Results
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£228.70Pulsar - The Metamorphosis of a Star - John Brakstad
4th July in 1054 AD one of the most spectacular events was witnessed in the Cosmos. A massive star blew out; a supernova explosion.From the Earth it appeared as a new, bright star; the most brilliant in the sky. It was visible for three weeks, also in daylight, before it then faded away.But what was left of it is spectacular. Today we call it the "Crab Nebula".And in the very centre of the Nebula lies the remnant of the star; the core crushed by the force of gravity.This is a rotating neutron star, a pulsar, just 20 kilometres across, but so dense that it weighs more than our sun.As the neutron star spins, ejected particles stream out from its poles at almost the speed of light.These jets create powerful beams that sweep around as the star rotates.When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 7-14 working days
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£174.10Big Blue Eyes - Per-Olof Ukkonen
"Big Blue Eyes" is jolly Latin pop piece for soloist and Concert Band. Originally written for Flugelhorn and band but it can be played on any instrument.Solo parts are written in many keys.The soloist may start playing (ad lib.) before falling into the melody and then the rest of the band will follow.Perhaps you can introduce a guest star to play while walking in to the stage (from the audience?). You may also just start from the melody.Solo Options: C Instruments (both TC and BC), Bb Instruments, Eb-Instruments and F-instruments.
Estimated dispatch 7-14 working days
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£98.20Miniature Suite - Donald Furlano
Questo brano stato scritto in occasione del 150mo anniversario di fondazione del Corpo Musicale di Settimo Torinese. Se vogliamo fare un paragone con l'arte pittorica, si tratta di un trittico, cio l'insieme di tre distinti quadri, ciascuno dei quali rappresenta un aspetto significativo della citt di Settimo Torinese. Il primo quadro, che si rif ad alcune formule stilistiche della "marcia", rappresenta la Banda, che da 150 anni simbolo ed espressione "sonora" della comunit. Il secondo quadro, di carattere pi intimistico, rapprenta la Chiesa e si ispira allo stile del "corale", pur non avendone la canonica forma. Il terzo ed ultimo quadro rappresenta invece la Torre e quindi, non solo le istituzioni che governano la citt, ma anche i cittadini che vivono all'ombra di essa: da qui il tema popolare e lo stile di "danza" che lo caratterizza.
Estimated dispatch 7-14 working days
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£98.20San Carlo - Lorenzo Pusceddu
Ugo Papurello, president of the ''I Filarmonici'' band from San Carlo Canavese (Turin), commissioned this piece to celebrate the group's twentieth anniversary. The opening fanfare is an eloquent and fitting introduction to a solemn celebration. It is followed by the allegro, which has a modal feel and is characterised by a succession of rhythms representing the liveliness ad enthusiasm that have always characterised this band. The andante symbolises a moment of reflection and nostalgic reminiscence. The allegro is repeated as an expression of the hope that the band will continue to set itself increasingly ambitious goals. The fanfare brings back the joyous atmosphere of this special occasion and sets a formal seal on the band's twentieth anniversary.
Estimated dispatch 7-14 working days
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£121.00Ignatian Fanfare - John R. Bourgeois
Written for the centennial of Loyola University, New Orleans and premiered by the Loyola University Band on April 12, 2012 with the composer conducting. This fanfare is based on a motive from the Jesuit motto "Ad Majorem Dei Gloriam" ("to the greater glory of God") and is based on the notes A, D, G. The fanfare opens with timpani, a tintinnabulum of bells and brass, and wolf calls in the horns. A martial hymn tune appears which evokes the soldierly order of Ignatius Loyolas early years. The work closes with a rhythmic ostinato based on the words "Fight, fight, fight, ye men of the South!" The composer is a graduate of Loyola and received an honorary Doctor of Music degree in 2005.
Estimated dispatch 7-14 working days
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£214.80Missa Solemnis - Serge Lancen
This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introtus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.
Estimated dispatch 7-14 working days
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£131.30Hymns And Dances II - J. Slothouwer
In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.
Estimated dispatch 7-14 working days
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£61.00Bone Pastor-Guter Hirte - Franz Krenn
Music: Franz Krenn, Text: Ferry Krauss, Arrangement: Franz WatzFranz Krenn (1816 - 1897) was an organist, a conductor and later also teacher at the Conservatory of music of the 'Gesellschaft der Musikfreunde' in Vienna. The Graduale is part of the Roman Catholic liturgy: the vocal soloist sings a psalm or part of a psalm and the audience answers by singing the chorus 'Responsorium' (a kind of answer). The pastoral text is clearly related to the Christmas story. Krenn has written this piece for one male voice, choir and string accompaniment. This version can be performed with singers and orchestra, without singing or with a mixed instrumentation. The solo male voice can also be performed by a tenor instrument. The four-part score for mixed choir has been arranged for wind ensemble (at least a quartet). The original score for strings has been arranged for large wind orchestra, but thanks to the cue notes the piece can also be performed by smaller ensembles in a most satisfactory way. The numerous instrumentation possibilities are clearly indicated in the instrumentation list and range from a wind quartet to a full band. The percussion parts are 'ad libitum'.
Estimated dispatch 7-14 working days
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£61.00Ich Weiss ein Httlein
This song has three stanzas and describes the modest though grateful family life of the infant Jesus with his parents Mary and Joseph. The choral melody is four-part and can be performed harmoniously by a quartet. The score has however been arranged for large orchestra. So, it is possible to realize the most varied sound combinations between woodwind and brass groups, even without singing. All percussion instruments can be used 'ad libitum'. The text can be sung as four-part choir singing or by one solo voice with accompaniment of winds. A simple piano score has been added for singing rehearsals or small scale performances.
Estimated dispatch 7-14 working days
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£92.00Chocolat - Carlos Pellicer
Chocolat! is a piece written for solo trumpet, two percussionists and concertband with style inspired by funk and jazz music. The name, comes from the nickname of trumpet player Ral Garcia Chocolate. It consists of a main part that is repeated in the third part of the work and a central part where percussionists and solo trumpet can openly vary the music, totally ad libitum. A completely open improvisation space. It is an ideal piece to complete a concert.Download the solo part: Trumpet in Bb solo part
Estimated dispatch 7-14 working days
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