Results
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£154.99Pompeii - Filip Ceunen
Filip Ceunen's latest concert piece takes us on a journey back through time and explore the ancient Italian city of Pompeii. Through three interlocking movements, the composer creates a musical tale of Pompeii's humble beginnings, its growth and splendour under Roman rule and, of course, the terrible eruption of Mount Vesuvius. This piece is ideally suited for both concerts and competitions alike, with its many contrasting musical characters and orchestration that brings each section of the band to the foreground. Powerful brass passages, lyric melodies in the woodwinds and exciting percussion sections make Pompeii an exciting musical mountain to climb.
Estimated dispatch 7-14 working days
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£202.99
Spirited Away - Joe Hisaishi
This is an arrangement of Ghibli's Anime film, "Spirited Away". It consists of six themes including No-Face, One Summer Day, The Bottomless Pit, Yubaba's Panic, Always with Me, and Reprise. I also added an alternate introduction using The Dragon Boy. The No-Face opener is somewhat avant-garde with technical difficulties so select the opening that is best suited to your ensemble. The arrangement concept was created by Mr. Tomoki Ubata of Ina Gakuen Sr. High School. His wonderfully crafted ideas always impress me. Especially, in the arrangement, mallet percussion and piano are effectively used to sound like a music box and the lyrical melody of Reprise is superimposed. This scene is the best part of the entire arrangement and is very emotional. All these fine melodies from the film transport both audience and performers to the fantastic world of anime. (Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£72.99Viva Massima - Eiji Suzuki
I wrote this in "Mashima-mode" dedicated to and celebrating the eminent Japanese composer Toshio Mashima's 60th birthday. The piece incorporates various familiar styles, melodies and nuances of the Popstage series. It is ideal as a closing piece or encore to finish a concert brilliantly! Effective use of Latin percussion is essential for good momentum. Don't be afraid to play bright and full. Massima is Italian for "peak" or "maximum", no special meaning, just word-play on the name Mashima. (Eiji Suzuki)
Estimated dispatch 7-14 working days
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£199.99Le Carnaval des Animaux - Camille Saint-Saëns
Camille Saint-Saens "grande fantasie zoologique" is a collection of 14 short movements, each with a specific animal subject. Performed now by the symphony, this suite was originally scored for two pianos and chamber orchestra. Yo Goto consulted Saint-Saens' score to set these nine movements for concert band. For humor, color and clarity he added piano and various percussion. Also, phrases were added for continuity and impact, particularly in the "Final".
Estimated dispatch 7-14 working days
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£141.99Funiculi-Funicula Rhapsody - Luigi Denza
This famous melody was written for the 1880 opening of Mt. Vesuvius' funicular railway, lyrics were by Peppino Turco. Mr. Goto's fantasy commands immediate excitement with unmuffled percussion and bold fanfares that segue into a proper tarantella and trombone soli. Carefully observe relative dynamics throughout the 6/8 section, and give all dotted quarter notes equal treatment. Dynamic contrast is critical to maintaining interest in the returning melodic line. The alto/tenor voiced counter line at G should dominate. Take advantage of the novel woodwinds solis at H emphasizing lower voices. The polyrhythmic feel at J and K is best conducted in one; have all "play to" the melody. Enjoy the romantic potential of section L and do not exceed the indicated tempo. Sections N and O can be decidedly mechanical. Certainly "pull out the stops" at the concluding 6/8, but continue to observe all tempi and dynamics for a most effective finale.
Estimated dispatch 7-14 working days
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£106.95
Winter On Emerald Bay - Alan Lee Silva
Bold music in the Celtic style from composer Alan Lee Silva, Winter on Emerald Bay has a rollicking 12/8 feel with lots of shifting textures and timbres. Emotions go from aggressive fanfare -like figures to flowing woodwind lines, punctuated by unique percussion scoring. This definitely has contest/festival potential.
Estimated dispatch 7-14 working days
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£101.50Bandology - Eric Osterling
Using rich, full dance band chords and interesting rhythms, this standard of school and community bands for over 50 years, has been re-edited and corrected with the modern concert band in mind. A stop-time section for brass and percussion and a pleasingly lyrical trio have made this light concert march a perennial audience and performer favorite. This new edition will be a valuable addition to any band's library.
Estimated dispatch 7-14 working days
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£65.50
Moon Song and Tribal Dance - Carol Brittin Chambers
Moon Song and Tribal Dance is a two part composition for the developing band that is written to depict sounds of Native American music. It starts out lush, mysterious, and choral-like, then leads into a tribal dance. The percussion gets a chance to shine in this piece. Perfect for the end of the year concerts or at festivals.
Estimated dispatch 7-14 working days
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£65.50
Danza de Espana - Carol Brittin Chambers
This Spanish style piece in a lilting 3/4 time will get your developing band off to a great start at your next concert. This new Carol Brittin Chambers piece has flowing melodic lines and lots of interplay between the percussion and winds. Carol also explores different colors and textures in the winds to make the piece a more interesting addition to the repertoire for developing band.
Estimated dispatch 7-14 working days
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