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£101.50
The Orange Bowl - Henry Fillmore
A long-time resident of Miami, FL, Henry Fillmore wrote this march in honor of the Orange Bowl. This lively and energetic tune is a real toe-tapper. Your clarinet section really gets to stretch out in the upper register. Makes a terrific encore!
Estimated dispatch 7-14 working days
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£84.50
Orion's Sword - Alan Lee Silva
An evocative and mysterious opening, heroic themes and cinematic scoring characterize this varied and musically rich piece by the well-known television and film composer, Alan Lee Silva. The band writing is fresh and the tune from the slow middle section, which is divided among solo flute, oboe and clarinet, is particularly appealing. This piece will be a great choice for contest and concert use.
Estimated dispatch 7-14 working days
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£123.95Concertino, Op. 26 - Carl Maria von Weber
Carl Maria von Weber (1786-1826) originally wrote his Concertino in Eb, Op. 26 in 1811 for famed German clarinetist Heinrich Baermann and it is typical of the florid, early romantic period style of Weber's instrumental concertos. The piece has become well-known to American performers because of this celebrated band transcription by Mayhew Lake. Written within the technical abilities of younger, gifted players, Concertino will be a fine way to demonstrate the clarinetist's potential for brilliant display and heartfelt lyricism. This reissue of the famous transcription includes a corrected and edited version of the Clarinet solo part by Denise Schmidt.
Estimated dispatch 7-14 working days
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£140.50
Lanigan's Ball - Ed Kiefer
Irish music is always interesting to composers and band musicians. It fits well with a concert band and is fun to play. Ed Kiefer starts with a solo clarinet on the jig Lanigan's Ball that builds and builds to a dramatic presentation of the folk song, before leading a section of repose based on the song Binnorie. The percussion is highlighted in a build-up to the climax where the tunes are combined for a dramatic conclusion.
Estimated dispatch 7-14 working days
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£72.95
Blazing Clarinets - Andrew Balent
Feature your clarinet section with an excellent new Andrew Balent original that is reminiscent of the great novelty numbers by Leroy Anderson. This piece flows effortlessly from the page. A welcome addition to the reportoire.
Estimated dispatch 7-14 working days
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£64.99Holiday Fantasie - Paul Curnow
Creative, accessible arranging makes this arrangement a perfect concert opener for your young band's winter concert. The fresh and exciting medley of popular carols will delight your audience and keep all your students engaged and on-task during rehearsal. Even if your band has less than perfect instrumentation HOLIDAY FANTASIE still works beautifully. Careful doubling, controlled brass ranges and "below the break" Second Clarinet parts all help to make this thrilling medley available to almost any young band. Start your winter concert right this year with HOLIDAY FANTASIE.
Estimated dispatch 7-14 working days
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£69.99
Reeds of Distinction - James L. Hosay
A major piece to feature your Clarinet section! James L. Hosay has used his considerable compositional skill beautifully in creating this exuberant new offering for your band. It's a great showpiece for your reeds, but it leaves no one behind when the fun begins.The Baroque and Classical underpinnings of this original composition open the door for a wonderful educational encounter for everyone, while a critically important part of the band gets the special exposure it deserves.Effervescent!
Estimated dispatch 7-14 working days
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£118.99Seaside Road - Itaru Sakai
This piece was composed in the summer of 2000, on commission of the Whightull Wind Ensemble. Seaside Road is a march in two-four time. The work begins with a tempestuous sound, followed by a light passage. Featuring, amongst others, your Bass Clarinet and Euphonium soloists in the trio section, the work builds towards an agile tutti before concluding with a powerful closing section. A must for all your summer season concerts.
Estimated dispatch 7-14 working days
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£60.99The Best of Rooms - Randall Thompson
This arrangement of Randall Thompson's unaccompanied choral piece, The Best of Rooms, was transcribed by Barbara Lambrecht. As a student, Barbara fell in love with Thompson's music after hearing the Texas All State Choir sing his Testament of Freedom. Years later, as a school band director, she joined her church choir and "discovered" The Best of Rooms. Charmed not only by the music but also the text, she arranged this gem for wind band so that a new generation of musicians, in this case instrumentalists, could experience the genius of Randall Thompson. Two wind band versions are available: Version A opens with clarinet choir and oboe solo, while Version B opens with horn quartet. Whether for choir (Catalog No. 2672) or band, the music is lush, warm, lyrical, and mystical. Duration: 4:00
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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