Results
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£132.95MUSIC FOR AROSA (Prestige Concert Band - Score and Parts) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£37.95
MUSIC FOR AROSA (Prestige Concert Band - Score only) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£64.35Rondo for Solo and Wind Band - Mozart, Wolfgang Amadeus
For flute, oboe, clarinet, alto saxophone, bassoon, bass clarinet, trumpet or euphonium solo with band accompaniment. A tasteful arrangement of the third movement of Mozart's Bassoon Concerto which was chosen because the original solo would work so well with a large variety of wind instruments. The perfect setting to show off your top student no matter what they play! Wonderful music that will be an impressive addition to any concert!
Estimated dispatch 7-14 working days
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£39.60
Symphony No.1 Theme (Concert Band - Score and Parts)
The Johannes Brahms Symphony No. 1 Theme is designed to give your best players an opportunity to play a solo with band accompaniment. This solo is the same one that appears on page 36, book 1 of The Yamaha Advantage for oboe, bassoon, alto clarinet, tenor saxophone and horn. This arrangement also includes solo parts for Flute, Clarinet and Alto Saxophone. This piece can also be performed by band alone.
Estimated dispatch 7-14 working days
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£64.35
The Old Grumbly Bear - Fucik, Julius
For solo bassoon, bass clarinet, baritone saxophone, euphonium, or tuba with band accompaniment.From the Barnhouse "Spotlight" series. This delightful novelty solo includes parts for solo bassoon, bass clarinet, baritone saxophone, euphonium BC and TC, and Tuba. An ideal solo to showcase your star performer's musical abilities in a humorous and fun way. The accompaniment is not difficult, and requires a minimum of rehearsal. An excellent choice for adding variety to your concert in featuring a soloist on a non-typical solo instrument. Great fun!!
Estimated dispatch 7-14 working days
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£420.99
Tre Sentimenti Wind Band Set (Score & Parts)
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest and peace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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£137.99TUBBY THE TUBA (Tuba/Concert Band) - Kleinsinger, George - Duncan, Andrew
Score & Parts. Duration: 8:00 American Grade 3. Set Includes: 2 Full Score (one for Narrator); Solo Tuba C BC; Piccolo; Flutes 1 & 2; Oboe' Clarinet in Eb' Clarinets 1&2 in Bb' Bass Clarinet in Bb' Alto Saxophones 1 & 2 in Eb' Tenor Saxophones 1&2 in Bb; Bassoons 1 & 2; Horns 1 & 4 in F; Horns 2 & 4 in F; Trumpets 1 & 2 in Bb; Trombones BC 1 & 2; Euphoniums in Bb TC; Euphoniums BC; Tuba; Double Bass; Timpani; Percussion; Tuned Percussion. World Parts also included: Solo Tuba in Eb TC; solo Tuba in Eb BC; Horns 1 & 3 in Eb' Horns 2 & 4 in Eb' Trombones 1 & 2 in Bb TC; Trombones 1 & 2 in Bb BC; Bass Trombone in Bb TC; Bass Trombone in Bb BC; Euphonium in Bb BC; Tuba in Eb TC' Tuba in Eb BC' Tuba in Bb TC' Tuba in Bb BC.
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£139.90Tempo di Marcia from Symphony No. 1 - Einar Englund
Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass
Estimated dispatch 7-14 working days
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£239.99Contemplation - Jan Van der Roost
Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost, which was commissioned by Musica Reservata VOF, Belgium, and is dedicated to the famous Clarinet soloist Eddy Vanoosthuyse.A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas, and then with longer melodic lines. The Orchestra delivers the dialogue with the soloist, and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music, the atmosphere from the beginning is restored, and the soloistfinishes on the same note that he started the piece on.The concerto is also available as a Piano reduction.
Estimated dispatch 7-14 working days
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