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£154.99Greek Folk Song Suite (Concert Band - Score and Parts) - Cesarini, Franco
Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the song Vasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!Duration: 9:00
Estimated dispatch 7-14 working days
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£154.99Piccola Suite Italiana (Concert Band - Score and Parts)
With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the 'furlana', a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. Fran?ois Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed 'furlane' and in the 20th Century Maurice Ravel used a 'furlana' dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the 'furlana' as the basis for this major new concert work. 08:49
Estimated dispatch 7-14 working days
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£32.95SUITE OF ENGLISH FOLKDANCES (Symphonic WB Extra Score) - Tomlinson, Ernest
Extra score only. In 1951 Ernest Tomlinson, at the invitation of his sister Freda, attended a Festival of Dance and Song presented by the English Folk Dance and Song Society. He was so captivated by the tunes danced to, that he resolved to write an orchestral suite based on some of them. The composer's arrangement for wind band follows closely the textures and colour contrasts of the orchestral original. The Suite, which is dedicated to his sister, is in six movements, all the tunes being selected from the first edition of John Playford's The English Dancing Master. Includes: Jenny Pluck Pears; Ten Pound Lass; Dick's Maggot; Nonesuch; Hunt the Squirrel; Woodicock. Duration: 12 mins.
Estimated dispatch 7-14 working days
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£164.95
SUITE OF ENGLISH FOLKDANCES (Symphonic WB) - Tomlinson, Ernest
Score & Parts. In 1951 Ernest Tomlinson, at the invitation of his sister Freda, attended a Festival of Dance and Song presented by the English Folk Dance and Song Society. He was so captivated by the tunes danced to, that he resolved to write an orchestral suite based on some of them. The composer's arrangement for wind band follows closely the textures and colour contrasts of the orchestral original. The Suite, which is dedicated to his sister, is in six movements, all the tunes being selected from the first edition of John Playford's The English Dancing Master. Includes: Jenny Pluck Pears; Ten Pound Lass; Dick's Maggot; Nonesuch; Hunt the Squirrel; Woodicock. Duration: 12 mins.
Estimated dispatch 7-14 working days
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£38.50Two Dances from "Capriol Suite" (Concert Band - Score and Parts)
Johnnie Vinson has expertly adapted two movements from this well-known suite by Peter Warlock based on 16th-century dance music. "Basse-Dance" is a stately and moderate tempo dance in 3/4, while "Mattachins" is an energetic sword dance in 2/4. The unique stylings, and at times unusual harmonies, have been preserved in these delightful setting for beginning players. (2:20)
Estimated dispatch 7-14 working days
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£94.00Dance No. 2 (from Jazz Suite No.2) (Concert Band - Score and Parts) - Shostakovich, Dmitri - De Meij, Johan
In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, caused him to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!Duration: 3.45
Estimated dispatch 7-14 working days
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£98.00Dance No.1 (from Jazz Suite No.2) (Concert Band - Score and Parts) - Shostakovich, Dmitri - De Meij, Johan
In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, caused him to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!Duration: 3.00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£134.99The Enemy God and the Dance of the Spirits (Concert Band - Score and Parts) - Prokofiev, Sergei - Van der Beek, Wil
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance "...The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, created by the blaring brass, on account of his sick wife and three children...".Duration: 3:00
Estimated dispatch 7-14 working days
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£148.00Aladdin Suite (Concert Band - Score and Parts) - Nielsen, Carl - De Meij, Johan
The large creative output of the Danish composer Carl Nielsen (1865 - 1931) contains six symphonies, chamber music, vocal works and music for the theatre: two operas (Saul & David and Maskerade) and stage music for sixteen different plays. The stage music for Aladdin was written at the request of Johannes Nielsen, the director of the Royal Theatre in Copenhagen. This production was based on the drama Aladdin (1805) by the Danish author Adam Oehlenschlager. Already before the premiere at the Royal Theatre, Carl Nielsen had adapted some of the music for the concert hall: he conducted the first performance of six of the seven movements of the concert suite on February6th, 1919. Johan de Meij's transcription for symphonic band contains the following movements: I. Oriental Festival March; II. Aladdin's Dream / Dance of the Morning Mist; III. African Negro Dance
Estimated dispatch 7-14 working days
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