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£62.95Morning Star - Katie O'Hara LaBrie
This musical reflection reminds listeners to take a brief pause each day to appreciate the beauty that surrounds us. Morning Star by Katie O'Hara LaBrie showcases flowing melodies gracefully passed between sections while rich harmonies provide a warm foundation. Ample percussion is included, providing a sparkle that is sure to let the stars shine. (2:00)
Estimated dispatch 7-14 working days
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£66.95Primal - Todd Stalter
The entire band becomes a percussion instrument in Primal by Todd Stalter. This programmatic work portrays the instinctive and primitive human drive to gather together for ceremony, celebration, or survival. The ensemble will unite to transport the audience to ancient millennia via the music's bold melodic and harmonic statements and thunderous hypnotic rhythmic action. (3:30)
Estimated dispatch 7-14 working days
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£58.50Pirate Kings from the East - S. Watson
In Pirate Kings from the East, composer Scott Watson re-imagines the legendary journey of the Three Kings, musically transporting the action from the desert to the high seas, swapping the traditional caravan of camels with a fearsome tall ship and pirate crew! Bold themes, triple-meter sea-shanty rhythms, and exciting percussion contribute to the high-spirited adventure. At the stirring conclusion of this buccaneer drama, one can almost hear the maritime Magi heartily proclaiming, "We Three Kings of Orient... ARRRGH!" (2:45)The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:Assignment, recording, and assessment tools within MakeMusic CloudPiece-specific exercises focused on skills and techniquesPrintable sheet music (with a standard MakeMusic Cloud subscription)Educational tips and suggestions to support learningAvailable in print and digital formats.
Estimated dispatch 7-14 working days
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£66.95Santa Claus Is Comin' to Town - Michael Kamuf
The big guy is getting his groove ON! Santa Claus Is Comin' to Town, arranged by Michael Kamuf, gets a fun, fresh treatment complete with Latin American grooves, cool harmony, and, of course, some cowbell! Adding players on the cowbell part is a great way to employ large percussion sections or to feature your faculty or staff. Bring the house down at your next holiday concert with this classic. (2:35)
Estimated dispatch 7-14 working days
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£60.99Bye Bye Bye - Andreas Carlsson
The signature hit from the iconic boy band *NSYNC is available here in this fun and highly accessible arrangement for young bands. Percussion and low brass create the infectious dance groove while the winds capture the unforgettable melody. The musicians will love this just as much as the parents.
Estimated dispatch 7-14 working days
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£64.99Born to Run
This burning arrangement of the classic Springsteen hit has all of the fire and power of the original. Driving percussion and perfect scoring will bring the audience out of their seats. The saxes get to play the iconic Clarence Clemons solo. A hit!
Estimated dispatch 7-14 working days
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£109.99Front Burner - Dana Wilson
As the title implies, this short yet dynamic work is intended as a fast-paced burner and quite possibly positioned at the front of any concert program. Filled with dynamic twists and turns, along with cascading woodwind passages and splashes of brass and percussion, there is a sense of almost being out of control as it reaches an exciting and dramatic finish. Dur: ca. 3:00 (Recorded live by the Eastman Wind Ensemble - Mark Scatterday, conductor)
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£60.99Me! - Brendon Urie
Originally released in 2019, this Taylor Swift hit has become one of her enduring classics. With its underlying marching percussion style pulse and an upbeat and catchy melody, this is an appealing and effective arrangement for young players.
Estimated dispatch 7-14 working days
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£64.99Disney Around the Bandroom
Cleverly arranged to showcase each instrument on a well-known Disney tune, here's the perfect recruiting tool for your next concert tour of the elementary schools! It's also an entertaining medley for any concert. Includes: A Whole New World (full band), Let It Go (Clarinets), Arabian Nights (Oboe), Beauty and the Beast (Flutes), We Don't Talk About Bruno (Saxes), Remember Me (Trumpets), Can You Feel the Love Tonight (F Horns), You've Got a Friend in Me (Trombones/Baritones), Under the Sea (Percussion), and You're Welcome (bass instruments).
Estimated dispatch 7-14 working days
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