Results
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£13.95DOUBLES (Royal Northern College of Music Wind Orchestra) (CD)
Great British Music for Wind Band Vol.16 Royal Northern College of Music Wind Orchestra conducted by Clark Rundell, Mark Heron & Dario Sotelo. Guest Soloists: Paul Goodey (Oboe), Linda Merrick (Clarinet).Includes:A Malvern Suite (Sparke/Holland)Musing on a Phrase (Darrol Barry)Heritage Suite (What Hope Saw) (Nigel Clarke)Doubles (A Concerto for Oboe, Clarinet & Wind Orchestra) (Gary Carpenter)Malcolm Arnold Variations (Martin Ellerby)
Estimated dispatch 7-14 working days
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£100.00EL CONDOR PASA (Flexible Solo with Easy Concert Band) - Naulais, Jerome
Solo for Oboe, Flute, Pan Flute, Bb Clarinet, Eb Clarinet, Alto Sax, Tenor Sax or Cor Anglais. Duration: 4:15
Estimated dispatch 7-14 working days
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£116.10LATIN LOVERS (Flexible Duet/Easy Concert Band) - Suba, Eduardo
Duo for 2 Solo Instruments. Solo I: Flute - Clarinet - Alto Sax - Trumpet - Trombone - Euphonium. Solo II - Flute - Oboe - Clarinet - Alto Sax - Trumpet - Trombone - Euphonium. American Grade 2+. Duration: 4:12
Estimated dispatch 7-14 working days
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£49.50Mucho Gusto (Concert Band - Score and Parts)
Part of the new Barnhouse Jazz For Developing Concert Band Series, this very hip Latin-rock chart features a great vamp, memorable melodic lines, and solid ensemble scoring. Along with traditional big band, expanded instrumentation includes parts for flute, clarinet, bass clarinet, french horn, baritone, and tuba. The simple, two-chord, solo section is perfect for encouraging all of your students to improvise (suggested solos are included). This is a great chart for a young band, easy to put together, fun to play, and just right as a "change of pace" on your concert.
Estimated dispatch 7-14 working days
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£64.35
Rondo for Solo and Wind Band - Mozart, Wolfgang Amadeus
For flute, oboe, clarinet, alto saxophone, bassoon, bass clarinet, trumpet or euphonium solo with band accompaniment. A tasteful arrangement of the third movement of Mozart's Bassoon Concerto which was chosen because the original solo would work so well with a large variety of wind instruments. The perfect setting to show off your top student no matter what they play! Wonderful music that will be an impressive addition to any concert!
Estimated dispatch 7-14 working days
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£39.60
Symphony No.1 Theme (Concert Band - Score and Parts)
The Johannes Brahms Symphony No. 1 Theme is designed to give your best players an opportunity to play a solo with band accompaniment. This solo is the same one that appears on page 36, book 1 of The Yamaha Advantage for oboe, bassoon, alto clarinet, tenor saxophone and horn. This arrangement also includes solo parts for Flute, Clarinet and Alto Saxophone. This piece can also be performed by band alone.
Estimated dispatch 7-14 working days
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£64.35
The Old Grumbly Bear - Fucik, Julius
For solo bassoon, bass clarinet, baritone saxophone, euphonium, or tuba with band accompaniment.From the Barnhouse "Spotlight" series. This delightful novelty solo includes parts for solo bassoon, bass clarinet, baritone saxophone, euphonium BC and TC, and Tuba. An ideal solo to showcase your star performer's musical abilities in a humorous and fun way. The accompaniment is not difficult, and requires a minimum of rehearsal. An excellent choice for adding variety to your concert in featuring a soloist on a non-typical solo instrument. Great fun!!
Estimated dispatch 7-14 working days
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£420.99
Tre Sentimenti Wind Band Set (Score & Parts)
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest and peace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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£137.99TUBBY THE TUBA (Tuba/Concert Band) - Kleinsinger, George - Duncan, Andrew
Score & Parts. Duration: 8:00 American Grade 3. Set Includes: 2 Full Score (one for Narrator); Solo Tuba C BC; Piccolo; Flutes 1 & 2; Oboe' Clarinet in Eb' Clarinets 1&2 in Bb' Bass Clarinet in Bb' Alto Saxophones 1 & 2 in Eb' Tenor Saxophones 1&2 in Bb; Bassoons 1 & 2; Horns 1 & 4 in F; Horns 2 & 4 in F; Trumpets 1 & 2 in Bb; Trombones BC 1 & 2; Euphoniums in Bb TC; Euphoniums BC; Tuba; Double Bass; Timpani; Percussion; Tuned Percussion. World Parts also included: Solo Tuba in Eb TC; solo Tuba in Eb BC; Horns 1 & 3 in Eb' Horns 2 & 4 in Eb' Trombones 1 & 2 in Bb TC; Trombones 1 & 2 in Bb BC; Bass Trombone in Bb TC; Bass Trombone in Bb BC; Euphonium in Bb BC; Tuba in Eb TC' Tuba in Eb BC' Tuba in Bb TC' Tuba in Bb BC.
Estimated dispatch 7-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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