Results
-
£184.99
2nd Sinfonietta - Oliver Waespi
"2nd Sinfonietta" was composed in 2005 for the "Musikgesellschaft Cham" and is made up of three parts, each flowing into the next. The themes presented in the first movement migrate through the work and return transformed at the end. Each part has its own colour and calls on a varied sound palette. This composition has been put together in an ingenious and thoughtful manner and is suitable for prestigious concerts or as choice piece for competitions.
Estimated dispatch 7-14 working days
-
£199.99Fanfare No. 1 - Wataru Hokoyama
Fanfare No. 1 (1995) In the summer of 1995 before his departure to the United States, a request from his high school band friends for a good concert opener sparked 19 year old Hokoyama to write his very first wind band composition.To capture the excitement of the rising curtain, the piece begins with magnificent brass ascending in 4th and 5th intervals. This is followed by the energetic entrance of the full ensemble like celebratory cannon fire. The following melody has many notes, yet is still simple. Do not overestimate it, just perform with driving momentum.In the slower middle section, utilize an instinctive vision of a scorching midsummer sun shimmering on the horizon. (Likely this shimmering sunset image was scored unconsciously, being composed in midsummer. A more applicable mood might be "Indian sunset". Perhaps this Indian style came from a capricious feeling of youthfulness.)The bright tempo and melody return for the last section. The climactic volley of musical display is like explosive fireworks as the last sounds echo throughout the concert hall.The composer wishes for performers to play from their hearts and not be limited by an analytic approach to the score-absolute accuracy is not required. Above all, the deepest pleasure for the composer is to know that teachers and students share the joy of music making with the intention of sharing it with others all over the world.With deepest gratitude, thank you for performing this work.
Estimated dispatch 7-14 working days
-
£114.99
Joyful Exclamations - James L. Hosay
What an outstanding way to conclude your concert. James L. Hosay writes some of the most exciting music to be found in Concert Band literature, and music doesn't get much more exciting than this! While titled as a Grand Finale, this concert band tour de force can be programmed in numerous ways. Consider it also as a roof-raising opener or even in the guise of an entr'acte as you return from intermission. You will find JOYFUL EXCLAMATIONS to be one of the most thrilling and uplifting arrangements available in band literature today. This is also a perfect vehicle through which to study music history.Indescribable!
Estimated dispatch 7-14 working days
-
£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
-
£228.70
Walkabout - A Kaleidoscopic Journey for Band - John Brakstad
The concept of Walkabout comes originally from the Australian aborigines. A Walkabout is a journey where the goal is of less importance (even though you always end up where you started). It is the journey itself, and what you experience on the way,that is important. That could mean different moods, challenges, experiences in nature, various kinds of people, humour, joy, drama etc. The composition Walkabout consists of a several miniatures and episodes which are woven together. Someof the working titles for the miniatures have been: Call of the Unknown, Walk, Nightfall, At the Lake, Panorama, The Happy Man and The Sad Man, The Clown, The Valiant, Struggle and Relief,and Return to Home. The recurrent theme, which isheard at the beginning of the piece, symbolises the journey and the call of the unknown. Kaleidoscopic means Changing colours and patterns.
Estimated dispatch 7-14 working days
-
£113.30Fantasy For Winds - Lorenzo Pusceddu
The piece opens with a sumptuous celebratory fanfare dominated by the brass section. In the following Allegro, the woodwind instruments weave their graceful melodious plots, with occasional intense interruptions by the brass section. The piece continues with Valzers where the initial melancholic mood set by the woodwind is superseded by the brass section harkening back to modal musical mode before, once more, being taken up by the woodwind instruments. The piece closes with a gently expressive Andante. The gentle delicacy of this section moves to a moderate Allegro featuring a running dance with light-hearted irregular rhythm. The return to the opening fanfare brings us back to the anniversary celebrations of the Band and a solemn final sequence to the composition. The debut performance took place under the direction of the composer at the Gala Concert on March 28, 2009.
Estimated dispatch 7-14 working days
-
£292.00Marco Polo (French text) - Antonio Rossi
Marco Polo (Venice, 1254), son of Venetian merchants, left in 1271 with his father Niccol and his uncle Matteo, towards the distant China at the court of the Mongol emperor Kublai Khan. The long journey, which lasted three and a half years, led the Polos to cross Turkey, Central Asia, the Pamir, and the Gobi desert. The intelligence of the young Marco and his curiosity towards new customs and languages raises the interest of the emperor so much that he decides to keep him at his court by appointing him ambassador. This assignment takes him to newly conquered southern China and other parts of southern Asia. In 1292, the Great Kublai Khan agrees, albeit reluctantly, to let him go.Marco, after 17 years at his service, can finally return to Venice, but not before completing a last mission for the Grand Khan: accompanying his niece, Princess Kokachin, to Persia, where she would marry. A few years after his arrival in Venice, Marco finds himself involved in a naval battle against the Genoese people in which the Venetians are defeated. Consequently, Marco is captured and taken to prison in Genoa. There, he meets the storyteller Rustichello da Pisa to whom he tells the story of his adventurous journey. After his release, Marco returned to Venice and led a comfortable life until his death in 1324.
Estimated dispatch 7-14 working days
-
£75.00Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 7-14 working days
-
£104.50Celebration For A New Era - Robert E. Foster
This work was commissioned by the University of Kansas to celebrate the Inauguration of the 16th chancellor, Dr. Robert Hemenway. It opens with bold fanfares that lead into a bright scherzo section, which is followed by a traditional processional. The entire work culminates with a return of the fanfares and a rousing, fast-paced finale.
Estimated dispatch 7-14 working days
-
£121.00Emmanuel Variants - Robert E. Foster
This fresh, innovative setting of the well-known hymn Oh Come, Oh Come Emmanuel begins with a stirring brass fanfare leading into a quiet, meditative setting of the hymn. A series of developments utilizing different voicings, rhythmic treatment and harmonic development follow. This most appealing treatment then concludes with a return of the brass fanfare for a brilliant finale.
Estimated dispatch 7-14 working days
View Music