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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£140.80Piece Heroique - César Franck
Csar Franck (1822-1890) was born in Liege, Belgium, and his great musical talent was discovered when he was still a small boy. When he was 12 years old, his family moved to Paris. In the French capital he was active as a teacher, an organist and a conductor. In 1858 he was appointed organist at the Sainte Clotilde Church in Paris; that church boasted brand new Cavaill-Coll organ. For this instrument Franck wrote Six pices pour grand orgue (Six pieces for grand organ) in 1862 and in 1878 Trois pices pour grand orgue (Three pieces for grand organ), one of those pieces being Pice Hroque . This energetic and lively composition starts with the typical rhythm of a traditional French overture. The central choral is in a major key, but then major and minor keys alternate and the work ends with a powerful fortissimo.
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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£42.50Es ist ein Ros' entsprungen - Johannes Brahms
This band arrangement of No. 8 from the Op. 122 organ pieces by Johannes Brahms is, for all intents and purposes, made by the arranger to sound like a big pipe organ plus timpani. Great for band concerts at Christmastime or at anytime of the year. Duration: c. 2:10
Estimated dispatch 7-14 working days
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£61.00Largo Alla Barocco - Ted Huggens
The slow 'Airs' are a Ted Huggens speciality. LARGO ALLA BAROCCO is written completely in the style of the majestic 'Air from the New Baroque Suite' which was a worldwide success. At the end an ad libitum organ part has been added; this part allows the organ player to improvise according to his fantasy.
Estimated dispatch 7-14 working days
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£43.00Marcia Italiana - Vincenzo Antonio Petrali
This sweeping festive march is full of italian temper and offers effective contrasts between woodwinds and brass. "Marcia Italiana" was originally a piece for organ; titled as "Sonata finale" it is the final movement of an organ mess "("Messa solenne") of the less known composer Vincenzo Petrali.
Estimated dispatch 7-14 working days
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£174.10Nde - Iver Kleive
This is the finale from the original soundtrack of the opening ceremony of the XVII Olympic Winter Games in Lillehammer, Norway, 1994. The piece was composed by Knut Reiersrud, Iver Kleive and Marilyn Mazur. It features them all as musicians; Marilyn Mazur (percussion), Knut Reiersrud (guitar) and Iver Kleive (organ) together with Linda vreb - vocals, Odd Lund - piccolo trumpet, Kjell Erik Arnesen - French horn and The Boys Choir of Oslo Cathedral.Performance notes:The horns should be standing close to the organ.To get the desired effect from the "Solo percussion"-part, please listen to the original recording of this piece Nde recorded by Kleive/ Reiersrud/ Mazur at the Kirkelig Kulturverksted label.
Estimated dispatch 7-14 working days
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£123.95Fanfare on Amazing Grace - Adolfus Hailstork
Originally composed for solo organ, Hailstork's fanfare is a 3-minute explosion of joyous sound inspired by the Baroque-era tradition of Chorale Preludes. As in Bach's organ preludes, the familiar hymn's phrases broadly emerge from ornate counterpoint, here in the form of brass fanfares. The result is exhilarating! Also scored by Hailstork for chamber ensemble and for orchestra, FANFARE ON AMAZING GRACE was transcribed for concert band in January 2021 by MGySgt Don Patterson, staff arranger for "The President's Own" United States Military Band, for that ensemble's worldwide broadcast performance at the 2021 Presidential Inauguration.
Estimated dispatch 7-14 working days
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£140.50
Fantaia in G Major - Johann Sebastian Bach
A true wind band classic is presented here with a new recording and transcription as a refresher for experienced band directors and as an introduction to new band directors. It was made famous by Fredrick Fennell in his recordings with the Cleveland Winds, along with countless other fantastic performances and recordings over the years. Originally written for organ, this transcription stays very true to the original intent. One can practically hear the registration changes of the organ when playing this well-written standard in the wind band repertoire.
Estimated dispatch 7-14 working days
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£104.50Before Thy Throne I Now Appear - Daniel Bukvich
Bachs last composition is an organ prelude based on the chorale Wenn Wie in Houchsten Noten Sin. Bukvichs re-composition includes this organ prelude plus the original melody and two of Bachs harmonizations, resulting in a highly emotional work. ( 5 minutes 30 seconds)
Estimated dispatch 7-14 working days
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