Results
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£51.50The Lost Lady Found - Michael Story
A 19th-century British folk song found throughout England as well as Canada and the United States, the melody is most known as the basis of the last movement of Percy Grainger's masterwork, Lincolnshire Posy. In three-four time, there are a few accidentals carefully listed for the conductor that may need reviewing. Attention to the articulations, phrasing, and breath marks will make this work simply sparkle! (1:45)
Estimated dispatch 7-14 working days
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£53.50Lost Mountain - Jay Bocook
Composed in two stylistically contrasting sections, here is a unique and dynamic work that is definitely something out of the ordinary. The first section opens with dark sonorities and mysterious effects. The faster second section is propelled by a driving, yet easy percussion undercurrent and features strong themes scored to sound full with young bands. Your students will love the dramatic effects and musical depth of this exciting work. Dur: 4:30
Estimated dispatch 7-14 working days
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£149.99The Lost Castle - Otto M. Schwarz
Underwater worlds, enchanted castles, rich and cold-hearted depots who chase the poor away, dark figures, revenge, Atlantis... such are the exciting motifs that emerge in Otto M. Schwarz latest work about an enchanted castle. The "screenplay",included as ever, can be read along with the musical version of events for an even creepier effect...
Estimated dispatch 7-14 working days
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£51.50The Lost Lady Found (Concert Band - Score and Parts) - Story, Michael
A 19th-century British folk song found throughout England as well as Canada and the United States, the melody is most known as the basis of the last movement of Percy Grainger's masterwork, Lincolnshire Posy. In three-four time, there are a few accidentals carefully listed for the conductor that may need reviewing. Attention to the articulations, phrasing, and breath marks will make this work simply sparkle! Duration: 1.45
Estimated dispatch 7-14 working days
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£53.50Lost Mountain (Concert Band - Score and Parts) - Bocook, Jay
Composed in two stylistically contrasting sections, here is a unique and dynamic work that is definitely something out of the ordinary. The first section opens with dark sonorities and mysterious effects. The faster second section is propelled by a driving, yet easy percussion undercurrent and features strong themes scored to sound full with young bands. Your students will love the dramatic effects and musical depth of this exciting work.Duration: 4:30
Estimated dispatch 7-14 working days
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£214.95BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score and Parts) - Clarke, Nigel
This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00
Estimated dispatch 7-14 working days
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£49.95
BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score only) - Clarke, Nigel
This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00
Estimated dispatch 7-14 working days
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£149.99
The Lost Castle (Concert Band - Score and Parts) - Schwarz, Otto M.
Underwater worlds, enchanted castles, rich and cold-hearted depots who chase the poor away, dark figures, revenge, Atlantis... such are the exciting motifs that emerge in Otto M. Schwarz' latest work about an enchanted castle. The "screenplay", included as ever, can be read along with the musical version of events for an even creepier effect...Duration: 11:50
Estimated dispatch 7-14 working days
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£32.00The Lost City (Concert Band - Score and Parts) - Edmondson, John
Painting a vivid picture of the ruins of an ancient city, the composer uses the Phrygian mode, creative percussion effects and traditional harmonies in the non-traditional ways to convey this musical impression.
Estimated dispatch 7-14 working days
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£72.99In Perfect Silence, I Often Gaze at the New Stars - Richard L. Saucedo
On a Sunday afternoon in May of 2011 tornados devastated the city of Joplin, Missouri. In Perfect Silence, I Often Gaze at the New Stars is intended as a musical tribute to those who lost their lives that day and to those heroeswho gave everything they could to help others. The music is a beautiful blending of sounds and moods, and carries with it a full range of emotions from reflective quiet moments to the massive outpouring from the entire ensemble.An evocative and moving work for band that will resonate with both performers and listeners. Dur: 3:50
Estimated dispatch 7-14 working days
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