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  • £35.74

    There's no-one like Jesus (Brass Band) African Trad. arr. Andrew Wainwright

    This popular African praise song exists in a staggering number of variations, depending on the country, language, and denominational background of the community singing it. This foot-tapping arrangement for brass band was made by Andrew Wainwright for the 2008 Zambia Territorial Music School of The Salvation Army. To view a video of the ULID BRASS performing the work please visit https://www.youtube.com/watch?v=q_EfH1t7NDY Length: 3.00 minutes PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2

    In stock: Estimated delivery 1-3 days
  • £98.50

    Concertpiece, Op. 94 - By Camille Saint-Saƫns / arr. Donald Miller

    A superb upper level showpiece for horn or euphonium. Transcribed and orchestrated by Donald Miller. Band M; Horn MA.

    Estimated delivery 3-5 days
  • £6.25

    The Banks of Bonnie Doon - Arr. Mark Williams

    The beautiful Scottish tune, "The Banks of Bonnie Doon," is the subject of this sumptuous arrangement for concert band. The rubato opening in 6/4 is shared by the horn and baritone horn as they state the winsome melody, which is then answered by flutes and clarinets. Rich sustained harmonies and supporting counter melodies in the upper woodwinds are added when the melody is repeated once again by cornets. A crisp snare drum solo in the style of Scottish drumming sets the foundation for an exciting transition to a second section in 6/8 time. A tempo change, an effective modulation and the return to 6/4 time guarantees a dramatic ending.

    Estimated delivery 3-5 days
  • £407.00

    Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini

    Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".

    Estimated delivery 7-14 working days
  • £317.99

    Music of the Spheres - Philip Sparke

    The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated delivery 7-14 working days

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  • £77.20

    Suncrest - Kirby

    From the courtly trumpet fanfare to the big stately Trio, this march says nobility! Imperial themes and impressive countermelodies abound! Gorgeous horn parts. Thrilling and very attractive!

    Estimated delivery 7-14 working days

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  • £224.99

    Lux Futura - Kevin Houben

    Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.

    Estimated delivery 7-14 working days

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  • £179.99

    Spartacus - Jan Van der Roost

    Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.

    Estimated delivery 7-14 working days

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  • £53.50

    Broadway! - Johnnie Vinson

    Reminiscent of a musical style from the heyday of Broadway musicals, Johnnie Vinson has created this lively and entertaining cut time march. Composed using the traditional march form, Broadway! includes interesting lines for all instruments and a nice variety in scoring and dynamics. Dur: 2:30. Instrumentation: Flute, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Baritone B.C., Baritone T.C., Tuba, String Bass, Percussion 1, Percussion 2, Mallet Percussion,Timpani.

    Estimated delivery 7-14 working days
  • £72.99

    Moon River - Henry Mancini

    Performed by Audrey Hepburn in the 1961 film Breakfast at Tiffanys, Henry Mancinis iconic ballad has won numerous awards including the Oscar for Best Original Song and the Grammy for Record of the Year, and has beenrecorded by countless artists over the years. Arranged as a flexible solo vehicle for vocalist or instrumentalist (flute, oboe, clarinet, alto sax, trumpet, or F horn), this finely crafted setting will certainly add a specialmoment on any concert.

    Estimated delivery 7-14 working days