Results
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£52.95Sahara Adventure (Concert Band - Score and Parts) - Lopez, Victor
Enjoy the rich sand of the desert as it moves across the Sahara, sing to the wind, and inspire our creativity. This energetic and adventurous composition is a perfect musical exploration of another culture. Teaching opportunities include quartal harmonies, varied accents, and an exotic repetitive percussion contribution. A hot new piece reminiscent of one of the world's hottest deserts.Duration: 2:00
Estimated dispatch 7-14 working days
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£76.99Bella Ciao (Concert Band - Score and Parts) - Stanford, Tom
Bella Ciao is a traditional song of uncertain origin. Many versions have appeared over the years: the song now enjoys new popularity because of a dance version, and as the theme for the NETFLIX Series La Casa del Papel. This dynamic arrangement was created by band director Tom Stanford.
Estimated dispatch 7-14 working days
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£104.99Christmas Delights (Concert Band - Score and Parts) - Oswald, Gerald
Are you tired of hearing the same Christmas tunes over and over again? Well, try this new medley by Gerald Oswald in which he flavours 'Silver Bells', 'Here Comes Santa Claus', 'Winter Wonderland' and 'Jingle Bells' in an adventurous way!Duration: 6.15
Estimated dispatch 7-14 working days
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£80.00Unity (Concert Band - Score and Parts) - Harden, Justin
Inspired by the late Martin Luther King Jr's "I Have A Dream" speech, this new composition by Justin Harden conveys images of promise, solidarity, and triumph. Written for United Sound, the work begins with a beautiful and lush lyrical statement. A heralding trumpet foreshadows the glorious development leading to a glorious conclusion. Appropriate for concert/festival as well as ceremonial use, Unity may very well find a place in your band's standard repertoire. Duration: 5.30
Estimated dispatch 7-14 working days
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£57.50Steps Ahead (Concert Band - Score and Parts) - Gandolfi, Michael
Steps Ahead is a new BandQuest work by Michael Gandolfi that takes young players on a journey! Along the way, there are musical/compositional techniques that are intended to educate the performers about basic compositional techniques that are intended to educate the performers about basic compositional techniques. "Steps Ahead is a delightful piece with something interesting for every instrument in the ensemble. Each of its three sections addresses a kind of compositional technique - transposition, tutti (a 2-part homophonic section) and developing tutti (parts of the band enter to build to a 2-part homophonic tutti). Less experienced players might enjoy the challenges of easy syncopation and musical lines constructed with larger intervals." -Tom Duffy, series editor.
Estimated dispatch 7-14 working days
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£60.99Star Wars: The Last Jedi, Music from (Concert Band - Score and Parts) - Williams, John - Vinson, Johnnie
Featuring a blend of exciting new themes along with familiar favorites from earlier Star Wars movies, here is a great-sounding medley for young players.Includes:FinaleMain Title and EscapeThe Rebellion is Reborn
Estimated dispatch 7-14 working days
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£60.99Star Wars: The Last Jedi, Selections from (Flexible Ensemble - Score and Parts) - Williams, John - Murtha, Paul
Scored with flexible instrumentation options, here is a beautifully adapted medley of the primary themes from Star Wars: The Last Jedi. You'll hear dramatic new material along with well-known melodies of your favourite characters.Includes:FinaleThe Rebellion is Reborn
Estimated dispatch 7-14 working days
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£72.99Star Wars: The Last Jedi, Soundtrack Highlights from (Concert Band - Score and Parts) - Williams, John - Brown, Michael
From the blockbuster movie Star Wars: The Last Jedi, John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favourite characters return for this episode.Includes:FinaleThe Rebellion is Reborn
Estimated dispatch 7-14 working days
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£79.95Acentos Oscuras (Concert Band - Score and Parts) - Wiffin, Rob
A powerful, brooding piece in minimalist style, Acentos Oscuras (Dark Accents) is a new departure for Rob Wiffin. He wanted to try and write a reasonably extended piece of minimalism but make the necessary rhythmic shifts by means of accents across the bar rather than continually changing the metre. Hence the ear picks up a lot of patterns of 5 that are actually placed across an even beat of 2. Without necessarily trying for a dark atmosphere the piece naturally evolved in that mood. There are episodes that are lighter and more playful but the primal power and obscure quality pervade much of the music.Duration: 8
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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