Results
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£6.50ACCENT ON PERFORMANCE: Classical Collection (Trumpet 2) - O'Reilly & Williams
Trumpet 2 book only. Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. These arrangements are now available in a book format that includes 22 full arrangements in each collection. The Classical Collection includes authentic, carefully arranged music of the master composers from the Renaissance through the Romantic Period. Titles: Allegro from Water Music; Elizabethan Dances; Mozart Minuet and Rondo; Night at the Pops; Ave Verum Corpus; Joyful, Joyful; A Night at the Opera; Finale from Brahms #1; Best of Beethoven; Surprise Symphony Variations; Renaissance Dances; An Evening with the Masters; Classic March Duo; A Mozart Mix; St. Anthony Chorale; Can Can; Bach March and Musette; Saturday at the Symphony; An Afternoon at the Ballet; The Big Three; Mozart Serenade and Dance; Two Grieg Sketches.
Estimated dispatch 7-14 working days
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£6.50ACCENT ON PERFORMANCE: Classical Collection (Tuba) - O'Reilly & Williams
Tuba book only. Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. These arrangements are now available in a book format that includes 22 full arrangements in each collection. The Classical Collection includes authentic, carefully arranged music of the master composers from the Renaissance through the Romantic Period. Titles: Allegro from Water Music; Elizabethan Dances; Mozart Minuet and Rondo; Night at the Pops; Ave Verum Corpus; Joyful, Joyful; A Night at the Opera; Finale from Brahms #1; Best of Beethoven; Surprise Symphony Variations; Renaissance Dances; An Evening with the Masters; Classic March Duo; A Mozart Mix; St. Anthony Chorale; Can Can; Bach March and Musette; Saturday at the Symphony; An Afternoon at the Ballet; The Big Three; Mozart Serenade and Dance; Two Grieg Sketches.
Estimated dispatch 7-14 working days
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£76.99Hymnus Antverpiae (Flexible Ensemble - Score and Parts) - Van der Roost, Jan
This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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£38.20Royal Jubilee - Henk van Lijnschooten
On the occasion of the 75th anniversary of the Royal Dutch Federation of Wind Bands Mr. Henk van Lijnschooten was commissioned to compose a festive march. The main condition for the composer to fulfill was to make this march suitable for execution by bands of varying levels.Almost every one of the appr. 1000 orchestras united in the Federation have the march Royal Jubilee in their possession. The positive response of numerrous bands proves that it is not just some "composition for an occasion" but a march of lasting value which can be used to advantage on festive and solemn events.Royal Jubilee is based on Dutch motifs. The first section is dominated by the initial motiv of the Dutc National Anthem Wilhelmus. It is not just by chance that it is done in marching tempo, the National Anthem stems from a seventeenth century marching song. It was later in history that is grew customary to perform the Wilhelmus at a more solemn tempo. The second section (trio) of Royal Jubilee is of a more solemn character and at its end a fragment can be heard of a song (wier Neerlands Bloed) that served as the Dutch National Anthem for some time but later went into oblivion. The scoring of Royal Jubilee has made it suitable for any type of windband, whereas a drumband could be added ad libitum.
Estimated dispatch 7-14 working days
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£38.20Marching Time - Kees Vlak
The versatile Dutch composer Kees Vlak (Amsterdam 1938) proves that also he knows how to write a fine march. 'Marching Time' is a kind of pastiche of a thrilling swing march as introduced with US Air Force Bands by Glenn Miller's version of 'Saint Louis Blues March'. Vigorous drum solos give this modern march a martial character so that it can easily be used as an original quick march. This march was composed in 1980 and was commissioned by the S.O.M.N.O., the then umbrella organization for all Dutch band associations.
Estimated dispatch 7-14 working days
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£71.50Stars and Stripes Forever Trio - John Philip Sousa
Americas most famous march, written by the most famous band leader in the world, has entertained and inspired players and audiences since its first performance in 1897. This setting for young bands includes the most famous themes from this great march (the introduction and the trio) so young bands can enjoy performing this world-renowned work. Two versions of the famous piccolo solo are included, one advanced and one easier, so you can feature either a star soloist or the entire flute section.
Estimated dispatch 7-14 working days
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£71.50Aces of the Air - Karl L. King
The always popular collection of Karl King marches has provided us with, yet, another great work of masterful writing. You can be assured that all the ingredients of a traditional march can be found in this "fun to perform" piece by the preeminent composer of circus music. His timeless pieces continue to be performed around the world and this exciting march will hopefully find its way into the music folders of your students. A real crowd pleaser!
Estimated dispatch 7-14 working days
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£144.99Festa Paesana - Jacob de Haan
Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction.
Estimated dispatch 7-14 working days
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£144.99Ross Roy - Jacob de Haan
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.
Estimated dispatch 7-14 working days
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