Results
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£150.00March to the Scaffold (4th Movement from Symphony Fantastique) (Concert Band - Score and Parts) - Berlioz, Hector - VanDoren, Evan
Berlioz's most famous Romantic Era standard, "Symphony Fantastique" is a colorful, evocative musical masterpiece that continues to withstand the test of time, pleasing all audiences. In this transcription, Evan VanDoren has artfully crafted its fourth movement, "March to the Scaffold", for the modern wind ensemble, taking creative care to present the work in its truest form while maximizing playability! Duration: 4.45
Estimated dispatch 7-14 working days
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£139.99The Abduction from the Seraglio (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Takahashi, Tohru
"Wonderful! But, aren't there too many notes?" asked the emperor Joseph II. "No, all notes are necessary. This is new music," replied Mozart. This is a famous anecdote about the premiere of the opera Die Entfuhrung aus dem Serail (The Abduction from the Seraglio), which took place on July 16, 1782 at the Burgtheater Wien (Vienna). It illustrates Mozart's ambition and self-confidence. Throughout Mozart's lifetime, Die Entfhrung aus dem Serail was his most successful work outside of Vienna. It is still a much-performed opera. Tohru Takahashi has made a lively arrangement of the overture in its original key, C major. It will sound even better if your band has Turkish percussion instruments at its disposal.Duration: 6.15
Estimated dispatch 7-14 working days
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£55.50Star Wars (Main Theme) (Concert Band - Score and Parts) - Williams, John - Strommen, Carl
The excitement lives! The amazing world of space adventure known as Star Wars returns again, and it's bigger than ever. With enhanced visuals and a new series of films upcoming, it's the most important entertainment story of the decade. The marvelously exciting music of John Williams has created a magical aura, and Carl Strommen has masterfully crafted a fresh and easy-to-play version of this gigantic anthem. Need more be said?Duration: 2:00
Estimated dispatch 7-14 working days
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£71.50The Thunderer March - John Philip Sousa
The Thunderer was written by "The March King," John Philip Sousa, in 1889; it was said that it was Mrs. Sousas favorite march. This well-known march is adapted here for young bands and still retains all the charm and appeal of the original. With the woodwind parts lowered and the rhythms and snare drum part simplified, its very playable by most middle school bands. Its a great way for young musicians to experience the music of this famous composer while learning to play in classic march style with separation and dynamic contrast.
Estimated dispatch 7-14 working days
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£84.99It's Raining Again Wind Band Set (Score & Parts)
It's Raining Again was pop band Supertramp's second largest hit, following closely behind The Logical Song. Thanks to Peter Kleine Schaars' arrangement, you can now perform one of Supertramp's most popular hits at your next concert. Your audience will be ecstatic! 0:03:55
Estimated dispatch 7-14 working days
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£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
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£84.95
Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00
Estimated dispatch 7-14 working days
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£119.99
The African Connection Wind Band Set (Score & Parts)
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously, the percussion section has a conspicious role to play, but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature, and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblance to a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol, maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur, welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo, een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection! 06:30
Estimated dispatch 7-14 working days
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£79.99The Northern Pines - John Philip Sousa
Best known for his military marches, John Philip Sousa was an American composer and conductor of the late Romantic era. Sousa's most famous marches include 'The Liberty Bell', 'The Thunderer', 'The WashingtonPost', 'Semper Fidelis' (Official March of the United States Marine Corps), and 'The Stars and Stripes Forever' (National March of the United States of America).The Northern Pines march was composed in 1931and is scored for Concert Band. Named for the tall and beautiful pine trees that blanket the National Music Camp at Interlochen in northern Michigan, Sousa dedicated the march to the students who came to the camp and toDr Joseph Maddy, its founder. Sousa was the guest conductor of the assembled student band for the premire.This G. Schirmer edition features a full score, full-sized parts and updated instrumentation.
Estimated dispatch 7-14 working days
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£119.99The African Connection - Carl Wittrock
Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously, the percussion section has a conspicious role to play, but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature, and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'. Carl Wittrock's brede interesse voor de wereldmuziek resulteerde in dit op originele Afrikaanse ritmes gebaseerde concertwerk. Het slagwerk speelt uiteraard een opvallende rol, maar ook het orkest kan zich op een heerlijke manier uitleven. De inleiding schildert het ontwaken van de natuur, welke overgaat in een dans. Het motief van deze dans (Apollo) is afkomstig uit Gambia. De begeleiding bestaat uit een ostinaatpatroon van de balafon-meester Maudo Susa. De basis van het rustige middendeel is gelegen in het ritme van de Gigbo, een traditionele dans uit Ghana. Het laatste deel (met enige gelijkenis met The Lion King) maakt gebruik van het zogenaamde Kono ritme. Het werk komt het best tot zijn recht als er gebruik wordt gemaakt van djembes.Daag uw percussie sectie uit en doe ze een groot plezier met: The African Connection!
Estimated dispatch 7-14 working days
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