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£37.04In the Bleak Midwinter - Wind Band (Holst arr. Andrew Wainwright)
A stunning setting of this favorite carol, featuring ethereal shimmering harmony, depicting the wintry scenes that the carol describes. Begins and ends mysteriously, with a stirring central climax with the full band. PDF download includes score and full set of parts. To view a video of Naden Band of the Royal Canadian Navy performing the work please visiti www.youtube.com/watch?v=_0C3SBxyrBg Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Suspended Cymbal Vibraphone Glockenspiel
In stock: Estimated dispatch 1-3 days
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£40.75The Huron Carol - Wind Band (Canadian Traditional arr. Andrew Wainwright)
A magical arrangement of the beautiful Canadian Christmas hymn (Canada's oldest Christmas song), which is also known as 'Twas in the Moon of Wintertime. 'In The Huron Carol, Andrew responds to the ethereal quality and wintery mood of Canada's oldest Christmas song, setting this beautifully simple tune in an ambiguous, Downie-Himes inspired landscape. The layering of texture is magical.' Paul Hindmarsh - Music critic To view a performance of the work please visit: https://www.youtube.com/watch?v=gB7DhDTWBCA (please note the performance is of the brass band version). PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Suspended Cymbal Triangle
In stock: Estimated dispatch 1-3 days
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£37.04Infant Holy - Wind Band (Polish Traditional arr. Andrew Wainwright)
A magical, ethereal arrangement for band of the beautiful Polish carol, 'Infant Holy'. This item will provide a moment of calm and reflection in your Christmas concert. *Please note the recording is of the version for Chorus & Orchestra and doesn't include the introduction. PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Suspended Cymbal Vibraphone Glockenspiel
In stock: Estimated dispatch 1-3 days
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£33.34Ukrainian Bell Carol - Wind Band (Traditional arr. Andrew Wainwright)
A sublime arrangement of the carol otherwise known as 'Carol of the Bells'. "Andrew Wainwright's treatment of 'Carol of the Bells', transforms a rather repetitive and uninspired ditty into a miniature, multi-layered jewell..." Paul Hindmarsh - music critic PDF download includes score and full set of parts. The sheet music for this item will be available from Solid Brass Music Company in due course. Solid Brass are currently in the process of setting up a new website, after which it will be available from them. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-2
In stock: Estimated dispatch 1-3 days
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£49.00American Ballad Variants - Traditional
A fresh and spirited treatment of the traditional American ballad Black Is the Color of My True Love's Hair, this fine piece for a developing band starts with a slow and atmospheric introduction featuring solos by flute and trumpet that hint at the tune. The main section sets the ballad to a driving Latin beat, but the slow reflective mood returns at the end with solos for clarinet, bass clarinet and flute.
Estimated dispatch 12-14 working days
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£84.99For Whom the Bell Tolls - Philip Sparke
For Whom the Bells Tolls was commissioned by the Irish Symphonic Wind Orchestra, who gave the premiere in their 10th anniversary concert, held in the Artane School of Music, Dublin, on the 31st August 2024.The commission was funded by money raised to provide a piece which commemorated friends and members of the orchestra who had recently passed away. This prompted the choice of title, taken from the famous poem by English writer John Donne (1572 - 1631), which reminds us that the death of anyone affects us all.The work opens with an enigmatic duet between oboe and clarinet. This is taken up by the full band and leads to the work's main theme, a lyrical chorale, which builds to a passionate climax. A central section, introduced by the English horn (cue clarinet), eventually leads back to a triumphal return of the chorale on full band. The mood subsides to introduce an echo of the opening material, which brings the work to a peaceful close.
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£139.90Tempo di Marcia from Symphony No. 1 - Einar Englund
Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass
Estimated dispatch 7-14 working days
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£239.99Contemplation - Jan Van der Roost
Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost, which was commissioned by Musica Reservata VOF, Belgium, and is dedicated to the famous Clarinet soloist Eddy Vanoosthuyse.A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas, and then with longer melodic lines. The Orchestra delivers the dialogue with the soloist, and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music, the atmosphere from the beginning is restored, and the soloistfinishes on the same note that he started the piece on.The concerto is also available as a Piano reduction.
Estimated dispatch 7-14 working days
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£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated dispatch 7-14 working days
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