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  • £174.99

    The Graces of Love - Oliver Waespi

    "The Graces of Love" (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milanese court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune 'Il bianco fior' (The White Flower) on which the first movement of Oliver Waespi's piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune 'Vaghe bellezze ...' (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied anddeveloped. Finally, the third movement contains a Saltarello based on a tune by Vincenzo Galilei, the father of the famous astronomer, Galileo Galilei. It brings the work to a close with a hypnotic rhythm which is noble and virtuosic at the same time.

    Estimated dispatch 7-14 working days

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  • £85.00

    Sir Roger de Coverley - Frank Bridge

    Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month.This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band.Bridge's lively treatment of one of England's most famous traditional dance melodies willmake a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.

    Estimated dispatch 7-14 working days

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  • £149.40

    The Battle of the Hats - Øystein Sjøvaag Heimdal

    The word svimesltt, which is the title of this piece in Norwegian, has two meanings. One meaning is "knocked out", whilst the other, "sltt", means a folk melody/dance.Svimesltt is one of several folk dances, all of them with humorous titles, originally written by ystein Olsen Vadsten. Norwegian culture is the basis for these dances, both rhythmically and melodically. The accompaniment has brought this funpiece into the 21st Century.When it comes to Svimesltt, it is the traditional dance "halling" that is the inspiration. Halling is a rather wild dance, where the man tries to win the heart of a lady by attempting to kick a hat off a stick,held up in the air. This iswhere "The Battle of the Hats" gets its distinctive name A truly Norwegian tradition.The composer wanted to write a "crazy" melody, which highlights how "knocked out" a man can be by love, as he tries to win the chosen ones heart.

    Estimated dispatch 7-14 working days

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  • £65.50

    Ballet of fhe Gnomes - Joseph Compello

    Picture a group of clumsy gnomes trying to dance a ballet, and you've got the vision of this piece-the ungraceful attempt to be the opposite, lumbering through a dainty dance quite unsuited to them. You will hear the influence of the famous Dance Macabre in the piece, and we know this great new work from veteran composer Joseph Compello will be a hit with your students.

    Estimated dispatch 7-14 working days
  • £137.00

    Three Dances From The Maid Of Orleans - Pyotr Ilyich Tchaikovsky

    This fine addition to the Bourgeois Editions is from Tchaikovskys grand opera, The Maid of Orleans. Based on the story of Joan of Arc, the three movements can be performed together, or the first and last dances can stand alone in performance as well. Movements include: Dance of the Bohemians - a bright and lively display of virtuosity; Dance of the Pages - an elegant minuet scored for chamber winds; and Dance of the Actors - a fiery and robust finale ideal for any performance. Its a brilliant showcase for upper-level ensembles.

    Estimated dispatch 7-14 working days

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  • £137.00

    Dances From The Oprichnick - Pyotr Ilyich Tchaikovsky

    These dances display Tchaikovskys remarkable grasp of symphonic writing and are among the very best of his dance sequences. Carefully transcribed for band, they are taken from the opera "The Oprichnik." The Oprichnik were the personal bodyguards of Tsar Ivan the Terrible. The opening dance features various woodwind solo passages that display a hauntingly poignant Slavic flavor. The second dance begins vigorously and surges forward with ever-increasing accelerandi that lead to a fiery conclusion.

    Estimated dispatch 7-14 working days

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  • £104.50

    The Exultant Heart - Jess Turner

    The Exultant Heart is the winner of the NBA/Merrill Jones Composition Contest and is nothing short of remarkable. The hauntingly beautiful opening is followed by a joyful middle section that features a lively dance, alluding to a rustic wedding dance complete with drum and tambourine. The first theme then returns in a choral-like setting as the dance rhythm continues, gradually settling down to a return of the opening mood while chimes improvise like church bells fading in the distance. Absolutely spellbinding!

    Estimated dispatch 7-14 working days

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  • £82.50

    Sugar Plum Samba - Pyotr Ilyich Tchaikovsky

    American pop culture is full of examples of the merging and melding of different artistic styles that end up with surprising and entertaining results. This work for young band is no exception as the timeless music of Tchaikovsky often heard at the holidays trades in ballet shoes for guiros and timbales. Many of the original rhythms of the ballet music have been altered to convey an authentic-sounding samba dance style. Holding true to the form of the original work, this setting of Dance of the Sugar Plum Fairy presents a decidedly different twist on a holiday classic, allowing students to learn to play a wonderful Latin dance style.

    Estimated dispatch 7-14 working days

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  • £116.40

    Quatre Jours a Paris - Kees Vlak

    1) 'Jour de Fte. A quiet sunday atmosphere on the Avenue Foch, a residental area for the well-to-do in Paris. It begins with full-sounding chords, with a wealth of added tones. It seems as if many bells are tolling. Birds are tweeting high in the trees. After all this there is a very simple theme without any tension just like a leisure walk. The movement ends the same way it started.2) 'Jour de Java. The 'Java' is the dance of the Bohemians, the Paris gypsies. It is a very capricious dance, which is represented by at certain moments shrill harmonies and the unexpected changes in tonality of this movement.3) 'Jour de Pluie. A rainy day. Seated behind the windows of a sidewalk caf we observe the reflections on the wet streets. Under a fly-over an accordeon plays a sad melody. Old memories pass through our minds.4) 'Jour de Can-Can. Whenever one hears 'Can-Can' the name of Jacques Offenbach crosses our minds. It is the dance of the Folies Bergres, a festival which never seems to end. All the time new solo-dancers come jumping forward.

    Estimated dispatch 7-14 working days

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  • £131.30

    Hymns And Dances II - J. Slothouwer

    In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.

    Estimated dispatch 7-14 working days

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