Results
-
£102.99Leonesse - Bert Appermont
Leonesse is the name of the castle and landed estates of Lady Guinevere, from the famous story of King Arthur. This stately concert march leads us to the old England with its legendary castles and the beautiful and impressive landscapes where many knights have died. Following a festive opening, a majestic melody symbolises the atmosphere of courtly elegance and refinement. The second part of this original composition describes, with a broad and dignified melody, the beauty and extensiveness of the English hills.
Estimated dispatch 7-14 working days
-
£84.99The Soldier & The Princess - Bert Appermont
This work is based on the story of the soldier and the princess from the film Cinema Paradiso. The story is about a poor soldier who fell in love with a beautiful princess. He had nothing to offer her, but he managed to meet her and declared his love for her. Do you want to know what happens next...?
Estimated dispatch 7-14 working days
-
£137.99El Cid - Bert Appermont
El Cid was the name of the legendary knight and folk hero Rodrigo D az de Vivar Cameador, the man who never lost a duel. After a typically Spanish opening, a slower section follows in which the composer makes reference to Albinoni'sAdagio and to the slow movement from Joaqu n Rodrigo's Concierto d'Aranjuez. The music is whipped up with Spanish passion at the close, and castanets are a must! The solo part can be played by trumpet, flugelhorn, cornet oralto saxophone and is also available in a simplified version.
Estimated dispatch 7-14 working days
-
£149.99
Microtopia - Bert Appermont
Microtopia was inspired by the wondrous nature film Microcosmos, in which the insect world is magnified into large-as-life tableaux. The title of the work is a combination of the words microscopic (micro) and biotope (topia), in reference to thisweird and wonderful world.The work consists of four parts.
Estimated dispatch 7-14 working days
-
£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
-
£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
-
£149.99
Noah's Ark - Bert Appermont
Noah's Ark is a composition based on the well-known bible-storys in which Noah builds an ark to conquer the flood. This work portrays four impressions, each of them introduced by a theme. To add dramatic power a synthesizer or a wind-machine can be used. The story can also be read by a narrator during the performance.
Estimated dispatch 7-14 working days
-
£104.99Aurum - Bert Appermont
The magnificent concert march Aurum (lat. gold) was written on the occasion of the 50th anniversary of the cunductor of the municipal band of Wolfach, in Baden-Wrttemberg, Germany. The march begins with a light and playful theme. The following lyrical trio provides a contrast, with its nod to Edward Elgar. After a number of key changes the introductory theme returns in canon. Finally, the music heads to a majestic finale, inwhich the trio theme is played as a splendid baroque chorale.
Estimated dispatch 7-14 working days
-
£169.99The Adventures of Baron Munchausen - Bert Appermont
This work is based on the famous stories of Baron Mnchhausen. In these tall tales, the baron undertook all sorts of fabulous adventures. He flew, for example, on a cannonball, or rode on a horse torn in two, he turned a hungry wolf inside out, andpulled himself out of a swamp by his own hair.Four of the tales served as the inspiration for this composition. The music isn't simply a word-for-word transcription of the stories, however, but rather conveys a particular mood or specific scene, often with a humorous twist.
Estimated dispatch 7-14 working days
-
£76.99Hymn of Glory - Bert Appermont
This melodic hymn begins with a lyrical melody, handled by various instrument groups. After a gradual build, a first climax is reached, in which the brass instruments give full vent to their glorious sound in jubilation. Now we hear a second theme,resounding in the euphoniums, which ushers in a moment of rest. Then the excitement gathers again, building to a great tutti. The main theme is taken up once more, sounding now as a kind of universal gratitude.
Estimated dispatch 7-14 working days
View Music