Results
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£64.99Juxtaposition - Michael Oare
In this dynamic and creative work, Michael Oare features a juxtaposition of various modes of F (major, mixolydian, and minor) as layers of sound are created with various textures and styles. A constant pulse center throughoutserves as a unifying element, as the effect is at times unsettling, and other times simply powerful.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£53.50Thunder
As suggested by the title, this powerful rock hit from Imagine Dragons has a thundering pulse and strong melodic lines throughout. Nicely adapted here for band by Paul Murtha.
Estimated dispatch 7-14 working days
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£64.99Shape of You
Recorded by Ed Sheeran, this popular hit features a rhythmic pulse and catchy melodies. This energetic version for concert band makes effective use of the percussion section as well as terrific scoring for the entire ensemble.
Estimated dispatch 7-14 working days
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£64.99On Golden Wings - Michael Oare
In this attractive overture for young bands, a chorale-like opening features solos for flute and oboe accompanied by delicate percussion effects and haunting harmonies. A dramatic faster section follows with a driving pulse andsoaring melodies as it builds to an exciting conclusion. Dur: 4:20
Estimated dispatch 7-14 working days
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£83.00The Armed Man: A Mass for Peace - Karl Jenkins
Welsh composer Karl Jenkins dedicated his landmark mass The Armed Man: A Mass for Peace to the victims of the 1998-1999 war in Kosovo. More recently it is been associated with remembrances of 9/11. The French Renaissance song "L'homme arm" serves as the basis for the first movement of the mass, beautifully adapted here for standard concert band instrumentation. With its relentless pulse and haunting strains, this is a dramatically emotional and riveting work!
Estimated dispatch 7-14 working days
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£46.95Chant de Nol
This fresh holiday classic arrangement is based on the popular French Christmas carol Sing We Now of Christmas, composed in the early 1500s. With the pulse initially established in the percussion, each voice in the band has an opportunity with the melody and the arrangement relaxes to a peaceful conclusion. (2:00)
Estimated dispatch 7-14 working days
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£66.95Escape from Dead Raider's Hollow - Jeremy Bell
Escape from Dead Raider's Hollow is a fast-paced adventure. Opening quietly, the introduction gradually builds in volume and energy up to a tempo change where the piece takes off and doesn't relent until the end. Combining rhythms of 3 over a pulse of 2 creates a hemiola effect that drives the piece forward, creating a feeling of anxiety and being chased. This is a bombastic, action-packed piece with loud percussive hits, huge brass, and soaring woodwinds that ends with a bang. (2:30)
Estimated dispatch 7-14 working days
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£57.50Propulsion - Robert Buckley
Propulsion is the action of driving or pushing forwards. It is the force that thrusts a rocket into space, that propels a runner across the finish line, and that fuels the momentum of a dolphin through the waves. With drivingpercussion, high-energy rhythms, dynamic melodies and an overall sense of excitement, Propulsion by Robert Buckley moves through different musical moods without ever losing its relentless pulse. A tour-de-force for all members ofthe band and an exhilarating concert opener! Dur: 3:00
Estimated dispatch 7-14 working days
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£42.50Roar
With a moderate yet powerful rock pulse and signature strong melodies, this Katy Perry hit adapts easily to a setting for young bands. Sure to be a popular choice.
Estimated dispatch 7-14 working days
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