, completing its mission as the first ever spacecraft to obtain surface samples from an asteroid. Thisfanfare was commissioned by the band of NEC Tamagawa, conducted by Ikuo Inagaki, to commemorate the success of the Hayabusa mission. At the premiere performance in Minato Ward, Tokyo, the piece was so successful the audiencedemanded it be performed again as an encore. Dur: 2:30 (Grade 4)

    Estimated dispatch 7-14 working days

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  • £47.50

    Armed Forces March

    Beginning Pops - Grade 1 These traditional themes have never sounded so good at this easy of a level! Written in 2/4 rather than cut time, this arrangement includes interesting parts for all instruments - including the low brass and percussion. Featuring Marine's Hymn, Anchors Aweigh and The Caissons Go Rolling Along, this is the perfect concert closer for beginning bands. (2:00)

    Estimated dispatch 7-14 working days
  • £134.99

    Loch Ness - Johan de Meij

    The symphonic poem 'Loch Ness' consists of five through-composed impressions of this mysterious Scottish Lake. I) The Lake At Dawn - calm, static, sonorous blocks depict the troubled opaque water surface and the enormous depth of the Lake at daybreak. II) Slowly the rising early-morning mist reveals the distant ruins of Urquhart Castle, represented by a solemn theme in the trombones which is taken over by the full band, thus evoking the illustrious past of this fortress besieged so many times. III) Inverness: Bagpipes and Tourists - the music takes us down to the town of Inverness where the first tourists mark the slow but steady start of a new season to the sound of a Scottishmelody. IV) Storm - suddenly a heavy wheater breaks: fierce gusts of wind and heavy showers transform the erstwhile calm surface into an obscure and whirling mass of water, and clouds rapidly passing over offer an eery scene... V) Conclusion - storm and rain gradually decrease and when everything is quiet again we are granted a last view of the Lake in its full glory.

    Estimated dispatch 7-14 working days

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