Results
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£44.95Ye Olde Dance Musicke (Concert Band - Score and Parts) - Fraser, Bruce
This piece reflects the style of Elizabethan dance music. The opening tempo should be quite steady, though played with energy. Good balance is required to achieve the contrasts. The change of tempo should be easily achieved, again taking care with the balance, dynamics and accents to produce an energetic performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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£42.50The Streets of Madrid (Concert Band - Score and Parts) - Moss, John
John has crafted an outstanding moderate tempo march in a Spanish style. The first strain is bold and elegant with the brass playing the melody. The second strain starts with a legato clarinet line, then closes with the full ensemble.
Estimated dispatch 7-14 working days
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£45.95The Holly and the Ivy (Concert Band - Score and Parts) - Story, Michael
The traditional Christmas carol is set in motion with the clarinet section establishing the tonality and the flute section stating the melody. The full ensemble rallies creating intricate sounding variations. The finale restates the initial theme effortlessly. This well-known Christmas classic will captivate your listeners.Duration: 2.00
Estimated dispatch 7-14 working days
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£109.99Tribute to Dixie (Dixie Ensemble with Concert Band - Score and Parts) - Tinner, Gilbert
This scintillating work was written as a tribute to the jazz musicians of the New Orleans, Dixieland and Chicago styles of the 20s and 30s. It consists of an opening swing section in true Dixieland style, followed by a sleazy blues section. Ideally the band should be divided so there is a separate Dixieland band consisting of trumpet, clarinet, alto or tenor saxophone, trombone, banjo (optional) and tuba or double bass. Although the Dixieland band are mostly accompanied by the remainder of the concert band the accompanying players also get the chance to shine as every now and again they take over the musical themes.Duration: 6.15
Estimated dispatch 7-14 working days
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£73.50In a Gentle Rain (Flexible Solo with Concert Band - Score and Parts) - Smith, Robert W.
Solo for Flute, Oboe, Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, French Horn, Trombone, Euphonium or Tuba. This second movement of The Willson Suite has been restructured to accommodate virtually any wind instrument as the soloist. Serene by nature, the charismatic melody is accompanied by unique effects reminiscent of a gentle rain. The solo may be divided to permit multiple soloists to be featured. This creative approach is the perfect opportunity to feature outstanding soloists at your spring concert. An incredibly musical work. Your audience will be in awe. Duration: 3.45
Estimated dispatch 7-14 working days
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£76.99Dies Irae (from Verdi's Requiem) (Concert Band - Score and Parts) - Verdi, Giuseppe - Bocook, Jay
A long standing favourite in the band repertoire, Verdi's famous opus, best known as the "Manzoni Requiem" is now available in this version, designed for playability by most high school groups. Jay Bocook has retained the essence of the original by carefully placing the challenging, technical material in the skilled sections of the band (flute, 1st clarinet, alto sax). From the hard driving, signature opening with the solo bass drum, to the triumphant trumpet calls of the finale, this is classic literature your band should experience.
Estimated dispatch 7-14 working days
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£48.95Carolina Tribute (Concert Band - Score and Parts) - Hodges, Steve
Two contrasting movements provide ample opportunity for each section to shine in this tasteful work by Steve Hodges. The sensitive first movement features optional solos by the saxophone and clarinet. Following a soaring presentation by the full band, the soloist entwine in a duet to end the movement in a peaceful, reverent manner. The second movement begins with a strong bass introduction before settling into a vibrant, "alla breve" march. Carolina Tribute is ideally suited for the developing young band. A real winner! Duration: 4.15
Estimated dispatch 7-14 working days
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£55.50Song Without Words (Concert Band - Score and Parts) - Holst, Gustav - Story, Michael
With gentle grace, this charismatic melody is introduced by your clarinet section, setting into motion one of Gustav Holst's most famous themes, scored here for young concert band. The legato styling creates magnificent teaching opportunities and makes for a quality performance vehicle. Great care has been taken to maintain the integrity of the original composition.Duration: 2:20
Estimated dispatch 7-14 working days
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£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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