Results
-
£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
-
£45.95
Intermezzo - Georges Bizet
Drawing from some of the lesser-known material from Bizet's famous opera, this arrangement closely portrays the original with its beautiful, lyrical melodies and lush harmonies. Solos are written for flute, oboe, and clarinet. The piece also provides some optional notes to more accurately resemble the original material.
Estimated dispatch 7-14 working days
-
£38.50Raise - Suzanne Toolan
InstrumentationPiccoloFlutes I and IIOboeClarinets I, II and III in BbBassoonAlto Saxophones I and IITenor SaxophoneBaritone SaxophoneHorns I and II in FTrumpets I, II and III in C or BbTrombones I and IIBass TromboneEuphonium (B.C) or (T.C.)TubaTimpaniSnare DrumBass DrumCrash CymbalsSuspended CymbalTam-tamSleigh Bells or TambourineChimesGlockenspielXylophoneMarimba
Estimated dispatch 7-14 working days
-
£94.99Fanfare for the Sun - Carl Wittrock
Obviously, the music of John Williams is beyond comparison, but subconsciously one's thoughts do drift into that direction. Fanfare for the Sun is a radiant fanfare from the pen of Carl Wittrock. Nearly three minutes utmost concentration are required of your musicians to have them display stunning feats of technical brilliance. A moment of calm in this masterly composition is the vivacious and entertaining dialogue of clarinet, bassoon, oboe, and flute in the middle-section. The work was written as a commission by the Melomaan Foundation on the occasion of its anniversary. Een vergelijking met de muziek van John Williams mag uiteraard niet gelegd worden,maar onbewust gaan de gedachten wel in die richting. Fanfare for the Sun is een stralende fanfare van de hand van Carl Wittrock, die zijn voorliefde voor de filmmuziek niet onder stoelen of banken steekt. Rustpunt in deze korte doch magistrale compositie is de levendige en onderhoudende dialoog tussen klarinet, fagot, hobo en fluit in het middendeel. De componist schreef dit werk in opdracht van de Stichting Melomaan (Nederland) ter gelegenheid van haar jubileum.
Estimated dispatch 7-14 working days
-
£159.60Sculptures Of An Exhibition - Kees Vlak
This composition was commissioned by the village of Midden-Beemster to commemorate the 375th anniversary of the polder of the same name. It was premiered in august 1987 by the Beemster Fanfare Band. On this occasion some twenty sculptors were invited to create a work of art. Those sculptures were set up at the most picturesque areas of the polder. On a 40 km long bicycle route one can admire the curious statues wile enjoying the beautiful scenery as well. The compostition is based on two themes: a main theme and the promenade theme.1.Introduction: After the grandiose presentation of the main theme, on the dominant, we leave the village to the sound of some pretty music.2.Promenade and Watchman: After some time, we discover a dark statue hidden in the bushes; it is shaped like a square standing on one of its corners. It is called "Watchman". We hear the promenade theme as a solo and all next themes will be variations.3.A Building of Willow-trees: Far away on a dike, we discover the huge skeleton of a kind of house. It is a construction of skilfully interwoven willow-branches. The musical themes are also interwoven. The sculpture is called "Construction of wood used by the farmers".4."Die Flsse, ah die Flsse"and Promenade: We continue our trip and see now a horn of plenty, made of brown ceramics and set up on the green slope of an old fortress. The sun shines on the sheep being at pasture under the willow-trees. No doubt, this scene will have something to do with abundance.5.Cardplayers in front of the Nightingale: A statue in cast iron, representing two carplayers, has been erected in front of the windmill called "The Nightingale". This sculpture suggests a rather animate atmosphere. The opponents with the trumpets and the trombones suggest the cardgame. The trumpets are constantly changing from players. At a certain moment the trumpet gets hold of the decisive trick and starts a victorious blow. The trombone, however, repeats this shout of joy with quite some perverse delight and in a completely wrong pitch. The game continues and after a climax all cards are finally thrown on the table.6.Autumn and Promenade: The trip now brings us a white sculpture in ceramics, decorated with some autumn leaves. Is this a seated man or a chair? Anyway, it looks very nostalgic. This is the time for a moment of reflection with the oboe or the saxophone. It is called "Autumn".7. The Powerlifter: Somewhat hidden in a ditch, we discover a small statue in cast iron, representing a powerlifter who is going to give way under the weight. The music uses the main theme with powerlifting euphoniums, saxophones and clarinets.8.The Bull: Here we have another cast iron sculpture, but this time it is a really powerful figure. This "Bull" statue uses the same theme as that of the powerlifter, but it gets a stronger foundation from the bass insturments.9.Mirror and Promenade: While strolling alongside the channel we suddenly see four mirrors. They not only reflect themselves, but also mirror in the water of the channel. These reflections are suggested by the use of tuned percussion. The promenade theme is also used in mirror image.10.Reflictions or...?: On top of the dike we have a nice view on a farmyard with its orchard. A very big net, coverd with sparkling tin plates, has been stretched between the trees. This sculpture is called "Reflections of ...?. Of what? Yes, of course, reflections of the times when the polder was a lake and the sun was reflecting in the wild waves.11.Willpower: Finally we discover a big statue in cast iron. It is not clear whether it is a man or a woman. Anyway the enormous bundles of muscles in the legs and the thighs are striking. This sculpture is called "Willpower". The idea of determination is musically suggested by a very long preamble to the promenade theme in one great stringendo, leading to the conclusion of the trip.12.The beautiful country: Here we have the most beautiful picture. The magnificent Beemster Polder in bloom. We see a nice windmill with decorated wings. We hear the main theme, now on the tonic.
Estimated dispatch 7-14 working days
-
£214.80Concerto Pour Hautbois - Serge Lancen
The 'Concerto pour Hautbois' was written in 1991. In fact, it is a new version of the 'Concerto for Harmonica and Symphony Orchestra' commissioned by the famous harmonica virtuoso Larry Adler in 1954. The latter also created it in Birmingham (England) the same year. There is no other oboe part in the band, in order to hold the tone color of the solo instrument in the spotlight.
Estimated dispatch 7-14 working days
-
£76.80Teabreak for Band - David Jackson
In everyday life in Great Britain 'tea-time' plays a rather important role and this is what Jackson tried to suggest in this original wind band composition. Jackson was born in 1957 and graduated from the 'Kneller Hall' military school of music where he studied the oboe, the saxophone, arranging and composing for band. In 1976 he joined the army as a musician with the 'Alamein Staff Band of the Royal Tank Regiment'. He actually conducts several wind bands. We already published his succesful band piece 'Sun-Tan' and here is a new piece that adds some British 'flavour' to the wind band repertoire.
Estimated dispatch 7-14 working days
-
£76.80Strangers in the Night - Singleton/Bert Kaempfert
Quite and desolate streets in a cold grey night. Two lonely people meet each other and a love story begins. This was what I saw in my imagination while arranging this famous evergreen. The leading parts in this romantic story are played by the oboe (soprano saxophone in the fanfare band) and the euphonium. Harald Suilen
Estimated dispatch 7-14 working days
-
£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
-
£116.40St. Louis Fantasie - Peter Kleine Schaars
In this fantasy, the band develops itself starting from a flute cadenza and an oboe solo and then develops through a slow blues in the woodwinds, a big band passage and a tango into a sparkling swing band. The score contains a solo passage for a Dixieland band noted in all parts. Some obbligato improvisations help the splendid orchestration to make a thrilling experience of this piece.
Estimated dispatch 7-14 working days
View Music