Results
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£48.95Wingate March (Concert Band - Score and Parts) - O'Reilly, John
This bright and bold march is perfect for your first year band. The melodic range is limited and simple quarter and eighth note patterns dominate. The effective snare drum part includes flams and paradiddles but no rolls. Duration: 1.30
Estimated dispatch 7-14 working days
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£44.55Buffalo Gap (Concert Band - Score and Parts)
After a dramatic fanfare-like opening, the spirited main theme is presented, propelled along by a driving snare drum part. Strong themes and powerful rhythms make this exciting composition a fine choice for any contest or concert program
Estimated dispatch 7-14 working days
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£44.55Freedom Forever
Dedicated to the "citizen soldiers" of our country, the men and women of the National Guard and Armed Forces Reserves. Featuring a contemporary style that balances the percussive and energetic aspects of a march with a contrasting lyrical style, this stately march is propelled by an active snare drum part and the use of dotted-eighth-note/sixteenth-note rhythms in the melody. Very unique and distinctive!
Estimated dispatch 7-14 working days
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£309.99Vulcan - Michael Daugherty
(2014) Vulcan for Concert Band is Grammy award winning composer Michael Daugherty's first work for the high school and intermediate level college band. The work is a colorful homage to Gene Roddenberry's interstellar universe as depicted in the classic American television series Star Trek (1966-69). The title refers to the fiery planet Vulcan, home world of half-human, half-Vulcan Mr. Spock. As the rational-minded science officer aboard the starship Enterprise (commanded by the hot-blooded Captain James T. Kirk), Mr. Spock grapples with the fascinating predicament of making decisions predicated on human emotion versus Vulcan logic. Daugherty has composed stirring, yet highly structured music that alludes to the Vulcan Pon Farr ritual, Vulcan telepathic mind-melds, and the volcanic planet itself. At the the Ann Arbor, Michigan world premiere (utilizing the combined forces of the Pioneer, Huron and Skyline High School bands), Vulcan was an immediate hit and will surely become one of Daugherty's most performed works. Instrumentation The number of players doubling each part is at the conductor's discretion, but should be in keeping with a balanced sound. Piccolo 2 Flutes 2 Oboes English Horn (optional but recommended) 3 Bb Clarinets (minimum 2 players per part) 2 Bb Bass Clarinets Eb Contralto Clarinet or Bb Contrabass Clarinet and Bb Bass Saxophone (optional but recommended) 2 Bassoons 2 Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone 3 Bb Trumpets (straight metal mutes, harmon mutes-stem out) 2 F Horns 2 Trombones (straight metal mutes) Euphonium 2 Tubas Contrabass or Electric Bass (optional but recommended) Timpani (4 drums recommended) Percussion (instruments are not shared): 1. Glockenspiel, Xylophone 2. Vibraphone, Small Anvil (metal beater) 3. Shakaray, Marimba, Chimes, Suspended Cymbal (yarn mallets) 4. Two Tam-Tams (small, medium), Tambourine, Mark Tree, Finger Cymbals, Vibraslap, Piccolo Snare Drum 5. Tenor Drum, Maracas, Snare Drum 6. Large Bass Drum Movement I (YouTube) Movement II (YouTube) Movement III (YouTube)
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£149.40Diplodocus - Ingebjørg Vilhelmsen
Diplodocus is said to be one of the largest dinosaus to ever have lived. This plant munching beast weighted approximately 20 tons, and could measure up to 30 metres from head to tail. The dinosaur lived in North America during the Jurassic period.This piece describes the carefree nature of a Diplodocus.A life with no natural enemies, and with an exceptionally small brain.To the conductor:The drum set part (Perc. 1) can be played as written, or ad lib. There is also a simplified drum set part that can replace Perc 1. if needed.Perc 2. is optional, and can be omitted.
Estimated dispatch 7-14 working days
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£82.50Jingle Bells Swing - Mark Lortz
This is the lively, fun, and swinging arrangement of this classic holiday standard that you have been waiting for! Expertly scored, this sure-to-be concert favorite is set in the style of Gene Krupa! Every section gets a chance to show off the melody as well as hip, swinging figures. Colorful jazz harmonies and a swinging drum feature round out this must-have addition. Optional drum set part.
Estimated dispatch 7-14 working days
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£82.50Jiingle Bells Swing - Mark Lortz
This is the lively, fun, and swinging arrangement of this classic holiday standard that you have been waiting for! Expertly scored, this sure-to-be concert favorite is set in the style of Gene Krupa! Rescored to enable ensembles with smaller instrumentation to sound full, every section gets a chance to show off the melody as well as hip, swinging figures. Colorful jazz harmonies and a swinging drum feature round out this must-have addition. Optional drum set part.
Estimated dispatch 7-14 working days
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£53.50Evergreen Overture - Hayato Hirose
Composed in 2017 by recommendation from Brain Music (Bravo Music)."Evergreen" means "perennially fresh" or "never fading". It depicts what I believe we all felt when we first truly enjoyed playing our instruments.This "Dual Grade" piece allows players of different experience levels to perform the same ensemble. A Part is for more advanced players and B Part is for beginning-level players.There are also optional parts to make it accessible for any size of band. The least you can have is nine voices. (Cl,Cl,A.Sax,Trp,Hr,Trb,Euph,Tub,Perc).Perc. 1 and 2 can be combined and performed on the drum set.Recommended assigned parts for percussion are as follows:1 percussionist: Perc.1/2 (Drums)2 percussionists: Timp. and Perc.1/2 (Drums)3 percussionists: Timp., Perc.1/2 (Drums), and Perc.3Over 4 percussionists: one per part
Estimated dispatch 7-14 working days
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£109.99
Musica Festiva - Menno Bosgra
This 3-part work begins with a martial and heroic theme where the brass and drums play an important role. A second melodic theme contrasts with the first, although elements of the first theme remain clearly present and they in turn provide a link to the second, calmer movement which is introduced with a splendid solo on the saxophone. You can hear fragments of the first part here too.In the third part, the small drum begins to play the background theme and is followed by a grand group of brass instruments playing a heavy concert march which, after an increase of tempo, gradually ends in a grand finale which refers once again to the initial theme.
Estimated dispatch 7-14 working days
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