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£140.50
The Rusty Bucket - Carol Brittin Chambers
This piece is pure energy from start to finish. If you have ever played the popular Grainger classic Molly on the Shore with your band, think of this as a modern Molly on the Shore! This piece contains lots of pop/rock/Latin infused licks that will showcase the talents of your advanced band. It is a short but fun journey that will bring the audience to their feet.
Estimated dispatch 7-14 working days
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£78.95Hey Man, Christmas Rocks!
Three different rock styles (Hard Rock, Shuffle and Latin Rock) are used to juice up three familiar popular Christmas tunes (Jolly Old St. Nicholas, Up On the Housetop, and Jingle Bells) in this fun-filled Christmas medley. The scoring is expert and the infectious verve of the piece will make it the highlight of any Christmas program. Duration: 3'40"
Estimated dispatch 7-14 working days
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£72.95
American Ballad Variants
A fresh and spirited treatment of the traditional American ballad Black Is the Color of My True Love's Hair, this fine piece for a developing band starts with a slow and atmospheric introduction featuring solos by flute and trumpet that hint at the tune. The main section sets the ballad to a driving Latin beat, but the slow reflective mood returns at the end with solos for clarinet, bass clarinet and flute.
Estimated dispatch 7-14 working days
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£64.99
Laredo - Stephen Bulla
The relaxed, familiar melody coupled with interesting and accessible parts throughout the ensemble make this one perfect for the "light concert or Latin" segment of your next concert. Consider having your students listen to Copland's "El Salon Mexico" after playing LAREDO. Stephen Bulla's engaging percussion writing combined with authentic harmonies make this one a delight for everyone in the audience. And of course, your band will love to play it!!
Estimated dispatch 7-14 working days
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£69.99
With Sweet Jubilation - James Curnow
Explore different settings of the Medieval Latin carol "In Dulci Jubilo" via this solid arrangement by James Curnow. Opening with an exquisite "Brass Choir" section a la Michael Praetorius (1571-1621) and progressing through a "Woodwind Choir" section in the later J.S.Bach style, WITH SWEET JUBILATION is wonderful "style study" material. The grace of the early masters and the clearly focused unifying concept of the arrangement by James Curnow combine to make this addition to the Curnow Music Press "Splendor of Christmas Series" a wonderful holiday experience for the young band.
Estimated dispatch 7-14 working days
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£89.99Turn the Beat Around - Peter Jackson
In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson's disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text "Love to hear percussion" in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion.
Estimated dispatch 7-14 working days
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£69.99Ad Fontis - Harm Evers
The Latin title Ad Fontis means ?to the source?. This lively march in 2/4time follows traditional forms of march composition with a cheerfulopening followed by a somewhat more lyrical trio. This ceremonialgenre of old is often used in the army to keep up the morale of thetroops, however a march can also serve perfectly well to add luster toany concert and bring immense pleasure to the audience.
Estimated dispatch 7-14 working days
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£332.99Cantica de Sancto Benedicto - Jacob de Haan
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Estimated dispatch 7-14 working days
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£45.95
Equus - Erik Morales
Equus, Latin for "horse," takes us on a thrilling ride on one of these magnificent animals. Wood blocks help create the sound of the horse as the ensemble comes along for the ride. A serene section at the same tempo almost seems to slow the ride down, so listeners can take the time to appreciate the scenery around them. The opening material then returns as the piece comes to a strong conclusion.
Estimated dispatch 7-14 working days
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£60.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 7-14 working days
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