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  • £164.99

    A Centennial Journey (Concert Band - Score and Parts) - Sparke, Philip

    A Centennial Journey was commissioned by the Norwegian ensemble Stavanger Musikkorps av 1919 to celebrate their 100th anniversary in 2019. The work was premiered under conductor Morten E. Hansen at their Jubilee Concert in the Stavanger Konserthus on 28th September 2019. The piece opens dramatically with a sweeping melody on horns and saxophones under florid woodwind figuration, building to a majestic climax. A trio for the trombones calms the mood until the opening melody returns in a gentler style, eventually building to a busy molto vivo. The woodwind figuration continues over a series of brass trios until the main theme of the work appears on clarinets and euphoniums. This develops to introduce a change of key, featuring a long, hymn-like melody on clarinets and horns. The melody is then taken up by the full band, interspersed with sporadic brass fanfares. The opening of the molto vivo returns and leads to a return of the opening horn melody, building to a thrilling coda based on previous melodic material. Duration: 8.45

    Estimated delivery 7-14 working days

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  • £74.99

    A Little Tune (Concert Band - Score and Parts) - Doss, Thomas

    It's the little things that enrich our lives and bring a smile to our faces: a sunrise, a beautiful memory, a friendly conversation or even just a lovely melody. Hopefully, you'll find this is also true for Thomas Doss' little tune which the composer had written for his wife and youngest son as a souvenir of their road trip through Ireland. Duration: 4.00

    Estimated delivery 7-14 working days

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  • £91.00

    The End of a Love Affair (Flexible Instrument Solo with Concert Band - Score and Parts)

    Kare Grottum is known to most as a pianist and producer by NRK. He was involved in numerous TV productions, both as producer, musician, composer, and arranger. This tune is taken from a CD released in 1992, Fra en musikers dagbok where he brings with him several Norwegian soloists of international class. It is Erling Wicklund who does a brilliant solo on Flugabone which has also used as a starting point for the written improvisation. The arrangement should be played in a slightly swinging way, but not as much as a jazz waltz. Play with the straight eighths and then let it flow, with a faint two against three feeling, which clearly shows up in some places. If you do not have bassoon and oboe, let alto sax and tenor sax make up the duet from 9. Enjoy! Solo Options: C BC Instruments; Bb TC Instruments; Eb TC Instruments. Duration: 4.15

    Estimated delivery 7-14 working days

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  • £45.00

    A Christmas Dream (Concert Band - Score and Parts) - Romeyn, Rob

    Pure and beautiful, "A Christmas Dream" is a creative, lyrical setting of "Angels We Have Heard On High" for beginning band. A fresh harmonic "twist" gives this a new age feel, adding a lot of interest and intrigue for both the performer and listener. Snippets of other carols are added in creative and subtle ways. It's also very appropriate for more experienced groups that are looking for a change of pace for the holiday concert, but may have limited rehearsal time. A beautifully sensitive holiday selection! Duration: 2.45

    Estimated delivery 7-14 working days

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  • £59.00

    A Haunted Trilogy (Concert Band - Score and Parts) - Johnson, Jim H.

    A Haunted Trilogy is guaranteed to become a favorite for student and audience alike. Set as a trilogy of three short movements, your band can play one for a quick novelty piece, or all three as a divertimento or program music. "March of the Gremlins" opens the suite with an eerie march. "Tarantella For Trolls" continues the spooky musical fun with a slightly twisted little dance. "Goblin's Gavotte" closes our haunted suite with an ominous romp. It's mischievously impish, looming, conniving, and a great learning piece for chromatics in three different styles. Boo! Duration: 3.30

    Estimated delivery 7-14 working days

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  • £87.50

    Dances of a Shimmering Spirit (Concert Band - Score and Parts) - Sheldon, Robert

    This piece has an attitude! A bit jazzy, a little sassy, and a touch of glitz and glam certainly sets this piece apart. Fast-paced rhythmic riffs in a minor key alternate with soaring melodies in a major key. A thoughtful and expressive lyrical section provides contrast. Duration: 5:00

    Estimated delivery 7-14 working days

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  • £159.99

    A Little Stress Music (Concert Band - Score and Parts) - Doss, Thomas

    A Little Stress Music was commissioned by the Lenzing Werkskapelle from Austria and comprises of four sections. 'Rush Hour' depicts a Friday evening during which everyone wants to get home after work. Unfortunately, traffic jams and gridlock stand in the way! In 'Promenade Waltz' you can picture an evening walk along the beautiful lakeside, then a glass of wine loosens you up leading to the third movement: 'Romance', which starts with a promising conversation...The funny finale 'Monday Morning' brings you back to reality and the score provides the option of the band applauding itself for a job well done! A humorous and joyful piece by Thomas Doss! Duration: 12.15

    Estimated delivery 7-14 working days

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  • £59.00

    A Fond Farewell (Concert Band - Score and Parts) - Susi, Anthony

    A Fond Farewell is a warm retrospective work for developing bands, which musically expresses the mixed emotions felt by the departure of a retiring teacher, coach or graduates. It begins with two lush melancholy melodies, evoking feelings of sadness over leaving, that build to a dramatic climax with stirring lines. These opening themes shift to a joyous celebration of starting an exciting new chapter in life through a lively change in tempo and meter for an uplifting ending! Duration: 3.00

    Estimated delivery 7-14 working days

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  • £75.00

    A Child is Born in Bethlehem (Concert Band with Optional Choir - Score and Parts) - Scheidt, Samuel - Noble & Willcocks

    Samuel Scheidt (1587 - 1654) was a German composer, organist and teacher of the early Baroque era, and was one of Germany's most distinguished composers at that time, especially in the field of keyboard music. His three volumes of Tabulatura nova (1624) are a monumental compendium of song and dance arrangements, sets of variations, fantasias, toccatas, fugues and liturgical pieces (often plainsong-based) for the Lutheran Mass and Office. Likewise his four books of Geistliche Konzerte illustrate the ways of elaborating a chorale, fusing declamatory ideas with contrapuntal writing. Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. Scheidt's music is in two principal categories: instrumental music, including a large amount of keyboard music, mostly for organ; and sacred vocal music, some of which is a cappella and some of which uses a basso continuo or other instrumental accompaniment. Edited for double chorus by David Willcocks, this arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated delivery 7-14 working days

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  • £150.00

    A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul

    A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.

    Estimated delivery 7-14 working days