Results
-
£63.50Toccata - Aurelio Bonelli
"Woodwind and percussion players usually are unfamiliar with the antiphonal brass choir tradition. I made this modern, more easily readable version of Bonelli's classic 1600 Toccata for flexible wind ensemble with optional percussion, so that as few as 8 players up to full symphonic band could play in this style. I've used it as a dramatic concert opener, with the second, smaller group positioned behind the audience." Shelley Hanson
Estimated dispatch 7-14 working days
-
£65.50
Street Beat Christmas
Arranger Joseph Compello brings us a nice holiday collage that features the percussion section playing "real" street beats. Beside being an effective and fun arrangment, your percussion section will learn different roll-offs and streets that will be useful for parades or other events where street beats are needed. Well done Joe!
Estimated dispatch 7-14 working days
-
£65.50
Northern Lights - Alan Lee Silva
Featuring a lovely and appropriate use of mallet percussion instruments, especially bells and other delicate members of the percussion section, Northern Lights is evocative, melodically distinguished and cleverly scored to help a young band sound its best. The contrast between the natural minor of the woodwind melody at the beginning and the grander, major mode brass theme introduced later is nicely maintained throughout this very effective piece.
Estimated dispatch 7-14 working days
-
£72.95
Oceania Dances - Kevin Mixon
Oceania Dances uses traditional music from Tahiti and Hawaii, islands located in the geographic region of the Pacific Ocean commonly referred to as Oceania. The recurring rhythms, prominently presented in the percussion solo sections, are derived from frenetic percussion music used to accompany Tahitian dancers.This piece gives you the chance to include the music of other cultures, but yet still has all of the traits of solid band literature. You can't go wrong with this selection for contest/festival.
Estimated dispatch 7-14 working days
-
£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
-
£74.99Christmas Africana - Larry Neeck
Based on a traditional Kenyan Christmas carol, "Christmas Africana" lends a joyous and exotic change of pace to your concert. The use of African and traditional percussion instruments gives the piece its African flavor. With authentic, but easy rhythms, there are great opportunities for involving additional students in your percussion section. Energetic melodies and call-and-response patterns provide great tools for teaching blend and balance to the entire band. A really exciting and unique piece for your Christmas concert!
Estimated dispatch 7-14 working days
-
£53.99When Camels Cakewalk To Cairo - Orcino
A delightful novelty piece for young bands which is sure to be a big hit at any performance. Unique modal melodies allow you to picture some slightly "goofy" camels traveling across the desert while being accompanied by very busy yet easy percussion parts. Includes a short percussion section feature and then all of the lower pitched instruments get to shine! Lots of fun for everyone! Can't be beat!
Estimated dispatch 7-14 working days
-
£60.50Bells! - Robert W. Smith
A brilliant concert/festival opener for the beginning band, "Bells!" is a bold statement that uses only the first octave of range introduced in most band method books. Composer Robert W. Smith has expanded the keyboard percussion parts to feature your entire percussion section in a most effective way. The flowing melodic lines that contrast the dramatic fanfare figures enhance the educational content making this a very rewarding experience for all. Exceptional music with exceptional teaching opportunities!
Estimated dispatch 7-14 working days
-
£48.50Maximum Mallets - David Shaffer
Pure fun describes this clever mallet percussion feature! David Shaffer has once again crafted a novelty piece with clever melodies, crisp percussion writing and a thoughtful brass and woodwind accompaniment, making it a favorite of your students and audiences alike. Although written for 2 solo xylophones, the piece may be performed with multiple mallets on each part, just 1 mallet part or you can utilize any mallet instrument. Time for FUN!
Estimated dispatch 7-14 working days
-
£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
View Music