Results
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£420.99
Symphony of Freedom (Concert Band - Score and Parts) - Doss, Thomas
Symphony No.3. All men are born free and equal in dignity and rights. They are endowed with reason and conscience and are to meet one another in a spirit of brotherhood. This article 1 of the Universal Declaration of Human Rights forms the basic idea behind this majestic Symphony of Freedom. In each of the three movements, the composer picks another angle on this universal theme of freedom. In the first movement, Cry for Freedom, it's the Dalai Lama of which the composer is a great admirer. The second movement, Dream of Freedom, takes the photograph of the deceased three-year-old refugee boy Ailan Kurdi on the beach at Bodrum as a basis. The finale, Freedom Above All, refers, besides a Bruckner quote, to the music of Ludwig van Beethoven. This movement should be seen first and foremost as an affirmation of life, faith and hope for a better world.Duration: 25.00
Estimated dispatch 7-14 working days
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£91.00
Send in the Clowns (Flugelhorn and Trombone Duet with Concert Band - Score and Parts) - Sondheim, Stephen - Rydland, Frode
Send in the Clowns was originally written for soloist with Brass Band accompaniment for Eikanger-Bjorsvik Musikklag. The song is taken from the musikal A Little Night Music by Stephen Sondheim. In the song, the character Desiree reflects on the ironies and disappointments of her life. Duration: 3.15
Estimated dispatch 7-14 working days
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£72.00
Side Partners (Brass Duet with Concert Band - Score and Parts) - Clarke, Herbert L. - Glover, Andrew
The era of old-time concerts in the park comes back to life with "Side Partners." Composed by cornet virtuoso, Herbert L. Clarke, for himself and his long-time friend, Sousa Band trombonist Frank Holton, this delightful piece can be played by two cornets/trumpets, two trombones, two euphoniums, or any combination of these instruments. Feature your two outstanding brass players in this charming work. The accompaniment requires a minimum of rehearsal, and the solo parts are flashy without being overly demanding. An excellent choice also for community bands. Delightful music! Duration: 4.15
Estimated dispatch 7-14 working days
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£150.00
Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
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£75.00
Angelus ad Virginem (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Angelus ad Virginem (or its English title, Gabriel, From Heven King Was To The Maide Sende) was a popular medieval carol,whose text is a poetic version of the Hail Mary and the Annunciation to the Virgin Mary. Probably Franciscan in origin, it was brought to Britain by French friars in the 13th century. It is said to have originally consisted of 27 stanzas, with each following stanza beginning with the consecutive letter of the alphabet. Surviving manuscripts may be found in a c. 1361 Dublin Troper (a music book for use at Mass) and a 13th or 14th century vellum Sequentiale that may have been connected with the Church of Addle, Yorkshire. Its lyrics also appear in the works of John Audelay (perhaps a priest, he definitely spent the last years of his life at Haughmond Abbey, where he wrote for the monks), in a group of four Marian poems.
Estimated dispatch 7-14 working days
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£140.00
Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£2.99
Can't Buy Me Love (Medley of Hits by The Beatles) (2 Part Choral Octavo) - Lennon & McCartney - Snyder, Audrey
This easy-to-sing 5-minute medley celebrating the timeless music of the Beatles is perfect for singers and listeners of any age! Combine with your instrumental department for a fabulous concert finale! Includes: Can't Buy Me Love, Here Comes the Sun, In My Life.
Estimated dispatch 7-14 working days
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£2.99
Can't Buy Me Love (Medley of Hits by The Beatles) (SAB Choral Octavo) - Lennon & McCartney - Snyder, Audrey
This easy-to-sing 5-minute medley celebrating the timeless music of the Beatles is perfect for singers and listeners of any age! Combine with your instrumental department for a fabulous concert finale! Includes: Can't Buy Me Love, Here Comes the Sun, In My Life.
Estimated dispatch 7-14 working days
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£3.50
Can't Buy Me Love (Medley of Hits by The Beatles) (SATB Choral Octavo) - Lennon & McCartney - Snyder, Audrey
This easy-to-sing 5-minute medley celebrating the timeless music of the Beatles is perfect for singers and listeners of any age! Combine with your instrumental department for a fabulous concert finale! Includes: Can't Buy Me Love, Here Comes the Sun, In My Life.
Estimated dispatch 7-14 working days
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£239.99
Energico (Concert Band - Score and Parts) - Waespi, Oliver
Energico is the third movement from the composition Out of Earth, a musical exploration of the creation of the myth Ovid's Metamorphoses. This myth depicts humanity's path, and is taken from a golden age of the past. It describes the destruction of the Great Flood, to the re-building of life on earth. Out of Earth was created as a commission for the Aulos Concert Band and was premiered by the band in October 2015. It is a very challenging piece of music, which is perfect for contests or high-end concerts.Duration: 12.15
Estimated dispatch 7-14 working days