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£154.99Celtic Concertino - Bruce Fraser
This little concerto for clarinet was written for Peter Holligan , a friend of its composer, and the Fife Youth Concert Band (Scotland). The work was based on traditional Celtic music, and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence. The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4, soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan , een vriend van de componist, en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek, en bestaat uit drie delen. 1. Reel - een snelle dans die eindigt in een sfeervolle, maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt.3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden. Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4, solo graad 5.
Estimated dispatch 7-14 working days
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£76.99Autumn Soliloquy - James Barnes
A delightful tone poem composed as an oboe solo with wind orchestra accompaniment and dedicated to Susan Hicks Brashier. Later versions for solo clarinet and flute, and orchestra accompaniments followed. Each solo instrument with piano accompaniment is also available for recitals and contest. Grade 3.
Estimated dispatch 7-14 working days
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£53.50Dixieland Parade
Featuring a front line of trumpet, clarinet, trombone, and tuba, here's three classic Dixieland tunes combined in a superb showcase for developing groups. Includes: Five Foot Two, Sweet Georgia Brown, and Charleston.
Estimated dispatch 7-14 working days
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£64.99Lo, How a Rose E'er Blooming
Larry Kerchner creates a serene and beautiful moment in this lovely arrangement. Especially appealing for younger bands, this arrangement is scored with only two clarinet parts and two trumpet parts.
Estimated dispatch 7-14 working days
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£74.99
Concertino Op.26 - Weber
Published in 1962, this adaptation of the exciting classic takes full advantage of modern symphonic band instrumentation to achieve an artistic performance of the solo with band accompaniment. Beautifully arranged by Alfred Reed, each set includes detailed notes for the conductor and a superb Master Lesson by clarinetist Don McCathren (Duquesne University) to aid soloists in their preparation of the piece. Abundant cross-cues are also provided in the band parts to ensure that exposed bassoon, alto/bass clarinet and F horn passages are clearly heard. Duration 9:00.
Estimated dispatch 7-14 working days
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£115.60I Don't Know How to Love Him - Andrew Lloyd Webber
This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Flute Oboe Bassoon Clarinet in Bb Altosax Tenorsax Trumpet/Cornet F-horn Euphonium/Trombone
Estimated dispatch 7-14 working days
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£59.30Jazz Band - L. Sasdelli
We have included this famous piece, transcribed by Didier Ortolan for clarinet and band, as a tribute to Hengel Gualdi, who died in 2005. Born in 1924, in Correggio (Reggio Emilia), he was one of Italy's most important jazz musicians. He was held in high esteem in America, where he worked with some of the greatest musicians (Count Basie, Gerry Mulligan etc.) and played with Louis Armstrong and Lionel Hampton. In Italy he worked with Pupi Avati on his soundtracks.
Estimated dispatch 7-14 working days
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£18.99
Festival Chime - Gustav Holst
May be performed with chorus and band or band alone. Includes:1- Full Score1- Condensed Score1- Piccolo (C)2- Flutes I/II2- Oboes I/II1- Eb Clarinet3- Bb Clarinet I, II, & III1- Eb Alto Clarinet1- Bb Bass Clarinet2- Bassoons I/II2- Eb Alto Sax I/II1- Bb Tenor Sax1- Eb Baritone Sax2- Bb Cornet I, II, & III2- Horns I/II ( F & E-flat)2- Horns III/IV (F & E-flat)1- Trombone I, II, & III1- Baritone TC1- Baritone BC3- Basses (Tuba)2- Percussion1- Timpani1- Bells
Estimated dispatch 7-14 working days
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£60.99The Best of Rooms - Randall Thompson
This arrangement of Randall Thompson's unaccompanied choral piece, The Best of Rooms, was transcribed by Barbara Lambrecht. As a student, Barbara fell in love with Thompson's music after hearing the Texas All State Choir sing his Testament of Freedom. Years later, as a school band director, she joined her church choir and "discovered" The Best of Rooms. Charmed not only by the music but also the text, she arranged this gem for wind band so that a new generation of musicians, in this case instrumentalists, could experience the genius of Randall Thompson. Two wind band versions are available: Version A opens with clarinet choir and oboe solo, while Version B opens with horn quartet. Whether for choir (Catalog No. 2672) or band, the music is lush, warm, lyrical, and mystical. Duration: 4:00
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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