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£64.99OLYMPICS: A CENTENNIAL CELEBRATION (Young Band) - Moss, John
Here's a musical montage that captures several of the signature themes used throughout Olympic history. Includes: Bugler's Dream, Olympic Fanfare and Theme, The Olympic Spirit, and Summon the Heroes
Estimated dispatch 7-14 working days
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£275.99Performance Favorites, Volume 1
by Michael Sweeney, Paul Lavender, John Higgins, John Moss and James Curnow Song contents: African Sketches Barrier Reef Do You Hear What I Hear Elves' Dance Firebird Gaelic Dances Irish Legends On Broadway Regimental Honor Spinning Wheel The Streets of Madrid Summon the Heroes You're a Grand Old Flag Kit contents: 1 Conductor Book 1 Full Performance CD 6 Flute 1 Oboe 1 Bassoon 3 Clarinet 1 3 Clarinet 2 1 Bass Clarinet 2 Alto Saxophone 1 2 Alto Saxophone 2 1 Tenor Saxophone 1 Baritone Saxophone 3 Trumpet 1 3 Trumpet 2 2 F Horn 2 Trombone 1 Baritone B.C. 1 Baritone T.C. 1 Tuba 2 Percussion 1/2 1 Keyboard Perc/Timpani
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£50.50Courageous Spirit - Michael Kamuf
Courageous Spirit, by Michael Kamuf, is a musical celebration of the bravery we summon in the face of uncertainty. The piece features bold and contrasting melodies, making it an ideal choice to reinforce slurs and accents with your students. Additionally, the work provides an opportunity to support and explore the SEL competency of Responsible Decision-Making during rehearsals. Whether as an opening or closing selection, this piece is perfect for your next concert! (1:40)
Estimated dispatch 7-14 working days
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£53.95Ancient Spirits (Concert Band - Score and Parts) - Story, Michael
Many Native American tribes believed in the mysterious power of spirits. These spirits, experienced through rituals and visions, offered early cultures insight into man's relationship with nature. Flutes and drums as highlighted in this work were often used to summon these spirits during ceremonies. Here, we visit the musical culture of another era! Duration: 2.15
Estimated dispatch 7-14 working days
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£82.50Ghostories - Steven J. Pyter
Here is a musical homage to all the tales of otherworldly apparitions that gave everyone goosebumps as a child. The evocative music takes the listener on an eerie journey through a series of musical vignettes, each representing a spooky story that might be told around a campfire or when the power goes out. Come listen as we summon ghosts and conjure up spirits; but listeners beware... leave the lights on!
Estimated dispatch 7-14 working days
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