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  • £102.99

    The Quest - Bert Appermont

    Quest implies "exploring" or "being in search of". This four piece work is a challenge to every fanfare or symphonic wind band. All groups in the orchestra have explicit parts in this composition that is reminiscent of film music. It can serve both for a concert and a contest.

    Estimated dispatch 7-14 working days

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  • £149.99

    The Age Of Aquarius - Bert Appermont

    The Age of Aquarius is a sparkling composition that expresses the diverse aspects of a new astrological era in the sign of aquarius in 4 contrasting parts. As it refers to some classics in wind music, this composition is a true challenge for musician and listener.

    Estimated dispatch 7-14 working days

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  • £84.99

    Magnolia - Bert Appermont

    Just as the magnificent blooms of the magnolia appear in springtime, so this simple choral melody opens slowly and gracefully, eventually blossoming to a glorious climax. The delightful opening theme is taken up again, and eventually everything comesto rest, like a bud that closes at the day's end.

    Estimated dispatch 7-14 working days

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  • £294.99

    Concerto for Horn and Band - Bert Appermont

    Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armnica from Buol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.

    Estimated dispatch 7-14 working days
  • £104.99

    Aurum - Bert Appermont

    The magnificent concert march Aurum (lat. gold) was written on the occasion of the 50th anniversary of the cunductor of the municipal band of Wolfach, in Baden-Wrttemberg, Germany. The march begins with a light and playful theme. The following lyrical trio provides a contrast, with its nod to Edward Elgar. After a number of key changes the introductory theme returns in canon. Finally, the music heads to a majestic finale, inwhich the trio theme is played as a splendid baroque chorale.

    Estimated dispatch 7-14 working days

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  • £137.99

    Treasure Island - Bert Appermont

    This composition was inspired by the adventure novel Treasure Island by the Scottish author Robert Louis Stevenson. The music does not recount the tale verbatim, but rather sketches particular events and moods in scenes.

    Estimated dispatch 7-14 working days

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  • £159.99

    In the Shadow of Napoleon - Bert Appermont

    This suite is based on the musical In the Shadow of Napoleon which celebrated its exceptionally successful premire in Worms, Germany, on 21 July 2014. The musical tells the story of Louis-Joseph Marchand, Napoleon's footman who is involved in the dispute over the emperor's inheritance and the unsolved mystery of his death. The composer strove to present the six musical songs in the suite in such a way that it appears to be an entirely new work.

    Estimated dispatch 7-14 working days

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  • £84.99

    The Olympic Dream - Bert Appermont

    Every athlete dreams of winning a medal at the Olympic Games: it's the ultimate dream. The mood of the games is indeed unique: stadiums filled to the brim, triumphant heroes, a sense of unity but often also of disappointment. These emotions are evoked in "The Olympic Dream" by a compelling and melodious theme that is repeated four times with varying accompaniment.

    Estimated dispatch 7-14 working days

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  • £102.99

    Twinkling Tunes - Bert Appermont

    Twinkling Tunes are two original Christmas songs written especially for children and which, thanks to their flexible instrumentation, can be played by any wind band. Lichtjes van Kerstmis (Christmas Lights) is about people gathering together around the Christmas tree. The Lied der Koningen (Song of Kings) brings the story of the Magi to life. The vocal part (with Dutch text) is optional and can be performed either solo or by a children's choir, but even without vocals, this composition is sure to create a merry Christmas mood.

    Estimated dispatch 7-14 working days

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  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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