Results
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£60.99Bye Bye Bye - Andreas Carlsson
The signature hit from the iconic boy band *NSYNC is available here in this fun and highly accessible arrangement for young bands. Percussion and low brass create the infectious dance groove while the winds capture the unforgettable melody. The musicians will love this just as much as the parents.
Estimated dispatch 7-14 working days
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£109.99Front Burner - Dana Wilson
As the title implies, this short yet dynamic work is intended as a fast-paced burner and quite possibly positioned at the front of any concert program. Filled with dynamic twists and turns, along with cascading woodwind passages and splashes of brass and percussion, there is a sense of almost being out of control as it reaches an exciting and dramatic finish. Dur: ca. 3:00 (Recorded live by the Eastman Wind Ensemble - Mark Scatterday, conductor)
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£60.99Me! - Brendon Urie
Originally released in 2019, this Taylor Swift hit has become one of her enduring classics. With its underlying marching percussion style pulse and an upbeat and catchy melody, this is an appealing and effective arrangement for young players.
Estimated dispatch 7-14 working days
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£64.60NoiZi - Georges Sadeler
Commissioned by "Harmonie de Soleuvre" for "NoiZi - The Streetband Festival" in the context of "European Capital of Culture Esch2022". A new series created to meet the repertoire needs of street bands. Written for variable instrumentation in 5 parts, it includes an optional High Woodwinds part and numerous percussion instruments.
Estimated dispatch 7-14 working days
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£64.60Devil's Hunt - Georges Sadeler
A new series created to meet the repertoire needs of street bands. Written for variable instrumentation in 5 parts, it includes an optional High Woodwinds part and numerous percussion instruments.
Estimated dispatch 7-14 working days
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£139.90Tempo di Marcia from Symphony No. 1 - Einar Englund
Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass
Estimated dispatch 7-14 working days
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£71.99Jet Stream - Andreas Ziegelbäck
"Jet Stream" is a composition for a small wind orchestra. The term "Jet Stream" refers to a high-speed wind that occurs in the lowermost layer of Earth's atmosphere. Different temperature regions on Earth's surface give rise to these strong winds, particularly in the border areas where warm and cold air masses separate. The horizontally flowing winds around the globe can reach speeds of up to 540 kilometers per hour, approximately fifteen kilometers above our heads. These rapid wind movements play a crucial role in shaping our planet's weather and climate.To symbolize the wind, a device known as a "Howling Tube" is employed in the percussion section. The composition "Jet Stream" aims to capture the intensity and energy of these high-altitude winds in a musically and technically accessible manner. Simultaneously, it serves as a reminder, through its dramatic musical language, to treat our environment with greater care. Due to its modest instrumentation, the piece is particularly suitable for wind ensembles, including school wind bands.
Estimated dispatch 7-14 working days
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£214.40Maasai Masala - Craig Farr
"Maasai Masala" is a virtuoso band piece based on "Ol Doinyo Lengai", a duet for vibraphone and marimba. The music draws inspiration from the rhythms and tonalities from both African and Indian music and has chamber music qualities in the slower middle section.The piece has optional extra percussion parts in prioritised order in case enough percussionists are available or in occasion of including young aspiring talents.Ol Doinyo Lengai is the name of an active volcano in Tanzania, the name meaning The Mountain of God. The piece depicts the volcano in its physical form and also describes the underlying tension in the expectation og future eruptions. The characteristic vertical jumping-dance is represented in the repetitive 9/8 pattern.
Estimated dispatch 7-14 working days
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£47.50Good King Wenceslas
Cleverly arranged for first-year players using simple rhythms and modest ranges here is a great choice for your first holiday concert! The melody is passed back and forth throughout the band, and there's even a short feature spot for percussion. Sure to be a favorite with your beginners.
Estimated dispatch 7-14 working days
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