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  • £95.00

    Gayenah Dance Suite No.1 (Concert Band - Score and Parts) - Khachaturian, Aram - Snoeck, Kenneth

    Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very Slavic Ukranian "Gopak" (Hopak) to the Armenian "Dance of the Maidens" and the Kurdish "Mountaineers' Dance." They vary in instrumental color and tension from festive and party-like, through sultry and romantic, to tense and almost angry. These may be performed in any combination - a single stand-alone dance movement, a contrasting pair, or all three in a complete set. A culturally rich and unique experience for players and audience alike. Duration: 7:45

    Estimated dispatch 7-14 working days
  • £159.00

    Greek Folk Song Suite No. 2 - Franco Cesarini

    After the great success of the Greek Folk Song Suite that has lasted for over twenty years, Franco Cesarini once again ventures into the long and rich tradition of Greek folk music. In his Greek Folk Song Suite No. 2, the three movements that form the piece are named after the three dances reworked by the composer.The first movement, Samiotissa is a kalamatianos, whose most distinctive feature is the irregular 7/8-time signature. It is a festive dance, today considered the Greek national dance, which has roots dating back to antiquity.The second movement, Kato sto jalo is a zeibekiko, a slow-paced dance performed by only one man at a time which was apparently originated among the warriors of Ancient Anatolia.The third and last movement, Chasaposerviko, is the fast part of the hasapiko dance and is characterized by its more extensive form.A new journey into the Greek folk tradition that will delight both performers and audience.

    Estimated dispatch 7-14 working days
  • £159.60

    Sci-Fi Suite of Dances - Bernhard Bogisch

    1. Harvest Dance - Phoeboia II Like many of the inhabited planets Phoebia II was first colonized by the survivors of a spaceship crash. There is no certainty as to where these survivors originated from. In the late 21st century many spaceship were launched manned by people who were looking for a new future, away from an over-populated Earth. Some succeeded, some managed to return, some were never heard of again. In 2311 a survey ship had to make an emergency landing on Phoebia II and they found a triving colony there. Although the early history of the colony is shrouded in antiquity, certain aspects of the language, as well as physical features, seem to point to a south-east European origin. The harvest dance, in the aspects of rhythm, melody and harmony has many things in common with the music of what once were the countries of Macedonia, Greece and Turkey, little of which has unfortunately, been left due to primitive recording methods of the period.2. Ritual Seduction Dance - Rugel VWhen first discovered Rugel V was already a very civilized planet populated by a humanoid race and governed by a class of superior females. The first settlers from Earth were held as slaves but gained freedom over the years. It is assumed that this happened because the Earth people were all male and considered very attractive by the native females in comparison with the aboriginal males. The Earth males were evidently very attractive to the native women, who on their part used all their womanly wiles to entice them. We all know that Rugel V is now a very advanced and totally integrated society. The people have not forgotten their roots, and these Ritual Seduction Dances are performed on a regular basis in commemoration of the original Grand Seduction. Musically speaking Romanian origin influenced by native characteristics is virtually certain.3. Attack Dance - Planet Khi't'onThis is the only dance in this suite that is purely native. The natives people know as Khi't'och are now very civilized, but initial contact was difficult due to the difference in physical make-up between the two peoples. Suffice it to say that in the early stages Earth people referred to the Khi't'och as 'mosquito people'. We still don't know very much about them, other then that they have a history of violence but are now quite peaceful although they love to relive their past in a stylised way, not unlike the Maories of the former New Zealand, whose fearsome tattoos were later only painted on. This Attack Dance is, at best, an imitation due to the lack native instruments, and it was a very happy occasion for this composer when, at a concert at the House of Culture on Khi't'on, the Khi't'och showed their appreciation by clicking their feeding tubes and emitting loud shouts.4. Wedding Dance and Prayer - Planet B'lGarThere is little doubt that the people of this planet originate in the former country of Bulgaria. Several examples of similar pieces featuring the quaint 11/8 time signature have been found in old archives and recordings. Russian influence is also noticeable in the prayer the style of which is reminiscent of that of the now extinct sect of Raskolniky.

    Estimated dispatch 7-14 working days

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  • £139.99

    Singapura Suite - Jan Van der Roost

    Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival."Singapura" is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourre. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.

    Estimated dispatch 7-14 working days

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  • £106.99

    Dance of the Whale - Philip Sparke

    Dance of the Whale was commissioned by the Spanish music foundation, Musica et Orbi, at the instigation of its president, Frank De Vuyst. It is part of a unique project which involved nine composers each writing a short movement, describing ananimal of the composers' choice, to form a suite called Bestiarium. A consortium of bands around the world helped to fund the project and the world premiere of the suite took place in March 2013 in Medell n, Colombia. Dance of the Whaleuses the tenor instruments of the band to describe a lazy and graceful dance by a blue whale and is dedicated to endangered species around the world.

    Estimated dispatch 7-14 working days

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  • £76.80

    Dance of the Clowns - Pyotr Ilyich Tchaikovsky

    After the overwhelming success of his 'Second Symphony' Pjotr Tschaikowsky (Votkinsk 1840 - Saint-Petersburg 1893) got a request of the Imperial Theatre in Moscow early in 1873 to compose the stage music to the play 'Snegourotchka' (translated as 'The Snow Maiden', 'Snow White' or 'Snowflakes') which was to be written by Alexander Ostrovski, the greatest Russian playwright of that period. The wage of 350 rubles was particularly welcome to the young composer who completed the work in only three weeks time (between the middle of March and the 6th of April) before Ostrovsky finished his libretto. The first performance was given at the Moscow Bolshoi Theatre on 23rd May, 1873 was very successful and since then the work remained on the Russian orchestral repertoire as a concert suite. The suite consists of 19 parts that incorporate twelve authentic Russian folksongs. The 'Dance of the Jesters' (sometimes called 'Dance of the Buffoons') is number 13 and appears in Act 3 as part of the carnival music; it suggests the joyful atmosphere of popular festivals.

    Estimated dispatch 7-14 working days

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  • £116.40

    Suite de Salon - Henk van Lijnschooten

    Commissioned by the NIB, the Dutch Wind Music Institute, with the financial support of the 'Fonds voor de scheppende Toonkunst'.CommentaryThis suite brings us back to the 18th century when an important part of the musical life took place in the salons, the favorite quarters of monarchs and important people.There is a ball and we can hear the music in four successive short movements.1. Entree. After an opening fanfare we see the solemn reception of the guests. The composer uses some 17th century musical principles such as the echo dynamics.2. Invitation a la Danse. The guests proceed to the ballroom and are officially introduced. This movement has a 'classical' character.3. Chiaconna. A solemn dance of Spanish origin with a single theme that is repeated with different embellishments and accompaniments.4. Danse Finale. A cheerful dance announces the departure of the guests, but, for sure, the feast will have lasted much longer than this suite.

    Estimated dispatch 7-14 working days

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  • £154.99

    Greek Folk Song Suite - Franco Cesarini

    Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the songVasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!

    Estimated dispatch 7-14 working days

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  • £154.99

    Piccola Suite Italiana - Franco Cesarini

    With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the 'furlana', a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. Franois Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed 'furlane' and in the 20th Century Maurice Ravel used a 'furlana' dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the 'furlana' as the basis for this major new concertwork.

    Estimated dispatch 7-14 working days

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  • £99.99

    Jazz Suite No. 2 - Dance II - Dimitri Shostakovich

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, causedhim to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

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